H. Wells - Ann Veronica

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Twenty-one, passionate and headstrong, Ann Veronica Stanley is determined to live her own life. When her father forbids her attending a fashionable ball, she decides she has no choice but to leave her family home and make a fresh start in London. There, she finds a world of intellectuals, socialists and suffragettes — a place where, as a student in biology at Imperial College, she can be truly free. But when she meets the brilliant Capes, a married academic, and quickly falls in love, she soon finds that freedom comes at a price.
A fascinating description of the women's suffrage movement,
offers an optimistic depiction of one woman's sexual awakening and search for independence.

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antagonism. None at all. Until then we mean to keep on

hammering away."

"It seems to me that much of a woman's difficulties are

economic."

"That will follow," said Kitty Brett--"that will follow."

She interrupted as Ann Veronica was about to speak again, with a

bright contagious hopefulness. "Everything will follow," she

said.

"Yes," said Ann Veronica, trying to think where they were, trying

to get things plain again that had seemed plain enough in the

quiet of the night.

"Nothing was ever done," Miss Brett asserted, "without a certain

element of Faith. After we have got the Vote and are recognized

as citizens, then we can come to all these other things."

Even in the glamour of Miss Brett's assurance it seemed to Ann

Veronica that this was, after all, no more than the gospel of

Miss Miniver with a new set of resonances. And like that gospel

it meant something, something different from its phrases,

something elusive, and yet something that in spite of the

superficial incoherence of its phrasing, was largely essentially

true. There was something holding women down, holding women back,

and if it wasn't exactly man-made law, man-made law was an aspect

of it. There was something indeed holding the whole species back

from the imaginable largeness of life. . . .

"The Vote is the symbol of everything," said Miss Brett.

She made an abrupt personal appeal.

"Oh! please don't lose yourself in a wilderness of secondary

considerations," she said. "Don't ask me to tell you all that

women can do, all that women can be. There is a new life,

different from the old life of dependence, possible. If only we

are not divided. If only we work together. This is the one

movement that brings women of different classes together for a

common purpose. If you could see how it gives them souls, women

who have taken things for granted, who have given themselves up

altogether to pettiness and vanity. . . ."

"Give me something to do," said Ann Veronica, interrupting her

persuasions at last. "It has been very kind of you to see me,

but I don't want to sit and talk and use your time any longer. I

want to do something. I want to hammer myself against all this

that pens women in. I feel that I shall stifle unless I can do

something--and do something soon."

Part 4

It was not Ann Veronica's fault that the night's work should have

taken upon itself the forms of wild burlesque. She was in deadly

earnest in everything she did. It seemed to her the last

desperate attack upon the universe that would not let her live as

she desired to live, that penned her in and controlled her and

directed her and disapproved of her, the same invincible

wrappering, the same leaden tyranny of a universe that she had

vowed to overcome after that memorable conflict with her father

at Morningside Park.

She was listed for the raid--she was informed it was to be a raid

upon the House of Commons, though no particulars were given

her--and told to go alone to 14, Dexter Street, Westminster, and

not to ask any policeman to direct her. 14, Dexter Street,

Westminster, she found was not a house but a yard in an obscure

street, with big gates and the name of Podgers & Carlo, Carriers

and Furniture Removers, thereon. She was perplexed by this, and

stood for some seconds in the empty street hesitating, until the

appearance of another circumspect woman under the street lamp at

the corner reassured her. In one of the big gates was a little

door, and she rapped at this. It was immediately opened by a man

with light eyelashes and a manner suggestive of restrained

passion. "Come right in," he hissed under his breath, with the

true conspirator's note, closed the door very softly and pointed,

"Through there!"

By the meagre light of a gas lamp she perceived a cobbled yard

with four large furniture vans standing with horses and lamps

alight. A slender young man, wearing glasses, appeared from the

shadow of the nearest van. "Are you A, B, C, or D?" he asked.

"They told me D," said Ann Veronica.

"Through there," he said, and pointed with the pamphlet he was

carrying.

Ann Veronica found herself in a little stirring crowd of excited

women, whispering and tittering and speaking in undertones.

The light was poor, so that she saw their gleaming faces dimly

and indistinctly. No one spoke to her. She stood among them,

watching them and feeling curiously alien to them. The oblique

ruddy lighting distorted them oddly, made queer bars and patches

of shadow upon their clothes. "It's Kitty's idea," said one, "we

are to go in the vans."

"Kitty is wonderful," said another.

"Wonderful!"

"I have always longed for prison service," said a voice, "always.

From the beginning. But it's only now I'm able to do it."

A little blond creature close at hand suddenly gave way to a fit

of hysterical laughter, and caught up the end of it with a sob.

"Before I took up the Suffrage," a firm, flat voice remarked, "I

could scarcely walk up-stairs without palpitations."

Some one hidden from Ann Veronica appeared to be marshalling the

assembly. "We have to get in, I think," said a nice little old

lady in a bonnet to Ann Veronica, speaking with a voice that

quavered a little. "My dear, can you see in this light? I think

I would like to get in. Which is C?"

Ann Veronica, with a curious sinking of the heart, regarded the

black cavities of the vans. Their doors stood open, and placards

with big letters indicated the section assigned to each. She

directed the little old woman and then made her way to van D. A

young woman with a white badge on her arm stood and counted the

sections as they entered their vans.

"When they tap the roof," she said, in a voice of authority, "you

are to come out. You will be opposite the big entrance in Old

Palace Yard. It's the public entrance. You are to make for that

and get into the lobby if you can, and so try and reach the floor

of the House, crying 'Votes for Women!' as you go."

She spoke like a mistress addressing school-children.

"Don't bunch too much as you come out," she added.

"All right?" asked the man with the light eyelashes, suddenly

appearing in the doorway. He waited for an instant, wasting an

encouraging smile in the imperfect light, and then shut the doors

of the van, leaving the women in darkness. . . .

The van started with a jerk and rumbled on its way.

"It's like Troy!" said a voice of rapture. "It's exactly like Troy!"

Part 5

So Ann Veronica, enterprising and a little dubious as ever,

mingled with the stream of history and wrote her Christian name

upon the police-court records of the land.

But out of a belated regard for her father she wrote the surname

of some one else.

Some day, when the rewards of literature permit the arduous

research required, the Campaign of the Women will find its

Carlyle, and the particulars of that marvellous series of

exploits by which Miss Brett and her colleagues nagged the whole

Western world into the discussion of women's position become the

material for the most delightful and amazing descriptions. At

present the world waits for that writer, and the confused record

of the newspapers remains the only resource of the curious. When

he comes he will do that raid of the pantechnicons the justice it

deserves; he will picture the orderly evening scene about the

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