Хлоя Бенджамин - The Anatomy of Dreams

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"Human beings are more productive than ever before, but they're also unhappier. They feel oppressed by the limits of their lives: the boredom, the repetition, the fatigue. What if you could use your sleep to do more—to receive all of the traditional regenerative benefits while problem-solving, healing, even experiencing alternate worlds?
Wouldn't you be capable of extraordinary things?"
So asks Dr. Adrian Keller, a charismatic medical researcher who has staked his career on the therapeutic potential of lucid dreaming. Keller is headmaster of a boarding school in Northern California where Sylvie Patterson, a student, falls in love with a spirited classmate named Gabe. Over the next six years, Gabe and Sylvie become increasingly involved in Keller's work, following him from the redwood forests of Eureka, CA to the coast of New England.
But when Keller receives a commission from the University of Wisconsin-Madison, Sylvie and Gabe stumble into a tangled, dangerous relationship with their intriguing neighbors, and Sylvie begins to doubt the ethics of Keller's research. As she navigates the hazy, permeable boundaries between what is real and what isn't, who can be trusted and who cannot, Sylvie also faces surprising developments in herself: an unexpected infatuation, growing paranoia and a new sense of rebellion.
Both a coming-of-age story and an exploration of the subconscious mind, THE ANATOMY OF DREAMS explores the murky landscape of the human psyche and the fine line that defines our moral boundaries.

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When I turned around, Gabe was propped up on one elbow, staring at me. We looked at each other in silence.

“Bad dream,” I said finally.

Gabe shook his head. “But you never remember your dreams.”

“I know,” I said. “It’s odd.”

Gabe was staring at me with a bare kind of exhaustion—or was it resignation? He opened his mouth, then seemed to think better of it.

“Sleepy Sylvie,” he said, inching across the space between us, collecting me into his arms.

PART TWO: NIGHT

11 MARTHAS VINEYARD MASSACHUSETTS 2002 When I look back at the rest of - фото 3

11. MARTHA’S VINEYARD, MASSACHUSETTS, 2002

When I look back at the rest of that first summer in Snake Hollow, I am tempted to say—as much as I resist this sort of statement—that it was the best time in my life. The thrown-together dinners, Gabe chopping zucchini and eggplant, Keller pouring salt crystals into a pot of bubbling water while flipping strips of pancetta with the many-armed grace of a Hindu god; Keller taking us out to the glass-­littered beach at night, striding through the dune grass and salt-marsh hay with boyish enthusiasm—“Look!” he said, “feel something, for God’s sake—get out of yourselves”; or sitting with Gabe on the floor of the library as Keller strode between us—spun through the room, it seemed to me, in my three A.M. haze ( When does he sleep? I often wondered)—his voice ricocheting off the walls, the dim lights of the library flickering in his wake.

“We are living in a twenty -four/seven culture,” he said. “Convenience stores are open at all hours of the day. Twenty percent of the working population in developed countries works the night shift. Planes take off and land, universities hold classes, hospitals are staffed, all during the night hours traditionally reserved for sleep. Human beings are more productive than ever before, but they’re also unhappier. They feel oppressed by the limits of their lives: the boredom, the repetition, the fatigue. What if you could use your sleep to do more— to receive all of the traditional regenerative benefits while problem solving, healing, even experiencing alternate worlds?”

He was jittery with enthusiasm, pacing the library like a teenager. Earlier that day, Gabe and I had traveled to Boston to watch Keller give a talk on lucid dreaming. He was even more dynamic than he’d been at Mills, his voice carrying through the auditorium, his limbs shot through with energy; it was as though, like Benjamin Button, he was aging in reverse. “This freedom, hard to imagine within the constraints of waking life,” he boomed, “is astounding, exhilarating, and inspiring. The laws of science and society are abolished. The possibilities are boundless, and the choices are yours. Wouldn’t you be capable of extraordinary things?”

A college student with a bushel of red hair raised her hand. She stood when Keller called on her.

“Okay,” she said, “but people are capable of terrible things, too. What if somebody wanted to dream about hurting someone? Or killing them?”

“You’re right: violence is a part of human nature,” said Keller. “But if those urges can be experienced and processed safely, within the construct of a dream, they can be put to rest.”

“And if they aren’t put to rest?” shouted a man in the front row. “What if it doesn’t work?”

“There will always be people who aren’t helped by our research. Successfully matching patient to treatment is as complex as any marriage, and it does require trial and error. But most of the patients I see are capable, while dreaming, of being at their best: their most resourceful, their most creative, their most intuitive.”

Gabe and I had similar conversations with Keller at Snake Hollow, sitting around the dinner table or sprawled on the leather couches in the library. At these moments, Snake Hollow felt almost like Mills—or some bare-bones version of Mills, the school stripped of its landscape and buildings and students until all that was left was Gabe and Keller and me. Keller taught us his theory of interactive lucid dreaming, the same theory that would later bring us to Madison. His research participants were what he termed interactives: people who, due to a medley of possible disorders, exhibited unusual activity in sleep.

Keller’s participant criteria were so specific that his applicants were few in number but generally ideal in demographic. They had to have vivid dreams that they could at least partially recall; they had to have been aware of at least two episodes of sleep activity in the past six months, whether through their own report or that of a partner; they could not be taking any pharmaceutical or recreational drugs; and they could not have been diagnosed with any psychiatric illness unrelated to sleep. Most of the patients who came to us had struggled for years to control themselves. Some had resorted to sleeping zipped-up in sleeping bags; others tied themselves to their bedposts and cleared their rooms of breakable objects before sleep.

Our patients were usually diagnosed with one of two disorders: REM behavior disorder, also known as RBD; and parasomnia overlap disorder, a dysfunction that incorporates symptoms of both RBD and sleepwalking. Both cause the loss of muscle atonia, the physical paralysis that normally ­occurs during REM sleep. As a result, these patients—who often suffer from trauma-related nightmares—are able to rise from bed and act out their dreams. The differences between the two disorders may have seemed small to an outsider, but they were significant to us. Patients with RBD rarely open their eyes or leave their bedrooms, but they have nightmares that cause them to violently, clumsily defend themselves. As a result, they’re prone to injury and unintentional destruction: an RBD patient might topple a table, slam into a dresser, or hurt the very real body of the partner lying beside them. Sleepwalkers are more dexterous, capable of complicated motor skills, sexual activity, and conversation; many can even drive. Most of the time, sleepwalking takes place during non-REM sleep, separate from dreams. But patients with parasomnia overlap disorder—the ones Keller studied—sleepwalk during REM sleep, when dreaming occurs.

And what were the dreams that Keller’s patients were compelled to act out? Usually, they were horrifying, trauma processing and self-protection gone terribly awry. Keller saw this as evidence of the mind’s obsession with safety and defense. He believed that nonparalyzed REM sleep was the site at which dysfunctional dreamers experienced the unresolved simultaneous potentialities of their waking lives, like alternate tapes that played on a loop. He believed, too, that training in lucid dreaming would give patients much-needed self-­knowledge—and the capacity for intervention.

But earlier research in lucid dreaming had proved the technique also offered a myriad of benefits to normative sleepers: adventure and fantasy, nightmare resolution, problem solving, even physical healing. The term lucid dreaming was coined in 1913 by Dutch psychiatrist Frederik van Eeden, an acquaintance of Freud, who discovered that lucid dreamers were able to think clearly, act intentionally, and remain cognizant of the circumstances of waking life—all while experiencing a dream world that felt equally real. Interest in lucid dreaming flagged until the late 1960s, when van Eeden’s paper was reprinted in books by dream scholars Celia Green and Charles Tart. In 1987, Stephen LaBerge—a psychophysiologist with a bachelor’s degree in mathematics—founded the Lucidity Institute. LaBerge did more than validate the study of lucidity in academia: he also created the first technique for lucidity induction and developed a series of light-emitting devices that made lucid dreaming available to an increasingly curious public. Some of Keller’s funding came from the normative dreamers who attended his classes and retreats—people who wondered, as he did, what the mind had to offer when exercised to its full potential.

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