Хлоя Бенджамин - The Anatomy of Dreams

“You only started dating Janna to get close to—your professor?” It struck me as funny; I laughed, and soon Thom was wheezing with me, knocking his head against the fence. But like a summer storm, Thom’s laughter passed as suddenly as it had arrived, and once more he was confidential, solemn.

“Yes,” he said. “I’ll say it. I wanted to get to him. But when I stopped thinking that way—when I fell for her , and her only, nothing more—I experienced the most incredible purity. Do you believe in purity?”

I felt a tickle on my arm. Two ants were crawling toward the inside of my elbow. I brushed them to one side; they landed on Thom’s pant leg, though he didn’t notice.

“I’m a changed man, Sylvie.” He ran a hand through his messy reddish hair, swift and shaky. “I’ve repented, believe me. I’ve changed”—and we both took swigs of our drinks, the dark sky ringing with stars. The wineglasses had all been dirtied, and we were drinking out of jam jars. I had never been so drunk. My mind spun and spun, a top inside my skull. The next thing I remember, I was waking up in bed, still in my orange dress, Gabe’s heavy thigh cast over mine; I was peeling back the curtains by our bed, a white November sun high in the sky.

The conversation was so peculiar I almost wondered if I had remembered it wrong. But from the window I could see the juniper tree, wrenched, and when I looked at the lap of my skirt, there were the grass stains, there were the little lines where twigs had scraped the fabric.

The next night, I dreamed I stood alone at an abandoned intersection in a small, plain town. To my left, wheat fields stretched fuzzy and golden; to the right was a boarded-up ice cream shop. The wind lifted my hair, blond and streaked with black. In one hand I held a whirligig that turned with the wind, spinning light. The wind stilled as if in wait, and the whirligig stopped moving. Then a flush of blackbirds rose from the field, arcing through the sky with a thick flapping noise, like the pages of a thousand books being turned. When they cleared, I saw a hot air balloon.

It moved through the sky with a stately elegance, unhurried as a mayor at a small-town parade. Its progress was so slow that I didn’t know it was manned until a figure no bigger than an insect clambered to the rim of the basket and tumbled, flailing, over one side.

It was the first dream I had fully remembered in years. I woke slick with sweat, gasping, and looked for Gabe. He lay on his back with his hands behind his head, arms two pointed wings. The clock on my bedside table shone 4:23, but I knew I wouldn’t be able to fall back to sleep. So I stepped out into the hall, closing the bedroom door quietly behind me.

My mind was dizzy, caught in the groggy purgatory between sleep and wakefulness, and I was still half-drunk. But I climbed the stairs to the attic and dusted off a clean canvas. Then I carried my paint boxes to the rug in front of the window. Kneeling, I began to mix black and white until I found something that matched the tenor of that pale gray sky.

The dream began to sharpen as I painted it. In shaping the great rainbow bulb of the balloon and its brown thatched basket, I saw the way the figure inside had first leaned out of it, looking down, as if gauging where to land. Why? Because he was harnessed to a parachute, and I remembered it now: a pillowy lavender arc that looked quilted from below, floating toward the ground at the same leisurely pace as the balloon.

I wasn’t paying attention to the way the painting looked. My goal was not the finished product but the accuracy of my recollection. I was painting what I remembered as I remembered it, and the only way to do that was to paint right on top of what I had done only moments before. And so, as the flyer came nearer and nearer to the intersection where I waited with my whirligig, I painted him again and again—because now I was sure that it was a him, that the gangly legs hung from a pale torso brushed with hair as rough and golden as wheat; that up close, he smelled like alcohol and juniper, and if I were to pull up his shirtsleeve—which I would do as soon as he landed—I would find two ants crawling down one arm in slow procession.

I stepped away from the canvas and stared at it for the first time as a whole. It was cluttered, kaleidoscopic: the balloon traced over and over, the man’s insect legs stretching toward the ground like an alien craft. My face was messily drawn and stretching apart, covered in whirligigs.

It was nothing I wanted to see again. I took a tube of black paint and squirted it across the canvas. With my widest brush, I swiped the paint from left to right, top to bottom. Light was beginning to inch up the sky, darkness drawing back like a tarp, but I was exhausted. When I returned to bed, Gabe was right where I had left him, as if no time had passed at all. I fell with surprising ease into a simple, passive sleep that must have lasted for hours. The next thing I remember was a soft rapping noise at the door, Gabe’s broad nose poking through, the snuffling noise of his laughter.

“Sylvie,” he whispered. “Sylvie, my God, wake up. It’s already one o’clock.”

I spent the next week in a haze. My sleep was fitful and uneven: too much, or not enough. During the day, it was all I could do to stay awake. I told Gabe and Keller I thought I was coming down with a cold. Keller had me cover shifts at the sleep clinic, where all I had to do was sit bleary eyed at the front desk. At night, I fell asleep immediately, and I woke blank as a baby.

I thought I was back to my old patterns until a cold Tuesday morning in the beginning of December. I dreamed of Thom; this time, there was no mistaking it. We were in an enclosed, dimly lit space with a desk and one chair, but we huddled on the floor as if in a bunker. Spread across the floor in front of us were old photographs that Thom showed me one by one. A dull, dusty-chained bulb provided a dim shaft of light. An orange cat slipped between us, purring.

I could see myself, but I was apart from myself. Like a ghost, I watched the dream me sitting with Thom on the floor—watched as he lifted the next photograph into the light, which showed a grand brick building on a hill. Below the building was a dusty path, flanked by tree trunks and globe lamps that glowed whitely as moons.

“Alumni House,” said Thom. “It’s this fancy building that was gifted to the college by two filthy-rich sisters—Rose and Blanche something. All the rich alumni could sleep there whenever they were in town, and the place had a restaurant that hosted all sorts of schmoozy, hobnobby events. He used to take Janna there. I wanted so badly to get inside. I used to stand at the bottom of the hill, just taking pictures of the damn thing.”

His face floated toward me with the 3D transparency of a hologram. He reached for me with one hand. I ducked, but I wasn’t fast enough, and he plucked something from my ear. I felt a pock , the hollow release of suction, and he held out his palm. Something fuzzy, black and yellow-spotted, wriggled inside it: a caterpillar. Suddenly, the hand was Gabe’s—I saw his broad, callused palms, his long lifeline. The caterpillar inched its way across his wrist, and I felt nauseous.

“That came—out of me?” I asked. I put my finger in my ear. Empty as a whistle.

“Dreadful sorry, Clementine,” sang Gabe.

I woke at five thirty, my chest heaving, my collarbone slick with sweat. The windows rattled, our curtains slivered apart by the cold air that came through a crack in the pane. I looked at the window, my body turned away from Gabe, as my heart rate came down. Snowflakes clung to the glass like tiny skeletons.