James Agee - A Death In The Family

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THE TRUSTEES OF COLUMBIA UNIVERSITY IN THE CITY OF NEW YORK
To all persons to whom these presents may come greeting be it known that JAMES AGEE has been awarded THE PULITZER PRIZE IN LETTERS FICTION for A DEATH IN THE FAMILY in accordance with the provisions of the statutes of the University governing such award.
In witness whereof we have caused this certificate to be signed by the President of the University and our corporate seal to be hereto affixed in the City of New York on the fifth day of May in the year of our Lord one thousand nine hundred and fifty eight.
Grayson Kirk
PRESIDENT
James Agee’s novel A Death in the Family is a classic American story, chronicling just a few days in 1915 during which a husband and father is called out of town to be with his own father, who has had a heart attack, and while returning is killed in a car accident. Agee patterned the story closely after his own life, focusing on a boy who is the same age that he was when his father died. The narrative shifts from one perspective to another, including the young widow and her two children and her atheistic father and the dead man’s alcoholic brother, to name just a few, in an attempt to capture the ways in which one person’s loss immediately and powerfully affects everyone around.
The book was published in 1957 by McDowell, Obolensky, two years after Agee’s death from heart failure at the age of 46, and was awarded the 1958 Pulitzer Prize for Fiction. Although Agee had worked on it for almost a decade, he had not produced a definitive final draft, and so his publishers had to put the book together in a way that they believed would make the most sense. They have indicated places where they added materials that come from outside of the flow of the story, such as the opening section “ Knoxville: Summer, 1915,” which was first published in the 1940s. Critics agree that the end product is a consistent novel, one of the most moving works ever written about one of the most traumatic experiences a child could ever face.

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She looked at him thoughtfully, then took her glass from the table, said, "Excuse us a minute," over her shoulder, and ushered him into the room she had prepared for her husband. She turned on the bedside lamp, quietly closed both doors, and stood looking at him, waiting.

"Sit down, Poll," he said.

She looked about. One of them would have to sit on the bed. It was neatly laid open, cool and pleasant below the plumped pillows.

"I had it all ready," she said, "but he never came back."

"What's that?"

"Nothing, Papa."

"Don't stay on your feet," he said. "Let's sit down."

"I don't care to."

He came over to her and took her hand and looked at her searchingly. Why he's just my height, she realized again. She saw how much his eyes, in sympathy and pain, were like his sister's, tired, tender and resolute beneath the tired, frail eyelids. He could not speak at first.

You're a good man, she said to herself, and her lips moved. A good, good man. My father. In an instant she experienced afresh the whole of their friendship and estrangement. Her eyes filled with tears and her mouth began to tremble. "Papa," she said. He took her close to him and she cried quietly.

"It's hell, Poll," she heard him say. "Just hell. It's just plain bell." For a few moments she sobbed so deeply that he said nothing more, but only stroked the edge of her back, over and over, from her shoulder to her waist, and cried out within himself in fury and disgust, Goddamn it! God damn such a life! She's too young for this. And thinking of that, it occurred to him that it was at just her age that his own life had had its throat twisted, and not by death, but by her own birth and her brother's.

"But you gotta go through with it," he said.

Against his shoulder he could feel her vigorous nodding. You will, he thought; you've got spunk.

"No way out of it," he said.

"I think I will sit down." She broke from him and with an almost vindictive sense of violation sat heavily at the edge of the bed, just where it was turned down, next the plumped pillows. He turned the chair and sat with her knee to knee.

"Something I've got to tell you," he said.

She looked at him and waited.

"You remember what Cousin Patty was like? When she lost George?"

"Not very well. I wasn't more than five or six."

"Well, I do. She ran around like a chicken with its head off. 'Oh, why does it have to be me? What did I ever do that it happened to me?' Banging her head against the furniture, trying to stab herself with her scissors, yelling like a stuck pig: you could hear her in the next block."

Her eyes became cold. "You needn't worry," she said.

"I don't, because you're not a fool. But you'd better, and that's what I want to warn you about."

She kept looking at him.

"See here, Poll," he said. "It's bad enough right now, but it's going to take a while to sink in. When it really sinks in it's going to be any amount worse. It'll be so much worse you'll think it's more than you can bear. Or any other human being. And worse than that, you'll have to go through it alone, because there isn't a thing on earth any of us can do to help, beyond blind animal sympathy."

She was gazing slantwise towards the floor in some kind of coldly patient irony; he felt sick to death of himself.

"Look at me, Poll," he said. She looked at him. "That's when you're going to need every ounce of common sense you've got," he said. "Just spunk won't be enough; you've got to have gumption. You've got to bear it in mind that nobody that ever lived is specially privileged; the axe can fall at any moment, on any neck, without any warning or any regard for justice. You've got to keep your mind off pitying your own rotten luck and setting up any kind of a howl about it. You've got to remember that things as bad as this and a hell of a lot worse have happened to millions of people before and that they've come through it and that you will too. You'll bear it because there isn't any choice-except to go to pieces. You've got two children to take care of. And regardless of that you owe it to yourself and you owe it to him. You understand me."

"Of course."

"I know it's just unmitigated tommyrot to try to say a word about it. To say nothing of brass. All I want is to warn you that a lot worse is yet to come than you can imagine yet, so for God's sake brace yourself for it and try to hold yourself together." He said, with sudden eagerness, "It's a kind of test, Mary. and it's the only kind that amounts to anything. When something rotten like this happens. Then you have your choice. You start to really be alive, or you start to die. That's all." Watching her eyes, he felt fear for her and said, "I imagine you're thinking about your religion."

"I am." she said, with a certain cool pride.

"Well, more power to you," he said. "I know you've got a kind of help I could never have. Only one thing: take the greatest kind of care you don't just-crawl into it like a hole and hide in it."

"I'll take care," she said.

She means there is nothing I can tell her about that, he thought; and she is right.

"Talk to Hannah about it," he said.

"I will, Papa."

"One other thing."

"Yes?"

"There are going to be financial difficulties. We'll see just what, and just how to settle them, course of time. I just want to take that worry off your hands. Don't worry. We'll work that out."

"Bless you, Papa."

"Rats. Drink your drink."

She drank deeply and shuddered.

"Take all you can without getting drunk," he said. "I wouldn't give a whoop if you got blind drunk, best thing you could do. But you've got tomorrow to reckon with." And tomorrow and tomorrow.

"It doesn't seem to have any effect," she said, her voice still liquid. "The only times I drank before I had a terribly weak head, just one drink was enough to make me absolutely squiffy. But now it doesn't seem to have any effect in the slightest." She drank some more.

"Good," he said. "That can happen. Shock, or strain. I know once when your mother was very sick I…" They both remembered her sickness. "No matter. Take all you want and I've more if you want it, but keep an eye on yourself. It can hit you like a ton of bricks."

"I'll be careful."

"Time we went back to the others." He helped her to her feet, and put a hand on her shoulder. "Just bear in mind what I said. It's just a test, and it's one that good people come through."

"I will, Papa, and thank you."

"I've got absolute confidence in you," he said, wishing that this was entirely true, and that she could entirely care.

"Thank you, Papa," she said. "That's going to be a great help to know."

Her hand on the doorknob, she turned off the light and preceded him into the kitchen.

Chapter 11

"Why where…" Mary began, for there was nobody in the kitchen.

"Must be in the living room," her father said, and took her arm.

"There's more room here," Andrew told her, as they came in. Although the night was warm, he was nursing a small fire. All the shades, Mary noticed, were drawn to the window sills.

"Mary," her mother said loudly, patting a place beside her on the sofa. Mary sat beside her and took her hand. Her mother took Mary's left hand in both of her hands, drew it into her lap, and pressed it against her thin thighs with all her strength.

Her aunt sat to one side of the fireplace and now her father took a chair at the other side. The Morris chair just stood there empty beside its reading lamp. Even after the fire was going nicely, Andrew squatted before it, making small adjustments. Nobody spoke, and nobody looked at the Morris chair or at another person. The footsteps of a man, walking slowly, became gradually louder along the sidewalk, and passed the house, and diminished into silence; and in the silence of the universe they listened to their little fire.

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