Arnold Bennett - The Old Wives' Tale

Sophia had gone in trembling and ashamed, yet in her heart courageously determined to emerge uncompromisingly French. But the models frightened her. They surpassed even the most fantastic things that she had seen in the streets. She recoiled before them and seemed to hide for refuge in Gerald, as it were appealing to him for moral protection, and answering to him instead of to the saleswoman when the saleswoman offered remarks in stiff English. The prices also frightened her. The simplest trifle here cost sixteen pounds; and her mother's historic 'silk,' whose elaborateness had cost twelve pounds, was supposed to have approached the inexpressible! Gerald said that she was not to think about prices. She was, however, forced by some instinct to think about prices--she who at home had scorned the narrowness of life in the Square. In the Square she was understood to be quite without commonsense, hopelessly imprudent; yet here, a spring of sagacity seemed to be welling up in her all the time, a continual antidote against the general madness in which she found herself. With extraordinary rapidity she had formed a habit of preaching moderation to Gerald. She hated to 'see money thrown away,' and her notion of the boundary line between throwing money away and judiciously spending it was still the notion of the Square.

Gerald would laugh. But she would say, piqued and blushing, but self-sure: "You can laugh!" It was all deliciously agreeable.

On this evening she wore the first of the new costumes. She had worn it all day. Characteristically she had chosen something which was not too special for either afternoon or evening, for either warm or cold weather. It was of pale blue taffetas striped in a darker blue, with the corsage cut in basques, and the underskirt of a similar taffetas, but unstriped. The effect of the ornate overskirt falling on the plain underskirt with its small double volant was, she thought, and Gerald too, adorable. The waist was higher than any she had had before, and the crinoline expansive. Tied round her head with a large bow and flying blue ribbons under the chin, was a fragile flat capote like a baby's bonnet, which allowed her hair to escape in front and her great chignon behind. A large spotted veil flew out from the capote over the chignon. Her double skirts waved amply over Gerald's knees in the carriage, and she leaned back against the hard cushions and put an arrogant look into her face, and thought of nothing but the intense throbbing joy of life, longing with painful ardour for more and more pleasure, then and for ever.

As the carriage slipped downwards through the wide, empty gloom of the Champs Elysees into the brilliant Paris that was waiting for them, another carriage drawn by two white horses flashed upwards and was gone in dust. Its only occupant, except the coachman and footman, was a woman. Gerald stared after it.

"By Jove!" he exclaimed. "That's Hortense!"

It might have been Hortense, or it might not. But he instantly convinced himself that it was. Not every evening did one meet Hortense driving alone in the Champs Elysees, and in August too!

"Hortense?" Sophia asked simply.

"Yes. Hortense Schneider."

"Who is she?"

"You've never heard of Hortense Schneider?"

"No!"

"Well! Have you ever heard of Offenbach?"

"I--I don't know. I don't think so."

He had the mien of utter incredulity. "You don't mean to say you've never heard of Bluebeard?"

"I've heard of Bluebeard, of course," said she. "Who hasn't?"

"I mean the opera--Offenbach's."

She shook her head, scarce knowing even what an opera was.

"Well, well! What next?"

He implied that such ignorance stood alone in his experience. Really he was delighted at the cleanness of the slate on which he had to write. And Sophia was not a bit alarmed. She relished instruction from his lips. It was a pleasure to her to learn from that exhaustless store of worldly knowledge. To the world she would do her best to assume omniscience in its ways, but to him, in her present mood, she liked to play the ignorant, uninitiated little thing.

"Why," he said, "the Schneider has been the rage since last year but one. Absolutely the rage."

"I do wish I'd noticed her!" said Sophia.

"As soon as the Varietes reopens we'll go and see her," he replied, and then gave his detailed version of the career of Hortense Schneider.

More joys for her in the near future! She had yet scarcely penetrated the crust of her bliss. She exulted in the dazzling destiny which comprised freedom, fortune, eternal gaiety, and the exquisite Gerald.

As they crossed the Place de la Concorde, she inquired, "Are we going back to the hotel?"

"No," he said. "I thought we'd go and have supper somewhere, if it isn't too early."

"After all that dinner?"

"All what dinner? You ate about five times as much as me, anyhow!"

"Oh, I'm ready!" she said.

She was. This day, because it was the first day of her French frock, she regarded as her debut in the dizzy life of capitals. She existed in a rapture of bliss, an ecstasy which could feel no fatigue, either of body or spirit.

II

It was after midnight when they went into the Restaurant Sylvain; Gerald, having decided not to go to the hotel, had changed his mind and called there, and having called there, had remained a long time: this of course! Sophia was already accustoming herself to the idea that, with Gerald, it was impossible to predict accurately more than five minutes of the future.

As the chasseur held open the door for them to enter, and Sophia passed modestly into the glowing yellow interior of the restaurant, followed by Gerald in his character of man-of-the- world, they drew the attention of Sylvain's numerous and glittering guests. No face could have made a more provocative contrast to the women's faces in those screened rooms than the face of Sophia, so childlike between the baby's bonnet and the huge bow of ribbon, so candid, so charmingly conscious of its own pure beauty and of the fact that she was no longer a virgin, but the equal in knowledge of any woman alive. She saw around her, clustered about the white tables, multitudes of violently red lips, powdered cheeks, cold, hard eyes, self-possessed arrogant faces, and insolent bosoms. What had impressed her more than anything else in Paris, more even than the three-horsed omnibuses, was the extraordinary self-assurance of all the women, their unashamed posing, their calm acceptance of the public gaze. They seemed to say: "We are the renowned Parisiennes." They frightened her: they appeared to her so corrupt and so proud in their corruption. She had already seen a dozen women in various situations of conspicuousness apply powder to their complexions with no more ado than if they had been giving a pat to their hair. She could not understand such boldness. As for them, they marvelled at the phenomena presented in Sophia's person; they admired; they admitted the style of the gown; but they envied neither her innocence nor her beauty; they envied nothing but her youth and the fresh tint of her cheeks.

"Encore des Anglais!" said some of them, as if that explained all.

Gerald had a very curt way with waiters; and the more obsequious they were, the haughtier he became; and a head-waiter was no more to him than a scullion. He gave loud-voiced orders in French of which both he and Sophia were proud, and a table was laid for them in a corner near one of the large windows. Sophia settled herself on the bench of green velvet, and began to ply the ivory fan which Gerald had given her. It was very hot; all the windows were wide open, and the sounds of the street mingled clearly with the tinkle of the supper-room. Outside, against a sky of deepest purple, Sophia could discern the black skeleton of a gigantic building; it was the new opera house.