James Agee - A Death In The Family

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THE TRUSTEES OF COLUMBIA UNIVERSITY IN THE CITY OF NEW YORK
To all persons to whom these presents may come greeting be it known that JAMES AGEE has been awarded THE PULITZER PRIZE IN LETTERS FICTION for A DEATH IN THE FAMILY in accordance with the provisions of the statutes of the University governing such award.
In witness whereof we have caused this certificate to be signed by the President of the University and our corporate seal to be hereto affixed in the City of New York on the fifth day of May in the year of our Lord one thousand nine hundred and fifty eight.
Grayson Kirk
PRESIDENT
James Agee’s novel A Death in the Family is a classic American story, chronicling just a few days in 1915 during which a husband and father is called out of town to be with his own father, who has had a heart attack, and while returning is killed in a car accident. Agee patterned the story closely after his own life, focusing on a boy who is the same age that he was when his father died. The narrative shifts from one perspective to another, including the young widow and her two children and her atheistic father and the dead man’s alcoholic brother, to name just a few, in an attempt to capture the ways in which one person’s loss immediately and powerfully affects everyone around.
The book was published in 1957 by McDowell, Obolensky, two years after Agee’s death from heart failure at the age of 46, and was awarded the 1958 Pulitzer Prize for Fiction. Although Agee had worked on it for almost a decade, he had not produced a definitive final draft, and so his publishers had to put the book together in a way that they believed would make the most sense. They have indicated places where they added materials that come from outside of the flow of the story, such as the opening section “ Knoxville: Summer, 1915,” which was first published in the 1940s. Critics agree that the end product is a consistent novel, one of the most moving works ever written about one of the most traumatic experiences a child could ever face.

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He thought about Victoria while they walked and he wished that she was happy, and he felt that it was because of him that she was not happy. " Victoria," he said.

"What is it, honey?"

"I didn't want to be mean to you."

She stopped abruptly and with creaking and difficulty squatted down in the middle of the sidewalk so that a man who was passing stepped suddenly aside and looked coldly down as he went by. She put both hands on his shoulders and her large, kind face and her kind smell were close to him. "Lord bless you, baby, Victoria knows you didn't! Victoria knows you is de goodest little boy in all dis world! She just had to tell you, you see. Cause colored folks has a hard time in dis world and she knows you wouldn't want to make em feel bad, not even if you didn't mean to."

"I didn't want to make you feel bad."

"Bless your little heart. I don't feel bad, not one bit. You make me feel happy, and your mama makes me feel happy, and there's not one thing in the world I wouldn't do for de bole of you, honey, and dat you know. Dat you know," she said again, rocking her head and smiling and patting both his shoulders. "I missed you terrible, honey," she said, but somehow he felt that she was not talking exactly to him. "I couldn't hardly love you more if you was my own baby." A silence opened around them in which he felt at once great space, the space almost of darkness itself, and great peace and comfort; and the whole of this immensity was pervaded by her vague face and by the waving light of leaves. "Now let's git along," she said, creaking upright and smoothing her starched garments. "We don't want to keep your granmaw waitin."

And there was the dusty ivy on the wall, the small glasshouse in front, and on the porch, Aunt Amelia and his grandma. Even when they were still across the street he saw his Aunt Amelia wave and Victoria waved gaily back, chuckling and croaking, "Hello," and he waved too; and Amelia leaned towards his grandmother who sought out and tilted her little trumpet and Amelia leaned close to it and then they both turned to look and Grandma got up and he could hear her high, "Hello," and they were at the front steps, and Grandma came cautiously down the steps from the porch, and they all met on the brick walk in the shade of the magnolia, while Aunt Amelia came up smiling from behind her mother. And soon Victoria left; she disappeared around a corner, a few blocks up the street, handsomely and gradually as a sailboat.

PART II

Chapter 8

A few minutes before ten, the phone rang. Mary hurried to quiet it. "Hello?"

The voice was a man's, wiry and faint, a country voice. It was asking a question, but she could not hear it clearly.

"Hello?" she asked again. "Will you please talk a little louder? I can't hear… I said I can't hear you! Will you talk a little louder please? Thank you."

Now, straining and impatient, she could hear, though the voice seemed still to come from a great distance.

"Is this Miz Jay Follet?"

"Yes; what is it?" (for there was a silence); "yes, this is she."

After further silence the voice said, "There's been a slight-your husband has been in a accident."

His head! she told herself.

"Yes," she said, in a caved-in voice. At the same moment the voice said, "A serious accident."

"Yes," Mary said more clearly.

"What I wanted to ask, is there a man in his family, some kin, could come out? We'd appreciate if you could send a man out here, right away."

"Yes; yes, there's my brother. Where should he come to?"

"I'm out at Powell Station, at Brannick's Blacksmith Shop, bout twelve miles out the Ball Camp Pike."

"Brannick's bl-"

"B-r-a-n-n-i-c-k. It's right on the left of the Pike comin out just a little way this side, Knoxvul side of Bell's Bridge." She heard muttering, and another muttering voice. "Tell him he can't miss it. We'll keep the light on and a lantern out in front."

"Do you have a doctor?"

"How's that again, ma'am?"

"A doctor, do you have one? Should I send a doctor?"

"That's all right, ma'am. Just some man that's kin."

"He'll come right out just as fast as he can." Walter's auto, she thought. "Thank you very much for calling."

"That's all right, ma'am. I sure do hate to give you bad news."

"Good night."

"Good-bye, ma'am."

She found she was scarcely standing, she was all but hanging from the telephone. She stiffened her knees, leaned against the wall, and rang.

"Andrew?"

"Mary?"

She drew a deep breath.

"Mary."

She drew another deep breath; she felt as if her lungs were not large enough.

"Mary?"

Dizzy, seeing gray, trying to control her shaking voice, she said, "Andrew, there's been an-a man just phoned, from Powell's Station, about twelve miles out towards LaFollette, and he says-he says Jay-has met with a very serious accident. He wants…"

"Oh, my God, Mary!"

"He said they want some man of his family to come out just as soon as possible and, help bring him in, I guess."

"I'll call Walter, he'll take me out."

"Yes do, will you, Andrew?"

"Of course I will. Just a minute."

"What?"

"Aunt Hannah."

"May I speak to her when you're through?"

"Certainly. Where is he hurt, Mary?"

"He didn't say."

"Well, didn't you-no matter."

"No I didn't," she said, now realizing with surprise that she had not, "I guess because I was so sure. Sure it's his head, that is."

"Do they-shall I get Dr. Dekalb?"

"He says no; just you."

"I guess there's already a doctor there."

"I guess."

"I'll call Wa-wait, here's Aunt Hannah."

"Mary."

"Aunt Hannah, Jay is in a serious accident, Andrew has to go out. Would you come up and wait with me and get things ready just in case? Just in case he's well enough to be brought home and not the hospital?"

"Certainly, Mary. Of course I will."

"And will you tell Mama and Papa not to worry, not to come out, give them my love. We might as well just be calm as we can, till we know."

"Of course we must. I'll be right up."

"Thank you, Aunt Hannah."

She went into the kitchen and built a quick fire and put on a large kettle of water and a small kettle, for tea. The phone rang.

"Mary! Where do I go?"

"Why, Powell's Station, out the Pike towards…"

"I know, but exactly where? Didn't he say?"

"He said Brannick's blacksmith shop. B-r-a-n-n-i-c-k. Do you hear?"

"Yes. Brannick."

"He said they'll keep the lights on and you can't miss it. It's just to the left of the Pike just this side of Bell 's Bridge. Just a little way this side."

"All right, Mary, Walter will come by here and we'll bring Aunt Hannah on our way."

"All right. Thank you, Andrew."

She put on more kindling and hurried into the downstairs bedroom. How do I know, she thought; he didn't even say; I didn't even ask. By the way he talks he may be-she whipped off the coverlet, folded it, and smoothed the pad. I'm just simply not going to think about it until I know more, she told herself. She hurried to the linen closet and brought clean sheets and pillowcases. He didn't say whether there was a doctor there or not. She spread a sheet, folded it under the foot of the mattress, pulled it smooth, and folded it under all around. Then she spread her palms along it; it was cold and smooth beneath her hands and it brought her great hope. Oh God, let him be well enough to come home where I can take care of him, where I can take good care of him. How good to rest! That's all right, ma'am. Just some man that's kin. She spread the top sheet. That's all right, ma'am. That can mean anything. It can mean there's a doctor there and although it's serious he has it in hand, under control, it isn't so dreadfully bad, although he did say it's serious or it can… A light blanket, this weather. Two, case it turns cool. She hurried and got them, unaware whether she was making such noise as might wake the children and unaware that even in this swiftness she was moving, by force of habit, almost silently. Just some man that's kin. That means it's bad, or he'd ask for me. No, I'd have to stay with the children. But he doesn't know there are children. My place'd be home anyhow, getting things ready, he knows that. He didn't suggest getting anything ready. He knew I'd know. He is a man, wouldn't occur to him. She took the end of a pillow between her teeth and pulled the slip on and plumped it and put it in place. She took the end of the second pillow between her teeth and bit it so hard the roots of her teeth ached, and pulled the slip on and plumped it. Then she set the first pillow up on edge and set the second pillow on edge against it and plumped them both and smoothed them and stood away and looked at them with her head on one side, and for a moment she saw him sitting up in bed with a tray on his knees as he had sat when he strained his back, and he looked at her, almost but not quite smiling, and she could hear his voice, grouchy, pretending to be for the fun of it. If it's his head, she remembered, perhaps he'll have to lie very flat.

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