James Agee - A Death In The Family

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THE TRUSTEES OF COLUMBIA UNIVERSITY IN THE CITY OF NEW YORK
To all persons to whom these presents may come greeting be it known that JAMES AGEE has been awarded THE PULITZER PRIZE IN LETTERS FICTION for A DEATH IN THE FAMILY in accordance with the provisions of the statutes of the University governing such award.
In witness whereof we have caused this certificate to be signed by the President of the University and our corporate seal to be hereto affixed in the City of New York on the fifth day of May in the year of our Lord one thousand nine hundred and fifty eight.
Grayson Kirk
PRESIDENT
James Agee’s novel A Death in the Family is a classic American story, chronicling just a few days in 1915 during which a husband and father is called out of town to be with his own father, who has had a heart attack, and while returning is killed in a car accident. Agee patterned the story closely after his own life, focusing on a boy who is the same age that he was when his father died. The narrative shifts from one perspective to another, including the young widow and her two children and her atheistic father and the dead man’s alcoholic brother, to name just a few, in an attempt to capture the ways in which one person’s loss immediately and powerfully affects everyone around.
The book was published in 1957 by McDowell, Obolensky, two years after Agee’s death from heart failure at the age of 46, and was awarded the 1958 Pulitzer Prize for Fiction. Although Agee had worked on it for almost a decade, he had not produced a definitive final draft, and so his publishers had to put the book together in a way that they believed would make the most sense. They have indicated places where they added materials that come from outside of the flow of the story, such as the opening section “ Knoxville: Summer, 1915,” which was first published in the 1940s. Critics agree that the end product is a consistent novel, one of the most moving works ever written about one of the most traumatic experiences a child could ever face.

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"We must be very good to them, Joel," she said.

He was startled, almost frightened, by her sudden voice, and he wanted, in some vengeful reflex of exasperation, to ask her what she had said. But he knew he had heard her and, leaning towards her, replied, "Of course we must."

"Whatever has happened."

"Certainly."

He began to realize the emotion, and the loneliness, behind the banality of what she had said; he was ashamed of himself to have answered as if it were merely banal. He wished he could think what to say that would make up for it. but he could not think of what to say. He knew of his wife, with tender amusement, that she almost certainly had not realized his unkindness, and that she would be hopelessly puzzled if he tried to explain and apologize. Let it be, he thought.

He feels much more than he says, she comforted herself; but she wished that he might ever say what he felt. She felt his hand on her wrist and his head close to hers. She leaned towards him.

"I understand, Catherine," he said.

What does he mean that he understands, Catherine wondered. Something I failed to hear, no doubt, she thought, though their words had been so few that she could not imagine what. But she quickly decided not to exasperate him by a question; she was sure of his kind intention, and deeply touched by it.

"Thank you, Joel," she said, and putting her other hand over his, patted it rapidly, several times. Such endearments, except in their proper place, embarrassed her and, she had always feared, were still more embarrassing to him; and now, though she had been unable to resist caressing him, and take even greater solace from his gentle pressing of her wrist, she took care soon to remove her hand, and soon after, he took his own away. She felt a moment of solemn and angry gratitude to have spent so many years, in such harmony, with a man so good, but that was beyond utterance; and then once more she thought of her daughter and of what she was facing.

Joel, meanwhile, was thinking: she needs that (pressing her wrist), and, as she shyly took her hand away, I wish I could do more; and suddenly, not for her sake but by an impulse of his own, he wanted to take her in his arms. Out of the question. Instead, he watched her dim-sighted, enduring face as she gazed out once more across the room, and felt a moment of incredulous and amused pride in her immense and unbreakable courage, and of proud gratitude, regardless of and including all regret, to have had so many years with such a woman; but that was beyond utterance; and then once more he thought of his daughter and of what she had been through and now must face.

"Sometimes life seems more-cruel-than can be borne," she said. "Theirs, I'm thinking of. Poor Jay's, and poor dear Mary's."

She felt his hand and waited, but he did not speak. She looked toward him, apprehensively polite, her beg-pardon smile, by habit, on her face; and saw his bearded head, unexpectedly close and huge in the light, nodding deeply and slowly, five times.

Chapter 10

Andrew did not bother to knock, but opened the door and closed it quietly behind him and, seeing their moving shadows near the kitchen threshold, walked quickly down the hall. They could not see his face in the dark hallway but by his tight, set way of walking, they were virtually sure. They were all but blocking his way. Instead of going into the hall to meet him, they drew aside to let him into the kitchen. He did not hesitate with their own moment's hesitation but came straight on, his mouth a straight line and his eyes like splintered glass, and without saying a word he put his arms around his aunt so tightly that she gasped, and lifted her from the floor. "Mary," Hannah whispered, close to his ear; he looked; there she stood waiting, her eyes, her face, like that of an astounded child which might be pleading, Oh, don't hit me; and before he could speak he heard her say, thinly and gently, "He's dead, Andrew, isn't he?" and he could not speak, but nodded, and he became aware that he was holding his aunt's feet off the floor and virtually breaking her bones, and his sister said, in the same small and unearthly voice, "He was dead when you got there"; and again he nodded; and then he set Hannah down carefully on her feet and, turning to his sister, took her by her shoulders and said, more loudly than he had expected, "He was instantly killed," and he kissed her upon the mouth and they embraced, and without tears but with great violence he sobbed twice, his cheek against hers, while he stared downwards through her loose hair at her humbled back and at the changeful blinking of the linoleum; then, feeling her become heavy against him, said, "Here, Mary," catching her across the shoulders and helping her to a chair, just as she, losing strength in her knees, gasped, "I've got to sit down," and looked timidly towards her aunt, who at the same moment saying, in a broken voice, "Sit down, Mary," was at her other side, her arm around her waist and her face as bleached and shocking as a skull. She put an arm tightly around each of them and felt gratitude and pleasure, in the firmness and warmth of their moving bodies, and they walked three abreast (like bosom friends, it occurred to her. the three Musketeers) to the nearest chair; and she could see Andrew twist it towards her with his outstretched left hand, and between them, slowly, they let her down into it, and then she could see only her aunt's face, leaning deep above her, very large and very close, the eyes at once intense and tearful behind their heavy lenses, the strong mouth loose and soft, the whole face terrible in love and grief, naked and undisciplined as she had never seen it before.

"Let Papa know and Mama," she whispered. "I promised."

"I will," Hannah said, starting for the hall.

"Walter's bringing them straight up," Andrew said. "They know by now." He brought another chair. "Sit down, Aunt Hannah." She sat and took both Mary's hands in her own, on Mary's knees, and realized that Mary was squeezing her hands with all her strength, and as strongly as she was able. She replied in kind to this constantly, shifting, almost writhing pressure.

"Sit with us, Andrew," Mary said, a little more loudly; he was already bringing a third chair and now he sat, and put his hands upon theirs, and, feeling the convulsing of her hands, thought, Christ, it's as if she were in labor. And she is. Thus they sat in silence a few moments while he thought: now I've got to tell them how it happened. In God's name, how can I begin!

"I want whiskey," Mary said, in a small, cold voice, and tried to get up.

"I'll get it," Andrew said, standing.

"You don't know where it is," she said, continuing to put aside their hands even after they were withdrawn. She got up and they stood as if respectfully aside and she walked between them and went into the hall; they heard her rummaging in the closet, and looked at each other. "She needs it," Hannah said.

He nodded. He had been surprised, because of Jay, that there was whiskey in the house; and he was sick with self-disgust to have thought of it. "We all do," he said.

Without looking at them Mary went to the kitchen closet and brought a thick tumbler to the table. The bottle was almost full. She poured the tumbler full while they watched her, feeling they must not interfere, and took a deep gulp and choked on it, and swallowed most of it.

"Dilute it," Hannah said, slapping her hard between the shoulders and drying her lips and her chin with a dish towel. "It's much too strong, that way."

"I will," Mary croaked, and cleared her throat, "I will," she said more clearly.

"Just sit down, Mary," Andrew and Hannah said at the same moment, and Andrew brought her a glass of water and Hannah helped her to her chair.

"I'm going to have some, too," Andrew said.

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