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Arnold Bennett: A Solution of the Algiers Mystery

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Arnold Bennett A Solution of the Algiers Mystery

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A story from the novel The Loot of the Cities: Being the Adventures of a Millionaire in Search of Joy.

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A Solution of the Algiers Mystery by ARNOLD BENNETT

I.

"AND the launch?"

"I am unaware of the precise technical term, sir, but the launch awaits you. Perhaps I should have said it is alongside."

The reliable Lecky hated the sea; and when his master's excursions became marine, he always squinted more formidably and suddenly than usual, and added to his reliability a certain quality of ironic bitterness.

"My overcoat, please," said Cecil Thorold, who was in evening dress.

The apartment, large and low, was panelled with bird's-eye maple; divans ran along the walls, and above the divans orange curtains were drawn; the floor was hidden by the skins of wild African animals; in one corner was a Steinway piano, with the score of "The Orchid" open on the music-stand; in another lay a large, flat bowl filled with blossoms that do not bloom in England; the illumination, soft and yellow, came from behind the cornice of the room, being reflected therefrom downwards by the cream-coloured ceiling. Only by a faintly-heard tremor of some gigantic but repressed force, and by a very slight unsteadiness on the part of the floor, could you have guessed that you were aboard a steam-yacht and not in a large, luxurious house.

Lecky, having arrayed the millionaire in overcoat, muffler, crush-hat, and white gloves, drew aside a portière and followed him up a flight of stairs. They stood on deck, surrounded by the mild but treacherous Algerian night. From the white double funnels a thin smoke oozed. On the white bridge, the second mate, a spectral figure, was testing the engine-room signals, and the sharp noise of the bell seemed to desecrate the mysterious silence of the bay; but there was no other sign of life; the waiting launch was completely hidden under the high bows of the Claribel. In distant regions of the deck, glimmering beams came oddly up from below, throwing into relief some part of a boat on its davits or a section of a mast.

Cecil looked about him, at the serried lights of the Boulevard Carnot, and the riding lanterns of the vessels in the harbour. Away to the left on the hill, a few gleams showed Mustapha Supérieure, where the great English hotels are; and ten miles further east, the lighthouse on Cape Matifou flashed its eternal message to the Mediterranean. He was on the verge of feeling poetic.

"Suppose anything happens while you are at this dance, sir?"

Lecky jerked his thumb in the direction of a small steamer which lay moored scarcely a cable's-length away, under the eastern jetty. "Suppose ——?" He jerked his thumb again in exactly the same direction. His tone was still pessimistic and cynical.

"You had better fire our beautiful brass cannon," Cecil replied. "Have it fired three times. I shall hear it well enough up at Mustapha."

He descended carefully into the launch, and was whisked puffingly over the dark surface of the bay to the landing-stage, where he summoned a fiacre.

"Hotel St. James," he instructed the driver.

And the driver smiled joyously; everyone who went to the Hotel St. James was rich and lordly, and paid well, because the hill was long and steep and so hard on the poor Algerian horses.

II.

Every hotel up at Mustapha Supérieure has the finest view, the finest hygienic installation, and the finest cooking in Algeria; in other words, each is better than all the others. Hence the Hotel St. James could not be called "first among equals," since there are no equals, and one must be content to describe it as first among the unequalled. First it undoubtedly was — and perhaps will be again. Although it was new, it had what one visitor termed "that indefinable thing — cachet." It was frequented by the best people — namely, the richest people, the idlest people, the most arrogant people, the most bored people, the most titled people — that came to the southern shores of the Mediterranean in search of what they would never find — an escape from themselves. It was a vast building, planned on a scale of spaciousness only possible in a district where commercial crises have depressed the value of land, and it stood in the midst of a vast garden of oranges, lemons, and medlars. Every room — and there were three storeys and two hundred rooms — faced south: this was charged for in the bill. The public rooms, Oriental in character, were immense and complete. They included a dining-room, a drawing-room, a reading-room, a smoking-room, a billiard-room, a bridge-room, a ping-pong-room, a concert-room (with resident orchestra), and a room where Aissouias, negroes, and other curiosities from the native town might perform before select parties. Thus it was entirely self-sufficient, and lacked nothing which is necessary to the proper existence of the best people. On Thursday nights, throughout the season, there was a five-franc dance in the concert-hall. You paid five francs, and ate and drank as much as you could while standing up at the supper-tables arrayed in the dining-room.

On a certain Thursday night in early January, this Anglo-Saxon microcosm, set so haughtily in a French colony between the Mediterranean and the Djujura Mountains (with the Sahara behind), was at its most brilliant. The hotel was crammed, the prices were high, and everybody was supremely conscious of doing the correct thing. The dance had begun somewhat earlier than usual, because the eagerness of the younger guests could not be restrained. And the orchestra seemed gayer, and the electric lights brighter, and the toilettes more resplendent that night. Of course, guests came in from the other hotels. Indeed, they came in to such an extent that to dance in the ballroom was an affair of compromise and ingenuity. And the other rooms were occupied, too. The bridge players recked not of Terpsichore, the cheerful sound of ping-pong came regularly from the ping-pong-room; the retired Indian judge was giving points as usual in the billiard-room; and in the reading room the steadfast intellectuals were studying the World and the Paris New York Herald.

And all was English and American, pure Anglo-Saxon in thought and speech and gesture — save the manager of the hotel, who was Italian, the waiters, who were anything, and the wonderful concierge, who was everything.

As Cecil passed through the imposing suite of public rooms, he saw in the reading-room — posted so that no arrival could escape her eye — the elegant form of Mrs. Macalister, and, by way of a wild, impulsive freak, he stopped and talked to her, and ultimately sat down by her side.

Mrs. Macalister was one of those Englishwomen that are to be found only in large and fashionable hotels. Everything about her was mysterious, except the fact that she was in search of a second husband. She was tall, pretty, dashing, daring, well-dressed, well-informed, and, perhaps thirty-four. But no one had known her husband or her family, and no one knew her county, or the origin of her income, or how she got herself into the best cliques in the hotel. She had the air of being the merriest person in Algiers; really, she was one of the saddest, for the reason that every day left her older, and harder, and less likely to hook — well, to hook a millionaire. She had met Cecil Thorold at the dance of the previous week, and had clung to him so artfully that the coteries talked of it for three days, as Cecil well knew. And to-night he thought he might, as well as not, give Mrs. Macalister an hour's excitement of the chase, and the coteries another three days' employment.

So he sat down beside her, and they talked.

First she asked him whether he slept on his yacht or in the hotel; and he replied, sometimes in the hotel and sometimes on the yacht. Then she asked him where his bedroom was, and he said it was on the second floor, and she settled that it must be three doors from her own. Then they discussed bridge, the Fiscal Inquiry, the weather, dancing, food, the responsibilities of great wealth, Algerian railway-travelling, Cannes, gambling, Mr. Morley's "Life of Gladstone," and the extraordinary success of the hotel. Thus, quite inevitably, they reached the subject of the Algiers Mystery. During the season, at any rate, no two guests in the hotel ever talked small-talk for more than ten minutes without reaching the subject of the Algiers mystery.

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