Иоганн Гёте - Wilhelm Meister's Apprenticeship

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Wilhelm Meister, the son of a merchant, has been seduced by the chimerical world of the theater and embarks on the ambitious quest to become a great theatrical performer and dramatist. The Apprenticeship was a landmark in European literature, as not only one of the key works of Weimar Classicism, and the prototype for the Bildungs­roman genre, but also for being a timeless tale of self-discovery and a fascinating portrayal of theatre in the late 18th-century.

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"I may continue," he replied, "in my own most peculiar way, without any alteration of my tone. Man's highest merit always is, as much as possible to rule external circumstances, and as little as possible to let himself be ruled by them. Life lies before us, as a huge quarry lies before the architect: he deserves not the name of architect, except when, out of this fortuitous mass, he can combine, with the greatest economy and fitness and durability, some form, the pattern of which originated in his spirit. All things without us, nay, I may add, all things on us, are mere elements; but deep within us lies the creative force, which out of these can produce what they were meant to be, and which leaves us neither sleep nor rest, till, in one way or another, without us or on us, that same have been produced. You, my dear niece, have, it may be, chosen the better part; you have striven to bring your moral being, your earnest, lovely nature, into accordance with itself and with the Highest: but neither ought we to be blamed, when we strive to get acquainted with the sentient man in all his comprehensiveness, and to bring about an active harmony among his powers."

By such discoursing, we in time grew more familiar; and I begged of him to speak with me as with himself, omitting every sort of condescension. "Do not think," replied my uncle, "that I flatter you when I commend your mode of thinking and acting. I reverence the individual who understands distinctly what it is he wishes; who unweariedly advances, who knows the means conducive to his object, and can seize and use them. How far his object may be great or little, may merit praise or censure, is the next consideration with me. Believe me, love, most part of all the misery and mischief, of all that is denominated evil in the world, arises from the fact, that men are too remiss to get a proper knowledge of their aims, and, when they do know them, to work intensely in attaining them. They seem to me like people who have taken up a notion that they must and will erect a tower, and who yet expend on the foundation not more stones and labor than would be sufficient for a hut. If you, my friend, whose highest want it was to perfect and unfold your moral nature, had, instead of those bold and noble sacrifices, merely trimmed between your duties to yourself and to your family, your bridegroom, or perhaps your husband, you must have lived in constant contradiction with your feelings, and never could have had a peaceful moment."

"You employ the word sacrifice," I answered here: "and I have often thought, that to a higher purpose, as to a divinity, we offer up by way of sacrifice a thing of smaller value; feeling like persons who should willingly and gladly bring a favorite lamb to the altar for the health of a beloved father."

"Whatever it may be," said he, "reason or feeling, that commands us to give up the one thing for the other, to choose the one before the other, decision and perseverance are, in my opinion, the noblest qualities of man. You cannot have the ware and the money both at the same time; and he who always hankers for the ware without having heart to give the money for it, is no better off than he who repents him of the purchase when the ware is in his hands. But I am far from blaming men on this account: it is not they that are to blame; it is the difficult, entangled situation they are in: they know not how to guide themselves in its perplexities. Thus, for instance, you will on the average find fewer bad economists in the country than in towns, and fewer again in small towns than in great; and why? Man is intended for a limited condition; objects that are simple, near, determinate, he comprehends, and he becomes accustomed to employ such means as are at hand; but, on entering a wider field, he now knows neither what he would nor what he should; and it amounts to quite the same, whether his attention is distracted by the multitude of objects, or is overpowered by their magnitude and dignity. It is always a misfortune for him when he is induced to struggle after any thing with which he cannot connect himself by some regular exertion of his powers.

"Certainly," pursued he, "without earnestness there is nothing to be done in life; yet, among the people whom we name cultivated men, little earnestness is to be found: in labors and employments, in arts, nay, even in recreations, they proceed, if I may say so, with a sort of self–defence; they live, as they read a heap of newspapers, only to have done with it; they remind one of that young Englishman at Rome, who said, with a contented air one evening in some company, that to–day he had despatched six churches and two galleries. They wish to know and learn a multitude of things, and precisely those they have the least concern with; and they never see that hunger is not stilled by snapping at the air. When I become acquainted with a man, my first inquiry is, With what does he employ himself, and how, and with what degree of perseverance? The answer regulates the interest I shall take in him for life."

"My dear uncle," I replied, "you are, perhaps, too rigorous: you perhaps withdraw your helping hand from here and there a worthy man to whom you might be useful."

"Can it be imputed as a fault," said he, "to one who has so long and vainly labored on them and about them? How much we have to suffer in our youth from men who think they are inviting us to a delightful pleasure–party, when they undertake to introduce us to the Danaides or Sisyphus! Heaven be praised! I have rid myself of these people: if one of them unfortunately comes within my sphere, I forthwith, in the politest manner, compliment him out again. It is from such persons that you hear the bitterest complaints about the miserable course of things, the aridity of science, the levity of artists, the emptiness of poets, and much more of that sort. They do not recollect that they, and the many like them, are the very persons who would never read a book which had been written just as they require it; that true poetry is alien to them; that even an excellent work of art can never gain their approbation except by means of prejudice. But let us now break off, for this is not the time to rail or to complain."

He directed my attention to the different pictures hanging on the wall: my eye dwelt on those whose look was beautiful or subject striking. This he permitted for a while: at last he said, "Bestow a little notice on the spirit manifested in these other works. Good minds delight to trace the finger of the Deity in nature: why not likewise pay some small regard to the hand of his imitator?" He then led my observation to some unobtrusive figures; endeavoring to make me understand that it was the history of art alone which could give us an idea of the worth and dignity of any work of art; that we should know the weary steps of mere handicraft and mechanism, over which the man of talents has struggled in the course of centuries, before we can conceive how it is possible for the man of genius to move with airy freedom on the pinnacle whose very aspect makes us giddy.

With this view he had formed a beautiful series of works; and, whilst he explained it, I could not help conceiving that I saw before me a similitude of moral culture. When I expressed my thought to him, he answered, "You are altogether right; and we see from this, that those do not act well, who, in a solitary, exclusive manner, follow moral cultivation by itself. On the contrary, it will be found, that he whose spirit strives for a development of that kind, has likewise every reason, at the same time, to improve his finer sentient powers; that so he may not run the risk of sinking from his moral height by giving way to the enticements of a lawless fancy, and degrading his moral nature by allowing it to take delight in tasteless baubles, if not in something worse."

I did not suspect him of levelling at me; but I felt myself struck, when I reflected how many insipidities there might be in the songs that used to edify me, and how little favor the figures which had joined themselves to my religious ideas would have found in the eyes of my uncle.

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