James Agee - A Death In The Family

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THE TRUSTEES OF COLUMBIA UNIVERSITY IN THE CITY OF NEW YORK
To all persons to whom these presents may come greeting be it known that JAMES AGEE has been awarded THE PULITZER PRIZE IN LETTERS FICTION for A DEATH IN THE FAMILY in accordance with the provisions of the statutes of the University governing such award.
In witness whereof we have caused this certificate to be signed by the President of the University and our corporate seal to be hereto affixed in the City of New York on the fifth day of May in the year of our Lord one thousand nine hundred and fifty eight.
Grayson Kirk
PRESIDENT
James Agee’s novel A Death in the Family is a classic American story, chronicling just a few days in 1915 during which a husband and father is called out of town to be with his own father, who has had a heart attack, and while returning is killed in a car accident. Agee patterned the story closely after his own life, focusing on a boy who is the same age that he was when his father died. The narrative shifts from one perspective to another, including the young widow and her two children and her atheistic father and the dead man’s alcoholic brother, to name just a few, in an attempt to capture the ways in which one person’s loss immediately and powerfully affects everyone around.
The book was published in 1957 by McDowell, Obolensky, two years after Agee’s death from heart failure at the age of 46, and was awarded the 1958 Pulitzer Prize for Fiction. Although Agee had worked on it for almost a decade, he had not produced a definitive final draft, and so his publishers had to put the book together in a way that they believed would make the most sense. They have indicated places where they added materials that come from outside of the flow of the story, such as the opening section “ Knoxville: Summer, 1915,” which was first published in the 1940s. Critics agree that the end product is a consistent novel, one of the most moving works ever written about one of the most traumatic experiences a child could ever face.

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They sang it a little slower towards the end as if they hated to come to the finish of it and then they didn't talk at all, and after a minute their hands took each other across their child, and things were even quieter, so that all the little noises of the city night raised up again in the quietness, locusts, crickets, footsteps, hoofs, faint voices, the shufflings of a switch engine, and after awhile, while they all looked into the sky, his father, in a strange and distant, sighing voice, said "Well…" and after a little his mother answered, with a quiet and strange happy sadness, "Yes…" and they waited a good little bit longer, not saying anything, and then his father took him up into his arms and his mother rolled up the quilt and they went in and he was put to bed.

He came right up to her hip bone, not so high on his father.

She wore dresses, his father wore pants. Pants were what he wore too, but they were short and soft. His father's were hard and rough and went right down to his shoes. The cloths of his mother's clothes were soft like his.

His father wore hard coats too and a hard celluloid collar and sometimes a vest with hard buttons. Mostly his clothes were scratchy except the striped shirts and the shirts with little dots or diamonds on them. But not as scratchy as his cheeks.

His cheeks were warm and cool at the same time and they scratched a little even when he had just shaved. It always tickled, on his cheek or still more on his neck, and sometimes hurt a little, too, but it was always fun because he was so strong.

He smelled like dry grass, leather and tobacco, and sometimes a different smell, full of great energy and a fierce kind of fun, but also a feeling that things might go wrong. He knew what that was because he overheard them arguing. Whiskey.

For awhile he had a big mustache and then he took it off and his mother said, "Oh lay, you look just worlds nicer, you have such a nice mouth, it's a shame to hide it." After awhile he grew the mustache again. It made him look much older, taller and stronger, and when he frowned the mustache frowned too and it was very frightening. Then he took it off again and she was pleased all over again and after that he kept it off.

She called it mustásh. He called it must'ash and sometimes mush'tash but then he was joking, talkin like a darky. He liked to talk darky talk and the way he sang was like a darky too, only when he sang he wasn't joking.

His neck was dark tan and there were deep crisscross cracks all over the back of it.

His hands were so big he could cover him from the chin to his bath-thing. There were big blue strings under the skin on the backs of them. Veins, those were. Black hair even on the backs of the fingers and ever so much hair on the wrists, big veins in his arms, like ropes.

Chapter […]

For some time now his mother had seemed different. Almost always when she spoke to him it was as if she had something else very much on her mind, and so was making a special effort to be gentle and attentive to him. And it was as if whatever it was that was on her mind was very momentous. Sometimes she looked at him in such a way that he felt that she was very much amused about something. He did not know how to ask her what she was amused by and as he watched her, wondering what it was, and she watched his puzzlement, she sometimes looked more amused than ever, and once when she looked particularly amused, and he looked particularly bewildered, her smile became shaky and turned into laughter and, quickly taking his face between her hands, she exclaimed, "I'm not laughing at you, darling!" and for the first time he felt that perhaps she was.

There were other times when she seemed to have almost no interest in him, but only to be doing things for him because they had to be done. He felt subtly lonely and watched her carefully. He saw that his father's manner had changed towards her ever so little; he treated her as if she were very valuable and he seemed to be conscious of the tones of his voice. Sometimes in the mornings Grandma would come in and if he was around he was told to go away for a little while. Grandma did not hear well and carried a black ear trumpet which was sticky and sour on the end that she put in her ear, but try as he would they talked so quietly that he could hear very little, and none of it enlightened him. There were special words which were said with a special kind of hesitancy or shyness, such as "pregnancy" and "kicking" and "discharge," but others, which seemed fully as strange, such as "layette" and "basinette" and "bellyband," seemed to inspire no such fear. Grandma also treated him as if something strange was going on, but whatever it was, it was evidently not dangerous, for she was always quite merry with him. His father and his Uncle Andrew and Grandpa seemed to treat him as they always had, though there seemed to be some hidden kind of strain in Uncle Andrew's feeling for his mother. And Aunt Hannah was the same as ever with him, except that she paid more attention to his mother, now. Aunt Amelia looked at his mother a good deal when she thought nobody else was watching, and once when she saw him watching her she looked quickly away and turned red.

Everyone seemed either to look at his mother with ill-concealed curiosity or to be taking special pains not to look anywhere except, rather fixedly and cheerfully, into her eyes. For now she was swollen up like a vase, and there was a peculiar lethargic lightness in her face and in her voice. He had a distinct feeling that he should not ask what was happening to her. At last he asked Uncle Andrew, "Uncle Andrew, why is Mama so fat?" and his uncle replied, with such apparent anger or alarm that he was frightened, "Why, don't you know?" and abruptly walked out of the room.

Next day his mother told him that soon he was going to have a very wonderful surprise. When he asked what a surprise was she said it was like being given things for Christmas only ever so much nicer. When he asked what he was going to be given she said that she did not mean it was a present, specially for him, or for him to have, or keep, but something for everybody, and especially for them. When he asked what it was, she said that if she told him it wouldn't be a surprise any more, would it? When he said that he wanted to know anyway, she said that she would tell him, only it would be so hard for him to imagine what it was before it came that she thought it was better for him to see it first. When he asked when it was coming she said that she didn't know exactly but very soon now, in only a week or two, perhaps sooner, and she promised him that he would know right away when it did come.

He was aflame with curiosity. He had been too young, the Christmas before, to think of looking for hidden presents, but now he looked everywhere that he could imagine to look until his mother understood what he was doing and told him there was no use looking for it because the surprise wouldn't be here until exactly when it came. He asked where was it, then, and heard his father's sudden laugh; his mother looked panicky and cried, "Jay!" all at once, and quickly informed him, "In heaven; still up in heaven."

He looked quickly to his father for corroboration and his father, who appeared to be embarrassed, did not look at him. He knew about heaven because that was where Our Father was, but that was all he knew about it, and he was not satisfied. Again, however, he had a feeling that he would be unwise to ask more.

"Why don't you tell him, Mary?" his father said.

"Oh, Jay," she said in alarm; then said, by moving her lips, "Don't talk of it in front of him!"

"Oh, I'm sorry," and he, too, said with his lips-only a whisper leaked around the silence, "but what's the good? Why not get it over with?"

She decided that it was best to speak openly. "As you know, Jay, I've told Rufus about our surprise that's coming. I told him I'd be glad to tell him what it was, except that it would be so very hard for him to imagine it and such a lovely surprise when he first sees it. Besides, I just have a feeling he might m-make see-oh-en-en-ee-see-tee-eye-oh-eness, between-between one thing and another."

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