Leo Tolstoy - Android Karenina

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Android Karenina: краткое содержание, описание и аннотация

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“Literary hybrids of Jane Austen novels and zombie stories? That’s so last year. Quirk Books, which released the best‐selling novels Pride and Prejudice and Zombies and Sense and Sensibility and Sea Monsters, has seen the future of the mashup novel, and it is Leo Tolstoy and robots.” -New York Times
“Anna’s nightmare, one of the most famous passages in Anna Karenina, clearly anticipates the “steampunk‐inspired” atmosphere of Android Karenina… Tolstoy didn’t know about steampunk or cyborgs, but he did know about the nightmarishness of steam power, unruly machines, and the creepy half‐human status of the Russian peasant classes.” -Elif Batuman, author of The Possessed, via The New Yorker
“Whenever a truly pulpy trend reaches its apotheosis like this, I can’t help but wonder if we’ll get a new classic out of it.” -io9
“No word on whether she’ll [Anna] be bionically rebuilt following the ending, though. It’s good that this series is branching out to other authors…” -Entertainment Weekly
***
Android Karenina – Sense and Sensibility and Sea Monsters co-author Ben H. Winters is back with an all-new collaborator, legendary Russian novelist Leo Tolstoy, and the result is Android Karenina-an enhanced edition of the classic love story set in a dystopian world of robots, cyborgs, and interstellar space travel.
As in the original novel, our story follows two relationships: the tragic adulterous romance of Anna Karenina and Count Alexei Vronsky, and the much more hopeful marriage of Konstantin Levin and Kitty Shcherbatskaya.These four, yearning for true love, live in a steampunk-inspired 19th century of mechanical butlers, extraterrestrial-worshiping cults, and airborne debutante balls. Their passions alone would be enough to consume them-but when a secret cabal of radical scientific revolutionaries launches an attack on Russian high society's high-tech lifestyle, our heroes must fight back with all their courage, all their gadgets, and all the power of a sleek new cyborg model like nothing the world has ever seen.
Filled with the same blend of romance, drama, and fantasy that made the first two Quirk Classics New York Times best sellers, Android Karenina brings this celebrated series into the exciting world of science fiction.
Leo Tolstoy wrote two of the greatest novels in world literature: War and Peace and Anna Karenina.
Ben H. Winters is coauthor of Sense and Sensibility and Sea Monsters, which was hailed by The Onion A.V. Club as a "sheer delight" and by Library Journal as "strangely entertaining, like a Weird Al version of an opera aria." Mr. Winters lives in Brooklyn.

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A little light hussar was boldly taking the field in a modified Exterior, which one did not wear at all; in tight riding breeches he shot by astride a missile, which he had harnessed and sat upon like a cat on the saddle, in imitation of English jockeys. How this hussar could hope to kill his opponents and yet survive himself, it was impossible for Vronsky to conceive. Prince Kuzovlev rode out inside a monolithic block of black groznium, which Vronsky knew to be well-armored but utterly useless in offensive capability. Vronsky and all his comrades knew Kuzovlev and his peculiarity of “weak nerves” and terrible vanity. They knew that he was afraid of everything, and therefore had entered the field in this upright coffin of an Exterior, prepared to survive a Cull, but never to win one.

The combatants were ambling and motoring forward past a dammed-up stream on their way to the starting point. Several of the riders were in front and several behind, when suddenly Vronsky heard the sound of a loud, primitive engine in the mud behind him, and he was overtaken by Mahutin inside his fat-bellied, curiously adorable Exterior, Matryoshka, with the fat, rounded bottom, tapered top, and jaunty, painted peasant’s face. Vronsky grimaced and looked angrily at him; there was something curious about that Exterior, and Vronsky regarded him now as his most formidable rival.

Frou-Frou, feeding off Vronsky’s anticipation like a horse lapping at a clearwater stream, engaged her powerful rear legs in an excited dash to the starting point, thrusting Vronsky back against the rear wall of the cockpit.

“This is going to be a worthy match,” he thought.

CHAPTER 14

THERE WERE SEVENTEEN Border Officers in all competing in the Cull. The arena was a large three-mile ring in the form of an ellipse in front of the pavilion. On this course nine obstacles had been arranged: the stream, a big and solid barrier five feet high, just before the pavilion, a dry ditch, a ditch full of water, a precipitous slope, an Irish barricade (one of the most difficult obstacles, consisting of a mound fenced with brushwood); then two more ditches filled with water, and one dry one; and the end of the race was just facing the pavilion.

Every eye, every opera glass, was turned on the gleaming, brightly colored group of exoskeletons at the moment they were in line to start.

At last the umpire shouted, “Away!” and the omnidirectional destruction began

“They’re off! They’re starting!” was heard on all sides after the hush of expectation.

And little groups and solitary figures among the public began running from place to place to get a better view. In the very first minute the group of quick-moving death machines fanned out across the course, taking positions around and under the barrier, the ditch, and the Irish barricade, aiming their sparkers and bomb-hurlers and echo-cannons at one another, blasting vividly away. To the spectators it seemed as though they had all started simultaneously, the field erupting in one bright blossom of furious movement and electrical fire, but to the gladiators there were seconds of difference that had great value to them.

First to fall was Vronsky’s drinking companion, Oposhenko, in his spider-like exterior, who foolishly directed his powerful magnet at the worst possible foe: the confident hussar astride the missile, who flew directly at him and into one of the arachnid Exterior’s gleaming “eyes.” Both Exteriors exploded violently, and the eight spider legs were sent flying helter-skelter around the course. A huge shambling golem of an Exterior stopped shambling abruptly and tipped over, caught just below the neck plate by the sharpened tip of one of these spider legs. The golem suit owner, Pyotrovich, tumbled out onto the course, cursing and clutching at his legs.

Frou-Frou, excited and over-nervous by all of the activity, spun around in the first moments, unloading her heavy-fires at will, but Vronsky soon gained control, expertly maneuvering his fingers beneath the palm disc. Sweating inside the cockpit, teeth gritted, he stared intently through the long-tube, scanning the field till he found whom he wanted: timid Kuzovlev in his monolithic obsidian crate of an Exterior.

“Low-hanging fruit,” Vronsky murmured, loosing a sharp discharge of electricity from Frou-Frou’s front grill directly at the midline of Kuzovlev’s ugly black battleship. But the electric blast ricocheted off the front of the monolith, and Vronsky scowled with disappointment- how has he plated the thing? -before laughing with astonishment at his good luck: the fiery charge, sailing through the sky like a blazing croquet ball, caught Mahutin’s Matryoshka instead. The blast slammed directly into the gaudy peasant-man face of the exosuit, and Vronsky was pleased that this happy accident had taken out his main rival.

In celebration, Frou-Frou drew up her legs and back and leapt like a cat, and, clearing the wreckage of Mahutin’s downed Exterior, alit beyond her.

O the darling! thought Vronsky.

“Bravo!” cried a voice from the stands.

At the same instant, under Vronsky’s eyes, right before him flashed the palings of the barrier. As he directed Frou-Frou in her efforts to navigate it, Vronsky glanced backward through the long-tube and cursed what he saw: his chief rival was not, in fact, dispatched. As Vronsky watched in horror, Matryoshka’s smoldering upper portion, decorated with the face of a peasant man, molted like a layer of skin-revealing a second, fresh Exterior beneath, this one painted with the gaudy colors of a peasant woman.

“Drat!” Vronsky shouted. “Nested!”

He turned back to the barrier and regretted at once that he had allowed himself to be distracted: his position had shifted and he knew that something awful had happened. He could not yet make out what had happened, when the sledge-shaped Exterior rocketed by close to him, and the new, matronly Matryoshka gamboled by in pursuit. Frou-Frou was attempting to clear the barrier, but her massive back leg had smashed into it, and she went spiraling end over end, banging Vronsky violently against the interior walls of the tiny cockpit. They lay then on the muddy course just past the barrier, an open target, and Vronsky knew what would come next-his clumsy movement in clearing the barrier had doomed her.

THE QUICKMOVING DEATH MACHINES FANNED OUT AIMING THEIR BOMBHURLERS AND - фото 5

THE QUICK-MOVING DEATH MACHINES FANNED OUT, AIMING THEIR BOMB-HURLERS AND ECHO-CANNONS AT ONE ANOTHER

Desperately he willed Frou-Frou back onto her feet, but it was too late-he looked into the long-tube and saw that his vulnerable state had not gone unnoticed by his rival. By this time Galtsin’s sickle-suit had destroyed Matryoshka’s matriarch-tier, but of course now Vronsky was not surprised to see a still smaller war-suit had emerged from within. The last thing to register upon his eyes before impact was the happy, painted peasant-boy face of Matryoshka’s third metal shell flying through the air directly at him and his poor disabled Frou-Frou.

Somehow, in the crazed, fiery moments after the collision, Vronsky kicked open the door of the cockpit and rolled onto the match ground.

“A-a-a!” groaned Vronsky, clutching at his head, tearing his helmet from it, tiny fires still burning on various spots of his body. “Ah! What have I done!” he cried. “The battle lost! And my fault! Shameful, unpardonable! And the poor darling, ruined machine! Ah! What have I done!”

A crowd of men, a doctor and his assistant, the officers of his regiment, ran up to him as he exited the arena. To his misery he felt that he was whole and barely burnt, but the poor machine had been wounded past repair, and it was decided to junker it. Vronsky could not answer questions, could not speak to anyone. He turned, and leaving his helmet in a charred mess by the pond, walked away from the match course, not knowing where he was going. He felt utterly wretched. For the first time in his life he knew the bitterest sort of misfortune, misfortune beyond remedy, and caused by his own fault.

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