Jonathan Franzen - Purity

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Purity: краткое содержание, описание и аннотация

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Young Pip Tyler doesn't know who she is. She knows that her real name is Purity, that she's saddled with $130,000 in student debt, that she's squatting with anarchists in Oakland, and that her relationship with her mother-her only family-is hazardous. But she doesn't have a clue who her father is, why her mother has always concealed her own real name, or how she can ever have a normal life.
Enter the Germans. A glancing encounter with a German peace activist leads Pip to an internship in South America with The Sunlight Project, an organization that traffics in all the secrets of the world-including, Pip hopes, the secret of her origins. TSP is the brainchild of Andreas Wolf, a charismatic provocateur who rose to fame in the chaos following the fall of the Berlin Wall. Now on the lam in Bolivia, Andreas is drawn to Pip for reasons she doesn't understand, and the intensity of her response to him upends her conventional ideas of right and wrong.
Purity
The Corrections
Freedom
Purity

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“Oh dear,” she said, kneeling at my feet.

“I love you. I love you. I’m sorry. I just love you.”

I was in wretched earnest, but my dick was eavesdropping in my corduroys and sprang to life. She rested her cheek and damp hair on my knee. “Did I hurt you?”

“It was my fault.”

“No, you were right,” she said. “I’m weak. I love my clothes. I’m going to give up everything, but I can’t give up my clothes yet. Please don’t think badly of me. I didn’t mean to hurt you. We just needed to have a fight tonight, that’s all. It was a test we had to go through.”

“I love your clothes,” I said. “I love how you look in them. I’m so in love with you I’m sick to my stomach.”

“I can stop wearing them in public,” she said. “I’ll only wear them when I’m with you, and it won’t have to mean anything, because you’ll know it’s only me not being strong enough yet.”

“I don’t want to be the person who tells you what you can’t do.”

She kissed my knee gratefully. Then she saw the lump in my pants.

“I’m sorry,” I said. “It’s embarrassing.”

“Don’t be embarrassed. Boys can’t help it. I only wish I could unlearn everything I know about it for you.”

She then suggested I take a shower, which seemed perfectly reasonable, since she’d taken one herself. After I’d dried myself with one of her luxurious towels, I put all my clothes back on, not wanting to appear presumptuous. When I stepped out of the bathroom, I found the apartment lit only by the moon. Her bedroom door, which had always been shut, was now open the width of one finger.

I went to it and stopped at the threshold, my ears full of the sound of my heart, which seemed to be pounding with the impossibility of what had happened to me. Nobody went in Anabel’s bedroom, but she’d left the door open for me. For me. My head was so full of significance I thought it might explode, the way the world would have to when it encountered an impossibility. It was as if no one existed, had ever existed, except Anabel and me. I pushed open the door.

The bedroom was a dream of purity in strong monochrome moonlight. The bed was a high four-poster with a calico quilt under which Anabel was lying on her side. There were sheer curtains on the dormer windows, one Amish rug on the floor, a spindly chair and desk (the latter bare except for the watch and earrings she’d been wearing), and a high antique dresser topped with a lace cloth. Sitting on the dresser were a threadbare teddy bear and an eyeless and equally threadbare toy donkey. On the wall were a pair of unframed paintings, one of a horse from an unsettling close-up perspective, the other of a cow from a similar perspective, both of them unfinished-looking, with bare patches of canvas, which was Anabel’s way as an artist. The spareness of the room felt rural-Kansan, nineteenth-century, especially in the moonlight. The animals reminded me that I hadn’t given Anabel her present.

“Where are you going?” she called out plaintively when I went to retrieve my knapsack.

I came back with the little plush bull and sat on the edge of the bed like a father with his girl. “Forgot I had a present for you.”

She sat up in her pajamas and took the bull. For a moment I thought she was going to hate it; was going to be scary Anabel. But she wasn’t that Anabel in her bedroom. She smiled at the bull and said, “Hello, little one.”

“It’s OK?”

“He’s perfect. I haven’t had a new animal since I was ten.” She glanced at her dresser. “The others are too worn out to talk to me anymore.” She stroked the bull. “What’s his name?”

“Not Ferdinand.”

“No, not Ferdinand. Only Ferdinand is Ferdinand.”

I don’t know why the name Leonard popped into my head, but I said it.

“Leonard?” She peered into the bull’s sleepy eyes. “Are you Leonard?” She turned its plushy face toward mine. “Is he Leonard?”

“Yes, I am Leonard,” I said in the Belgian accent of my mother’s gastroenterologist.

“You’re not an American bull,” Anabel said coyly.

Leonard explained, through me, that he came from a very old aristocratic cow family in Belgium, and that a series of misfortunes had brought him to Thirtieth Street Station in severely straitened circumstances. Leonard turned out to be a terrible snob, appalled by the ugliness of Philadelphia and the tackiness of America, and he was delighted with the prospect of entering Anabel’s employ — he could tell she was a kindred spirit.

Anabel was entranced, and I was entranced to be entrancing her. I was also afraid to set Leonard aside, afraid of what came next, and I now see that I couldn’t have found a better way to make Anabel feel safe than to play with a stuffed animal in her little girl’s room. I’d blundered into being perfect for her. When we finally dismissed Leonard and she pulled me down on top of her, there was a new look in her eyes, the unconcealable and unfakable look of a woman seriously in love. It’s not something a man sees every day.

I wish I could remember the sensation of being taken by her, or maybe it’s more accurate to say that I wish I could go back to that moment as the person I am now, could be in that state of trembling wonder but also have enough experience to appreciate how it felt to be inside a woman for the first time; to enjoy it, basically. But it wasn’t as if I’d enjoyed my first beer or my first cigar, either. The beauty of Anabel naked literally made my eyes hurt, and I was nothing but a thousand worries. If I remember anything from the moment at all, it’s the dreamlike sensation of walking into a room where two figures had been for my entire life, two figures who knew each other well and were talking about realistic adult things I knew nothing about, two figures indifferent to my very late arrival. These figures were the things so graphically down there , my dick and Anabel’s cunt. I was the young and excluded third party, Anabel a distant fourth. But this may have been some actual dream from some other time.

What I do remember clearly is what a full moon did for Anabel, how she came and came. I was too clumsy to manage it in the purely thrusting way I would have liked to, but she showed me different ways. It seemed inconceivable that such a total pleasure machine couldn’t come at other times of the month, but later experience seemed to bear this out. She was a nearly silent comer, not a screamer. In the warmer light of dawn, she confessed to me that during her now-ended years of celibacy she’d sometimes waited for her best day and spent the entirety of it in her bedroom, masturbating. The vision of her beautiful, endless, solitary self-pleasuring made me wish I could be her. Since I couldn’t, I fucked her for a fourth and last sore time. Then we slept until the afternoon, and I stayed in her apartment for another two days, sustaining myself with buttered toast, not wanting to waste the moon’s fullness. When I finally got back to campus, I resigned from the DP and let Oswald take over.

* * *

My mother had warned me that her face had swollen up from the high doses of prednisone that Dr. Van Schyllingerhout had her on, but I was still shocked when I met her at the airport. Her face was a ghastly fat cartoon of itself, a miserable moon of flesh, her cheeks so bloated they pushed her eyes half shut. Her apologies to me were piteous. She said she was sick about the state she was in for an Ivy League graduation she’d so looked forward to.

I told her not to worry, but I was sick about it, too. No matter how often you remind yourself that a face is just a face, that it has nothing to do with the character of the person within, you’re so used to reading people through their faces that it’s difficult to be fair to a deformed one. My mother’s new face repelled the very sympathy it ought to have elicited from me. She was like a shameful secret of mine, a pumpkin-headed scarecrow in a checkered pants suit, when I walked her across the Green to my Phi Beta Kappa induction. I avoided meeting anyone’s eyes, and when I’d deposited her in a seat in College Hall, I had to force myself to walk, not run, away from her.

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