Иоганн Гёте - Wilhelm Meister's Apprenticeship

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Wilhelm Meister, the son of a merchant, has been seduced by the chimerical world of the theater and embarks on the ambitious quest to become a great theatrical performer and dramatist. The Apprenticeship was a landmark in European literature, as not only one of the key works of Weimar Classicism, and the prototype for the Bildungs­roman genre, but also for being a timeless tale of self-discovery and a fascinating portrayal of theatre in the late 18th-century.

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"Could I have thought, my dearest," he exclaimed, pressing Mariana close to him, "that another, a more lovely goddess would come to encourage me in my purpose, to travel with me on my journey, the poem might have had a finer turn, a far more interesting end. Yet it is no poetry, it is truth and life that I feel in thy arms: let us prize the sweet happiness, and consciously enjoy it."

The pressure of his arms, the emotion of his elevated voice, awoke Mariana, who hastened by caresses to conceal her embarrassment; for no word of the last part of his story had reached her. It is to be wished, that in future, our hero, when recounting his favorite histories, may find more attentive hearers.

Chapter IX

Thus Wilhelm passed his nights in the enjoyment of confiding love, his days in the expectation of new happy hours. When desire and hope had first attracted him to Mariana, he already felt as if inspired with new life; felt as if he were beginning to be another man: he was now united to her; the contentment of his wishes had become a delicious habitude. His heart strove to ennoble the object of his passion; his spirit, to exalt with it the young creature whom he loved. In the shortest absence, thoughts of her arose within him. If she had once been necessary to him, she was now grown indispensable, now that he was bound to her by all the ties of nature. His pure soul felt that she was the half, more than the half, of himself. He was grateful and devoted without limit.

Mariana, too, succeeded in deceiving herself for a season: she shared with him the feeling of his liveliest blessedness. Alas! if but the cold hand of self–reproach had not often come across her heart! She was not secure from it, even in Wilhelm's bosom, even under the wings of his love. And when she was again left alone, again left to sink from the clouds, to which passion had exalted her, into the consciousness of her real condition, then she was indeed to be pitied. So long as she had lived among degrading perplexities, disguising from herself her real situation, or rather never thinking of it, frivolity had helped her through; the incidents she was exposed to had come upon her each by itself; satisfaction and vexation had cancelled one another; humiliation had been compensated by vanity; want by frequent, though momentary, superfluity; she could plead necessity and custom as a law or an excuse; and hitherto all painful emotions from hour to hour, and from day to day, had by these means been shaken off. But now, for some instants, the poor girl had felt herself transported to a better world; aloft, as it were, in the midst of light and joy, she had looked down upon the abject desert of her life, had felt what a miserable creature is the woman, who, inspiring desire, does not also inspire reverence and love: she regretted and repented, but found herself outwardly or inwardly no better for regret. She had nothing that she could accomplish or resolve upon. When she looked into and searched herself, all was waste and void within her soul: her heart had no place of strength or refuge. But the more sorrowful her state was, the more vehemently did her feelings cling to the man she loved: her passion for him even waxed stronger daily, as the danger of losing him came daily nearer.

Wilhelm, on the other hand, soared serenely happy in higher regions: to him also a new world had been disclosed, but a world rich in the most glorious prospects. Scarcely had the first excess of joy subsided, when all that had long been gliding dimly through his soul stood up in bright distinctness before it. She is mine! She has given herself up to me! She, the loved, the wished for, the adored, has given herself up to me in trust and faith: she shall not find me ungrateful for the gift. Standing or walking, he talked to himself; his heart constantly overflowed; with a copiousness of splendid words, he uttered to himself the loftiest emotions. He imagined that he understood the visible beckoning of Fate, reaching out its hand by Mariana to save him from the stagnant, weary, drudging life, out of which he had so often wished for deliverance. To leave his father's house and people, now appeared a light matter. He was young, and had not tried the world: his eagerness to range over its expanses, seeking fortune and contentment, was stimulated by his love. His vocation for the theatre was now clear to him: the high goal, which he saw raised before him, seemed nearer whilst he was advancing to it with Mariana's hand in his; and, in his comfortable prudence, he beheld in himself the embryo of a great actor,—the future founder of that national theatre, for which he heard so much and various sighing on every side. All that till now had slumbered in the innermost corners of his soul, at length awoke. He painted for himself a picture of his manifold ideas, in the colors of love, upon a canvas of cloud: the figures of it, indeed, ran sadly into one another; yet the whole had an air but the more brilliant on that account.

Chapter X

He was now in his chamber at home, ransacking his papers, making ready for departure. Whatever savored of his previous employment he threw aside, meaning at his entrance upon life to be free, even from recollections that could pain him. Works of taste alone, poets and critics, were, as acknowledged friends, placed among the chosen few. Heretofore he had given little heed to the critical authors: his desire for instruction now revived, when, again looking through his books, he found the theoretical part of them lying generally still uncut. In the full persuasion that such works were absolutely necessary, he had bought a number of them; but, with the best disposition in the world, he had not reached midway in any.

The more steadfastly, on the other hand, he had dwelt upon examples, and, in every kind that was known to him, had made attempts himself.

Werner entered the room; and, seeing his friend busied with the well–known sheets, he exclaimed, "Again among your papers? And without intending, I dare swear, to finish any one of them! You look them through and through once or twice, then throw them by, and begin something new."

"To finish is not the scholar's care: it is enough if he improves himself by practice."

"But also completes according to his best ability."

"And still the question might be asked, 'Is there not good hope of a youth, who, on commencing some unsuitable affair, soon discovers its unsuitableness, and discontinues his exertions, not choosing to spend toil and time on what never can be of any value?'"

"I know well enough it was never your concern to bring aught to a conclusion: you have always sickened on it before it came half way. When you were the director of our puppet–show, for instance, how many times were fresh clothes got ready for the dwarfish troop, fresh decorations furbished up? Now this tragedy was to be acted, now that; and at the very best you gave us some fifth act, where all was going topsy–turvy, and people cutting one another's throats."

"If you talk of those times, whose blame really was it that we ripped off from our puppets the clothes that fitted them, and were fast stitched to their bodies, and laid out money for a large and useless wardrobe? Was it not yours, my good friend, who had always some fragment of ribbon to traffic with; and skill, at the same time, to stimulate my taste, and turn it to your profit?"

Werner laughed, and continued, "I still recollect, with pleasure, how I used to extract gain from your theatrical campaigns, as army contractors do from war. When you mustered for the 'Deliverance of Jerusalem,' I, for my part, made a pretty thing of profit, like the Venetians in the corresponding case. I know of nothing in the world more rational than to turn the folly of others to our own advantage."

"Perhaps it were a nobler satisfaction to cure men of their follies."

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