James Agee - A Death In The Family

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THE TRUSTEES OF COLUMBIA UNIVERSITY IN THE CITY OF NEW YORK
To all persons to whom these presents may come greeting be it known that JAMES AGEE has been awarded THE PULITZER PRIZE IN LETTERS FICTION for A DEATH IN THE FAMILY in accordance with the provisions of the statutes of the University governing such award.
In witness whereof we have caused this certificate to be signed by the President of the University and our corporate seal to be hereto affixed in the City of New York on the fifth day of May in the year of our Lord one thousand nine hundred and fifty eight.
Grayson Kirk
PRESIDENT
James Agee’s novel A Death in the Family is a classic American story, chronicling just a few days in 1915 during which a husband and father is called out of town to be with his own father, who has had a heart attack, and while returning is killed in a car accident. Agee patterned the story closely after his own life, focusing on a boy who is the same age that he was when his father died. The narrative shifts from one perspective to another, including the young widow and her two children and her atheistic father and the dead man’s alcoholic brother, to name just a few, in an attempt to capture the ways in which one person’s loss immediately and powerfully affects everyone around.
The book was published in 1957 by McDowell, Obolensky, two years after Agee’s death from heart failure at the age of 46, and was awarded the 1958 Pulitzer Prize for Fiction. Although Agee had worked on it for almost a decade, he had not produced a definitive final draft, and so his publishers had to put the book together in a way that they believed would make the most sense. They have indicated places where they added materials that come from outside of the flow of the story, such as the opening section “ Knoxville: Summer, 1915,” which was first published in the 1940s. Critics agree that the end product is a consistent novel, one of the most moving works ever written about one of the most traumatic experiences a child could ever face.

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Mary put her hands over her face.

"What they think is that he must have hit a loose rock with one of the front wheels, and that gave everything a jolt and a terrific wrench at the same time. Because they found a rock, oh, half the size of my head, down in the ditch, very badly scraped and with tire marks on it. They showed me. They think it must have wrenched the wheel right out of his hands and thrown him forward very hard so that he struck his chin, just one sharp blow against the steering wheel. And that must have killed him on the spot. Because he was thrown absolutely clear of the car as it ran off the road-they showed me. I never saw anything to equal it. Do you know what happened? That auto threw him out on the ground as it careened down into that sort of flat, wide ditch, about five feet down from the road; then it went straight on up an eight-foot embankment. They showed me the marks where it went, almost to the top, and then toppled backward and fell bottom side up right beside him, without even grazing him!"

"Gracious," Mary whispered. "Tst," Hannah clucked.

"How are they so sure it was-instant, Andrew?" Hannah asked.

"Because if he'd been conscious they're sure he wouldn't have been thrown out of the auto, for one thing. He'd have grabbed the wheel, or the emergency brake, still trying to control it. There wasn't time for that. There wasn't any time at all. At the most there must have been just the tiniest fraction of a second when he felt the jolt and the wheel was twisted out of his hand, and he was thrown forward. The doctor says he probably never even knew what hit him-hardly even felt the impact, it was so hard and quick."

"He may have just been unconscious," Mary groaned through her hands. "Or conscious and-paralyzed; unable to speak or even seem to breathe. If only there'd been a doctor, right there, mayb…"

Andrew reached across his mother and touched her knees. "No, Mary," he said. "I have the doctor's word for that. He says the only thing that could have caused death was concussion of the brain. He says that when that-happens to kill, it-does so instantly, or else takes days or weeks. I asked him about it very particularly because-I knew you'd want to be sure just how it was. Of course I wondered the same thing. He said it couldn't have been even a few seconds of unconsciousness, and then death, because nothing more happened, after that one blow, that could have added to what it did. He said it's even more sudden than electrocution. Just an enormous shock to the brain. The quickest death there is." He returned to his mother. "I'm sorry, Mama," he said. "Mary was saying, perhaps he was only unconscious. That maybe if the doctor had been there right on the spot, he could have been saved. I was telling her, no. Because I asked the doctor everything I could think to, about that. And he said no. He says that when a concussion of the brain-is fatal-it's the quickest death there is."

He looked at each of them in turn. In a light, vindictive voice he told them, "He says it was just a chance in a million."

"Good God, Andrew," his father said.

"Just that one tiny area, at just a certain angle, and just a certain sharpness of impact. If it had been even a half an inch to one side, he'd be alive this minute."

"Shut up, Andrew," his father said harshly; for with the last few words that Andrew spoke, a sort of dilation had seized Mary, so that she had almost risen from her place, seeming larger than herself, and then had collapsed into a shattering of tears.

"Oh Mary," Andrew groaned, and hurried to her, while her mother took her head against her breast. "I'm so sorry. God, what possessed me! I must be out of my mind!" And Hannah and Joel had gotten from their chairs and stood nearby, unable to speak.

"Just-have a little mercy," she sobbed. "A little mercy."

Andrew could say only, "I'm so sorry. I'm so sorry, Mary," and then he could say nothing.

"Let her cry," Joel said quietly to his sister, and she nodded. As if anything on earth could stop her, he said to himself.

"O God, forgive me," Mary moaned. "Forgive me! Forgive me! It's just more than I can bear! Just more than I can bear! Forgive me!" And Joel, with his mouth fallen open, wheeled upon his sister and stared at her; and she avoided his eyes, saying to herself, No, No, and protect her, O God, protect Thy poor child and give her strength; and Andrew, his face locked in a murderer's grimace, continued the furious and annihilating words which were bursting within him to be spoken, groaned within himself, God, if You exist, come here and let me spit in Your face. Forgive her, indeed!

Then Hannah moved him aside and stooped before Mary, taking her wrists and talking earnestly into her streaming hands: "Mary, listen to me. Mary. There's nothing to ask forgiveness for. There's nothing to ask forgiveness for, Mary. Do you hear me? Do you hear me, Mary?" Mary nodded within her hands. "God would never ask of you not to grieve, not to cry. Do you hear? What you're doing is absolutely natural, absolutely right. Do you hear! You wouldn't be human if you did otherwise. Do you hear me, Mary? You're not human to ask His forgiveness. You're wrong. You're terribly mistaken. Do you hear me, my dear? Do you hear me?"

While she was speaking, Mary, within her hands, now nodded and now shook her head, always in contradiction of what her aunt was saying, and now she said, "It isn't what you think. I spoke to Him as if He had no mercy!"

"Andrew? Andrew was ju…"

"No: to God. As if He were trying to rub it in. Torment me. That's what I asked forgiveness for."

"There, Mary," her mother said; she could hear virtually nothing of what was said, but she could feel that the extremity of the crying had passed.

"Listen, Mary," Hannah said, and she bent so close to her that she could have whispered. "Our Lord on the Cross," she said, in a voice so low that only Mary and Andrew could hear, "do you remember?"

"My God, my God, why hast Thou forsaken me?"

"Yes. And then did He ask forgiveness?"

"He was God. He didn't have to."

"He was human, too. And He didn't ask it. Nor was it asked of Him to ask it, no more are you. And no more should you. What was it He said, instead? The very next thing He said."

"Father, into Thy hands I commend my spirit," she said, taking her hands from her face and looking meekly at her aunt.

"Into Thy hands I commend my spirit," her aunt said.

"There, dear," her mother said, and Mary sat upright and looked straight ahead.

"Please don't feel sorry, Andrew," she said. "You're right to tell me every last bit you know. I want to know-all of it. It was just-it just overwhelmed me for a minute."

"I shouldn't tell you so much all in a heap."

"No, that's better. Than to keep hearing-horrible little new things, just when you think you've heard the worst and are beginning to get used to it."

"That's right, Poll," her father said.

"Now just go straight on telling me. Everything there is to tell. And if I do break down, why don't reproach yourself. Remember I asked you. But I'll try to not. I think I'll be all right."

"All right, Mary."

"Good, Poll," her father said. They all sat down again.

"And Andrew, if you'll get it for me, I think I'd like some more whiskey."

"Of course I will." He had brought the bottle in; he took her glass to the table.

"Not quite so strong as last time, please. Pretty strong, but not so strong as that."

"This all right?"

"A little more whiskey, please."

"Certainly."

"That looks all right."

"You all right, Poll?" her father asked. "Isn't going to your head too much?"

"It isn't going anywhere so far as I can tell."

"Good enough."

"I think perhaps it would be best if we didn't-prolong the discussion any further tonight," Catherine said, in her most genteel manner; and she patted Mary's knee.

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