James Agee - A Death In The Family

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THE TRUSTEES OF COLUMBIA UNIVERSITY IN THE CITY OF NEW YORK
To all persons to whom these presents may come greeting be it known that JAMES AGEE has been awarded THE PULITZER PRIZE IN LETTERS FICTION for A DEATH IN THE FAMILY in accordance with the provisions of the statutes of the University governing such award.
In witness whereof we have caused this certificate to be signed by the President of the University and our corporate seal to be hereto affixed in the City of New York on the fifth day of May in the year of our Lord one thousand nine hundred and fifty eight.
Grayson Kirk
PRESIDENT
James Agee’s novel A Death in the Family is a classic American story, chronicling just a few days in 1915 during which a husband and father is called out of town to be with his own father, who has had a heart attack, and while returning is killed in a car accident. Agee patterned the story closely after his own life, focusing on a boy who is the same age that he was when his father died. The narrative shifts from one perspective to another, including the young widow and her two children and her atheistic father and the dead man’s alcoholic brother, to name just a few, in an attempt to capture the ways in which one person’s loss immediately and powerfully affects everyone around.
The book was published in 1957 by McDowell, Obolensky, two years after Agee’s death from heart failure at the age of 46, and was awarded the 1958 Pulitzer Prize for Fiction. Although Agee had worked on it for almost a decade, he had not produced a definitive final draft, and so his publishers had to put the book together in a way that they believed would make the most sense. They have indicated places where they added materials that come from outside of the flow of the story, such as the opening section “ Knoxville: Summer, 1915,” which was first published in the 1940s. Critics agree that the end product is a consistent novel, one of the most moving works ever written about one of the most traumatic experiences a child could ever face.

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Hannah continued to meet her eyes. "Yes, it's true. Mary. There were all kinds of-terrible misgivings; and not without good reason, as you both came to know."

"Plenty of good reasons," Mary said. "But that didn't make it any easier for us."

"Not for any of us," Hannah said. "Particularly you and Jay, but your mother and father too, you know. Anyone who loved you."

"I know. I do know, Aunt Hannah. I don't know how I got onto this tack. There's nothing there to resent any more, or worry over, or be grieved by, for any of us, and hasn't been for a long time, thank God. Why on earth did I get off on such a tangent! Let's not say another word about it!"

"Just one word more, because I'm not sure you've ever quite known it. Have you ever realized how very highly your father always thought of Jay, right from the very beginning?"

Mary looked at her, sensitively and suspiciously. She thought carefully before she spoke. "I know he's told me so. But every time he told me he was warning me, too. I know that, as time passed, he came to think a great deal of Jay."

"He thinks the world of him," Hannah rapped out.

"But, no, I never quite believed he really liked him, or respected him from the first and I never will. I think it was just some kind of soft soap."

"Is Jay a man for soft soap?"

"No," she smiled a little, "he certainly isn't, ordinarily. But what am I to make of it? Here he was praising Jay to the skies on the one hand and on the other, why practically in the same breath, telling me one reason after another why it would be plain foolhardiness to marry him. What would you think!"

"Can't you see that both things might be so-or that he might very sincerely have felt that both things were so, rather?"

Mary thought a moment. "I don't know, Aunt Hannah. No, I don't see quite how."

"You learned how yourself, Mary."

"Did I!"

"You learned there was a lot in what your father-in all our misgivings, but learning it never changed your essential opinion of him, did it? You found you could realize both things at once."

"That's true. Yes. I did."

"We had to learn more and more that was good. You had to learn more and more that wasn't so good."

Mary looked at her with smiling defiance. "All the same, blind as I began it," she said, "I was more right than Papa, wasn't I? It wasn't a mistake. Papa was right there'd be trouble-more than he'll ever know or any of you-but it wasn't a mistake. Was it?"

Don't ask me, child, tell me, Hannah thought. "Obviously not," she said.

Mary was quiet a few moments. Then she said, shyly and proudly, "In these past few months, Aunt Hannah, we've come to a-kind of harmoniousness that-that," she began to shake her head. "I've no business talking about it." Her voice trembled. "Least of all right now!" She bit her lips together, shook her head again, and swallowed some tea, noisily. "The way we've been talking," she blurted, her voice full of tea, "it's just like a post-mortem!" She struck her face into her hands and was shaken by tearless sobbing. Hannah subdued an impulse to go to her side. God help her, she whispered. God keep her. After a little while Mary looked up at her; her eyes were quiet and amazed. "If he dies," she said, "if he's dead, Aunt Hannah, I don't know what I'll do. I just don't know what I'll do."

"God help you," Hannah said; she reached across and took her hand. "God keep you." Mary's face was working. "You'll do well. Whatever it is, you'll do well. Don't you doubt it. Don't you fear." Mary subdued her crying. "It's well to be ready for the worst," Hannah continued. "But we mustn't forget, we don't know yet."

At the same instant, both looked at the clock.

"Certainly by very soon now, he should phone," Mary said. "Unless he's had an accident!" she laughed sharply.

"Oh soon, I'm sure," Hannah said. Long before now, she said to herself, if it were anything but the worst. She squeezed Mary's clasped hands, patted them, and withdrew her own hand, feeling, there's so little comfort anyone can give, it'd better be saved for when it's needed most.

Mary did not speak, and Hannah could not think of a word to say. It was absurd, she realized, but along with everything else, she felt almost a kind of social embarrassment about her speechlessness.

But after all, she thought, what is there to say! What earthly help am I, or anyone else?

She felt so heavy, all of a sudden, and so deeply tired, that she wished she might lean her forehead against the edge of the table.

"We've simply got to wait," Mary said.

"Yes," Hannah sighed.

I'd better drink some tea, she thought, and did so. Lukewarm and rather bitter, somehow it made her feel even more tired.

They sat without speaking for fully two minutes.

"At least we're given the mercy of a little time," Mary said slowly, "awful as it is to have to wait. To try to prepare ourselves for whatever it may be." She was gazing studiously into her empty cup.

Hannah felt unable to say anything.

"Whatever is," Mary went on, "it's already over and done with." She was speaking virtually without emotion; she was absorbed beyond feeling, Hannah became sure, in what she was beginning to find out and to face. Now she looked up at Hannah and they looked steadily into each other's eyes.

"One of three things," Mary said slowly. "Either he's badly hurt but he'll live, and at best even get thoroughly well, and at worst be a helpless cripple or an invalid or his mind impaired." Hannah wished that she might look away, but she knew that she must not. "Or he is so terribly hurt that he will die of it, maybe quite soon, maybe after a long, terrible struggle, maybe breathing his last at this very minute and wondering where I am, why I'm not beside him." She set her teeth for a moment and tightened her lips, and spoke again, evenly: "Or he was gone already when the man called and he couldn't bear to be the one to tell me, poor thing.

"One, or the other, or the other. And no matter what, there's not one thing in this world or the next that we can do or hope or guess at or wish or pray that can change it or help it one iota. Because whatever is, is. That's all. And all there is now is to be ready for it, strong enough for it, whatever it may be. That's all. That's all that matters. It's all that matters because it's all that's possible. Isn't that so?"

While she was speaking, she was with her voice, her eyes and with each word opening in Hannah those all but forgotten hours, almost thirty years past, during which the cross of living had first nakedly borne in upon her being, and she had made the first beginnings of learning how to endure and accept it. Your turn now, poor child, she thought; she felt as if a prodigious page were being silently turned, and the breath of its turning touched her heart with cold and tender awe. Her soul is beginning to come of age, she thought; and within those moments she herself became much older, much nearer her own death, and was content to be. Her heart lifted up in a kind of pride in Mary, in every sorrow she could remember, her own or that of others (and the remembrances rushed upon her); in all existence and endurance. She wanted to cry out Yes! Exactly! Yes. Yes. Begin to see. Your turn now. She wanted to hold her niece at arms' length and to turn and admire this blossoming. She wanted to take her in her arms and groan unto God for what it meant to be alive. But chiefly she wanted to keep stillness and to hear the young woman's voice and to watch her eyes and her round forehead while she spoke, and to accept and experience this repetition of her own younger experience, which bore her high and pierced like music.

"Isn't that so?" Mary repeated.

"That and much more," she said.

"You mean God's mercy?" Mary asked softly.

"Nothing of the kind," Hannah replied sharply. "What I mean, I'd best not try to say." (I've begun, though, she reflected; and I startled her, I hurt her, almost as if I'd spoken against God.) "Only because it's better if you learn it for yourself. By yourself."

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