Иоганн Гёте - Wilhelm Meister's Apprenticeship

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Wilhelm Meister, the son of a merchant, has been seduced by the chimerical world of the theater and embarks on the ambitious quest to become a great theatrical performer and dramatist. The Apprenticeship was a landmark in European literature, as not only one of the key works of Weimar Classicism, and the prototype for the Bildungs­roman genre, but also for being a timeless tale of self-discovery and a fascinating portrayal of theatre in the late 18th-century.

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Far as the worthy clergyman might, in the present case, be wrong; much as others tried to irritate me at him,—I could never hesitate to give him my sincere respect. I knew him well: I could candidly transport myself into his way of looking at these matters. I have never seen a man without his weaknesses: only in distinguished men they strike us more. We wish, and will at all rates have it, that persons privileged as they are should at the same time pay no tribute, no tax whatever. I honored him as a superior man, and hoped to use the influence of my calm neutrality to bring about, if not a peace, at least a truce. I know not what my efforts might have done; but God concluded the affair more briefly, and took the chaplain to himself. On his coffin all wept, who had lately been striving with him about words. His uprightness, his fear of God, no one had ever doubted.

I, too, was erelong forced to lay aside this Herrnhut doll–work, which, by means of these contentions, now appeared before me in a rather different light. Our uncle had, in silence, executed his intentions with my sister. He offered her a young man of rank and fortune as a bridegroom, and showed, by a rich dowry, what might be expected of himself. My father joyfully consented: my sister was free and forewarned; she did not hesitate to change her state. The bridal was appointed at my uncle's castle: family and friends were all invited, and we came together in the cheerfullest mood.

For the first time in my life, the aspect of a house excited admiration in me. I had often heard of my uncle's taste, of his Italian architect, of his collections and his library; but, comparing this with what I had already seen, I had formed a very vague and fluctuating picture of it in my thoughts. Great, accordingly, was my surprise at the earnest and harmonious impression which I felt on entering the house, and which every hall and chamber deepened. If elsewhere pomp and decoration had but dissipated my attention, I felt here concentrated and drawn back upon myself. In like manner the preparatives for these solemnities and festivals produced a silent pleasure, by their air of dignity and splendor; and to me it seemed as inconceivable that one man could have invented and arranged all this, as that more than one could have worked together in so high a spirit. Yet, withal, the landlord and his people were entirely natural: not a trace of stiffness or of empty form was to be seen.

The wedding itself was managed in a striking way: an exquisite strain of vocal music came upon us by surprise, and the clergyman went through the ceremony with a singular solemnity. I was standing by Philo at the time; and, instead of a congratulation, he whispered in my ear, "When I saw your sister give away her hand, I felt as if a stream of boiling water had been poured over me."—"Why so?" I inquired. "It is always the way with me," said he, "when I see two people joined." I laughed at him, but I have often since had cause to recollect his words.

The revel of the party, among whom were many young people, looked particularly glittering and airy; as every thing around us was dignified and serious. The furniture, plate, table–ware, and table–ornaments accorded with the general whole; and if in other houses you would say the architect was of the school of the confectioner, it here appeared as if even our confectioner and butler had taken lessons from the architect.

We staid together several days, and our intelligent and gifted landlord had variedly provided for the entertainment of his guests. I did not in the present case repeat the melancholy proof, which has so often in my life been forced upon me, how unhappily a large mixed company are situated, when, altogether left to themselves, they have to select the most general and vapid pastimes, that the fools of the party may not want amusement, however it may fare with those that are not such.

My uncle had arranged it altogether differently. Two or three marshals, if I may call them so, had been appointed by him: one of them had charge of providing entertainment for the young. Dances, excursions, little games, were of his invention and under his direction: and as young people take delight in being out–of–doors, and do not fear the influences of the air, the garden and garden–hall had been assigned to them; while some additional pavilions and galleries had been erected and appended to the latter, formed of boards and canvas merely, but in such proportions, so elegant and noble, they reminded one of nothing but stone and marble.

How rare is a festivity in which the person who invites the guests feels also that it is his duty to provide for their conveniences and wants of every kind!

Hunting and card parties, short promenades, opportunities for trustful private conversations, were afforded the elder persons; and whoever wished to go earliest to bed was sure to be lodged the farthest from noise.

By this happy order, the space we lived in appeared to be a little world: and yet, considered narrowly, the castle was not large; without an accurate knowledge of it, and without the spirit of its owner, it would have been impossible to entertain so many people here, and quarter each according to his humor.

As the aspect of a well–formed person pleases us, so also does a fair establishment, by means of which the presence of a rational, intelligent mind is manifested. We feel a joy in entering even a cleanly house, though it may be tasteless in its structure and its decorations, because it shows us the presence of a person cultivated in at least one sense. Doubly pleasing is it, therefore, when, from a human dwelling, the spirit of a higher though merely sensual culture speaks to us.

All this was vividly impressed on my observation at my uncle's castle. I had heard and read much of art; Philo, too, was a lover of pictures, and had a fine collection: I myself had often practised drawing; but I had been too deeply occupied with my emotions, striving exclusively after the one thing needful, which alone I was bent on carrying to perfection; and then, such objects of art as I had hitherto seen, appeared, like all other worldly objects, to distract my thoughts. But now, for the first time, outward things had led me back upon myself: I now first perceived the difference between the natural charm of the nightingale's song, and that of a four–voiced anthem pealed from the expressive organs of men.

My joy over this discovery I did not hide from my uncle, who, when all the rest were settled at their posts, was wont to come and talk with me in private. He spoke with great modesty of what he possessed and had produced here, with great decision of the views in which it had been gathered and arranged: and I could easily observe that he spoke with a forbearance towards me; seeming, in his usual way, to rate the excellence, which he himself possessed below that other excellence, which, in my way of thinking, was the best and properest.

"If we can conceive it possible," he once observed, "that the Creator of the world himself assumed the form of his creature, and lived in that manner for a time upon earth, this creature must appear to us of infinite perfection, because susceptible of such a combination with its Maker. Hence, in our idea of man, there can be no inconsistency with our idea of God; and if we often feel a certain disagreement with him and remoteness from him, it is but the more on that account our duty, not like advocates of the wicked Spirit, to keep our eyes continually upon the nakedness and weakness of our nature, but rather to seek out every property and beauty by which our pretension to a similarity with the Divinity may be made good."

I smiled, and answered, "Do not make me blush, dear uncle, by your complaisance in talking in my language! What you have to say is of such importance to me, that I wish to hear it in your own most peculiar style; and then what parts of it I cannot quite appropriate I will endeavor to translate."

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