James Agee - A Death In The Family

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THE TRUSTEES OF COLUMBIA UNIVERSITY IN THE CITY OF NEW YORK
To all persons to whom these presents may come greeting be it known that JAMES AGEE has been awarded THE PULITZER PRIZE IN LETTERS FICTION for A DEATH IN THE FAMILY in accordance with the provisions of the statutes of the University governing such award.
In witness whereof we have caused this certificate to be signed by the President of the University and our corporate seal to be hereto affixed in the City of New York on the fifth day of May in the year of our Lord one thousand nine hundred and fifty eight.
Grayson Kirk
PRESIDENT
James Agee’s novel A Death in the Family is a classic American story, chronicling just a few days in 1915 during which a husband and father is called out of town to be with his own father, who has had a heart attack, and while returning is killed in a car accident. Agee patterned the story closely after his own life, focusing on a boy who is the same age that he was when his father died. The narrative shifts from one perspective to another, including the young widow and her two children and her atheistic father and the dead man’s alcoholic brother, to name just a few, in an attempt to capture the ways in which one person’s loss immediately and powerfully affects everyone around.
The book was published in 1957 by McDowell, Obolensky, two years after Agee’s death from heart failure at the age of 46, and was awarded the 1958 Pulitzer Prize for Fiction. Although Agee had worked on it for almost a decade, he had not produced a definitive final draft, and so his publishers had to put the book together in a way that they believed would make the most sense. They have indicated places where they added materials that come from outside of the flow of the story, such as the opening section “ Knoxville: Summer, 1915,” which was first published in the 1940s. Critics agree that the end product is a consistent novel, one of the most moving works ever written about one of the most traumatic experiences a child could ever face.

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"Of course we just have to wait," Mary said, after a long silence.

"Hyesss," Hannah said softly, sharply inhaling the first of the word, and trailing the sibilant to a hair.

Through their deep silence, at length, they began to be aware of the stumbling crackle of the water. When Mary got up for it, it had boiled half away.

"There's still plenty for two cups," she said, and prepared the strainer and poured them, and put on more water. She lifted the lid of the large kettle. Its sides, below the water line, were rich beaded; from the bottom sprang a leisured spiral of bubbles so small they resembled white sand; the surface of the water slowly circled upon itself. She wondered what the water might possibly be good for.

"Just in case," she murmured.

Hannah decided not to ask her what she had said.

"There's ZuZus," Mary said, and got them from the cupboard. "Or would you like bread and butter? Or toast. I could toast some."

"Just tea, thank you."

"Help yourself to sugar and milk. Or lemon? Let's see, do I have le…"

"Milk, thank you."

"Me too." Mary sat down again. "My, it's frightfully hot in here!" She got up and opened the door to the porch, and sat down again.

"I wonder what ti…" She glanced over her shoulder at the kitchen clock. "What time did they leave, do you know?"

"Walter came for us at quarter after ten. About twenty-five after, I should think."

"Let's see, Walter drives pretty fast, though not so fast as Jay, but he'd be driving faster than usual tonight, and it's just over twelve miles. That would be, supposing he goes thirty miles an hour, that's twelve miles in, let's see, six times four is twenty-four, six times five's thirty, twice twelve is twenty-four, sakes alive, I was always dreadful at arithmetic…"

"Say about half an hour, allowing for darkness, and Walter isn't familiar with those roads."

"Then we ought to be hearing pretty soon. Ten minutes. Fifteen at the outside."

"Yes, I should think."

"Maybe twenty, allowing for the roads, but that is a good road out that far as roads go."

"Maybe."

"Why didn't he tell me!" Mary burst out.

"What is it?"

"Why didn't I ask?" She looked at her aunt in furious bewilderment. "I didn't even ask! How serious! Where is he hurt! Is he living or dead."

There it is, Hannah said to herself. She looked back steadily into Mary's eyes.

That we simply have to wait to find out," she said.

"Of course we have," Mary cried angrily. "That's what's so unbearable!" She drank half her tea at a gulp; it burned her painfully but she scarcely noticed. She continued to glare at her aunt.

Hannah could think of nothing to say.

"I'm sorry," Mary said. "You're perfectly right. I've just got to hold myself together, that's all."

"Never mind," Hannah said, and they fell silent.

Hannah knew that silence must itself be virtually unbearable for Mary, and that it would bring her face to face with likelihoods still harder to endure. But she has to, she told herself; and the sooner the better. But she found that she herself could not bear to be present, and say nothing which might in some degree protect, and postpone. She was about to speak when Mary burst out: "In heaven's name, why didn't I ask him! Why didn't I? Didn't I care?"

"It was so sudden." Hannah said. "It was such a shock."

"You would think I'd ask, though! Wouldn't you?"

"You thought you knew. You told me you were sure it was his-in the head."

"But how bad? What!"

We both know, Hannah said to herself. But it's better if you bring yourself to say it. "It certainly wasn't because you didn't care, anyway," she said.

"No. No it certainly wasn't that, but I think I do know what it was. I think, I think I must have been too afraid of what he would have to say."

Hannah looked into her eyes. Nod, she told herself. Say yes I imagine so. Just say nothing and it'll be just as terrible for her. She heard herself saying what she had intended to venture a while before, when Mary had interrupted her: "Do you understand why J-your father stayed home, and your mother?"

"Because I asked them not to come."

"Why did you?"

"Because if all of you came up here in a troop like that, it would be like assuming that-like assuming the very worst before we even know."

"That's why they stayed home. Your father said he knew you'd understand."

"Of course I do."

"We just must try to keep from making any assumptions-good or bad."

"I know. I know we must. It's just, this waiting in the dark like this, it's just more than I can stand."

"We ought to hear very soon."

Mary glanced at the clock. "Almost any minute," she said.

She took a little tea.

"I just can't help wondering," she said, "why he didn't say more. 'A serious accident,' he said. Not a 'very' serious one. Just 'serious.' Though, goodness knows, that's serious enough. But why couldn't he say?"

"As your father says, it's ten to one he's just a plain damned fool," Hannah said.

"But it's such an important thing to say, and so simple to say, at least to give some general idea about. At least whether he could come home, or go to a hospital, or… He didn't say anything about an ambulance. An ambulance would mean hospital, almost for sure. And surely if he meant the-the very worst, he'd have just said so straight out and not leave us all on tenterhooks. I know it's just what we have no earthly business guessing about, good or bad, but really it does seem to me there's every good reason for hope, Aunt Hannah. It seems to me that if…"

The telephone rang; its sound frightened each of them as deeply as either had experienced in her lifetime. They looked at each other and got up and turned towards the hall. "I…" Mary said, waving her right hand at Hannah as if she would wave her out of existence.

Hannah stopped where she stood, bowed her head, closed her eyes, and made the sign of the Cross.

Mary lifted the receiver from its hook before the second ring, but for a moment she could neither put it to her ear, nor speak. God help me, help me, she whispered. "Andrew?"

"Poll?"

"Papa!" Relief and fear were equal in her. "Have you heard anything?"

"You've heard?"

"No. I said, 'Have you heard from Andrew?' "

"No. Thought you might have by now."

"No. Not yet. Not yet."

"I must have frightened you."

"Never mind, Papa. It's all right."

"Sony as hell, Poll, I shouldn't have phoned."

"Never mind."

"Let us know, quick's you hear anything."

"Of course I will, Papa. I promise. Of course I will."

"Shall we come up?"

"No, bless you, Papa, it's better not, yet. No use getting all worked up till we know, is there?"

"That's my girl!"

"My love to Mama."

"Hers to you. Mine, too, needless to say. You let us know."

"Certainly. Good-bye."

"Poll."

"Yes?"

"You know how I feel about this."

"I do, Papa, and thank you. There's no need to say it."

"Couldn't if I tried. Ever. And for Jay as much as you, and your mother too. You understand."

"I do understand, Papa. Good-bye."

"It's only Papa," she said, and sat down, heavily.

"Thought Andrew had phoned."

"Yes…" She drank tea. "He scared me half out of my wits."

"He had no business phoning. He was a perfect fool to phone."

"I don't blame him. I think it's even worse for them, sitting down there, than for us here."

"I've no doubt it is hard."

"Papa feels things a lot more than he shows."

"I know. I'm glad you realize it."

"I realize how very much he really does think of Jay."

"Great-heavens, I should hope you do!"

"Well, for a long time there was no reason to be sure," Mary retorted with spirit. "Or Mama either." She waited a moment. "You and her, Aunt Hannah," she said. "You know that. You tried not to show it, but I' knew and you knew I did. It's all right, it has been for a long time, but you do know that."

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