Leo Tolstoy - Android Karenina

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Android Karenina: краткое содержание, описание и аннотация

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“Literary hybrids of Jane Austen novels and zombie stories? That’s so last year. Quirk Books, which released the best‐selling novels Pride and Prejudice and Zombies and Sense and Sensibility and Sea Monsters, has seen the future of the mashup novel, and it is Leo Tolstoy and robots.” -New York Times
“Anna’s nightmare, one of the most famous passages in Anna Karenina, clearly anticipates the “steampunk‐inspired” atmosphere of Android Karenina… Tolstoy didn’t know about steampunk or cyborgs, but he did know about the nightmarishness of steam power, unruly machines, and the creepy half‐human status of the Russian peasant classes.” -Elif Batuman, author of The Possessed, via The New Yorker
“Whenever a truly pulpy trend reaches its apotheosis like this, I can’t help but wonder if we’ll get a new classic out of it.” -io9
“No word on whether she’ll [Anna] be bionically rebuilt following the ending, though. It’s good that this series is branching out to other authors…” -Entertainment Weekly
***
Android Karenina – Sense and Sensibility and Sea Monsters co-author Ben H. Winters is back with an all-new collaborator, legendary Russian novelist Leo Tolstoy, and the result is Android Karenina-an enhanced edition of the classic love story set in a dystopian world of robots, cyborgs, and interstellar space travel.
As in the original novel, our story follows two relationships: the tragic adulterous romance of Anna Karenina and Count Alexei Vronsky, and the much more hopeful marriage of Konstantin Levin and Kitty Shcherbatskaya.These four, yearning for true love, live in a steampunk-inspired 19th century of mechanical butlers, extraterrestrial-worshiping cults, and airborne debutante balls. Their passions alone would be enough to consume them-but when a secret cabal of radical scientific revolutionaries launches an attack on Russian high society's high-tech lifestyle, our heroes must fight back with all their courage, all their gadgets, and all the power of a sleek new cyborg model like nothing the world has ever seen.
Filled with the same blend of romance, drama, and fantasy that made the first two Quirk Classics New York Times best sellers, Android Karenina brings this celebrated series into the exciting world of science fiction.
Leo Tolstoy wrote two of the greatest novels in world literature: War and Peace and Anna Karenina.
Ben H. Winters is coauthor of Sense and Sensibility and Sea Monsters, which was hailed by The Onion A.V. Club as a "sheer delight" and by Library Journal as "strangely entertaining, like a Weird Al version of an opera aria." Mr. Winters lives in Brooklyn.

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“Pardon, your Excellency. I did not inquire as to the machine’s name or master. I asked if you can vouch for its origins.”

The Caretaker’s tone was unmistakably hardening. Looking away from Korsunsky, Kitty’s gaze fell on Anna, who had not set Android Karenina to glow in lilac, as Kitty had so urgently wished, but instead to gently silhouette her, with the subtlest overtones of velvet, brilliantly complementing Anna’s throat and shoulders, which looked as though carved in old ivory, and her rounded arms, with tiny, slender wrists. On Anna’s head, among her black hair-her own, with no false additions-was a little wreath of pansies, and a bouquet of the same in the black ribbon of her sash among white lace. Her coiffure was not striking. All that was noticeable were the little willful tendrils of her curly hair that would always break free about her neck and temples. Round her well-cut, strong neck was a thread of pearls.

Kitty had been seeing Anna every day; she adored her, and had pictured her invariably haloed in lilac. But now seeing her silhouetted in black, Kitty felt that she had not fully seen her charm. She saw her now as someone quite new and surprising to her. Now she understood that Anna could not have been in lilac, and that her charm was just that she always stood out against her attire, that her companion light could never be noticeable on her. It was only that, the light, and all that was seen was she-simple, natural, elegant, and at the same time gay and eager.

“The difficulty is simply this, sir,” the Caretaker continued in a smooth, almost supplicating tone. “This Class III device has been implanted with a recorder/transmitter by enemies of the state, and sadly must be destroyed.”

An audible gasp came from the assembled crowd, followed by a ripple of disapproval and excitement. Korsunsky could only throw up his hands with confusion. “What? This cannot be! I am not with UnConSciya!”

“No one has suggested so,” the Caretaker responded, his lips tightening and turning up almost imperceptibly. “No one, that is, until yourself, at this moment. But this machine, your excellency, has been corrupted, and must be destroyed.”

“Wait! No-no,” cried Korsunsky, as the massive 77s, their heads performing their slow, watchful revolutions, surrounded his small orange Class III, which clucked and whirred frightfully. “Portcullis!”

Count Vronsky separated from Kitty’s side and strode across the floor, raising his hands before him in a calming manner. The Caretaker, noting Count Vronsky’s air of presumed authority and glinting silver regimental uniform, stepped slightly backward and gestured to the 77s to allow him entry into the tight circle of enforcer robots around the terrified Korsunsky and his Class III.

“Alexei Kirillovich,” said Korsunsky imploringly to Vronsky, sensing his chance to make an appeal. “This is an old and dearly beloved family android. It belonged to my grandfather and to his grandfather before him. It fought beside him in Kazakhstan.”

“In Kyrgyzstan.”

“Don’t correct me, Portcullis, not now of all times!”

“Sorry, sorry.”

“Hmmm,” Count Vronsky mused, displaying for all at the party his mien of wise and dutiful authority. “If it is an UnConSciya device, sir, then the thing must be destroyed, its history as a member of your household notwithstanding.” Korsunsky choked out a sob even as he nodded mutely, and all those present looked away, terrified for him, and ashamed as well by such unmanful behavior. “And yet,” Vronsky continued sympathetically, “it would be irresponsible to deprive you of a beloved-companion without reason.”

“Respectfully, sir,” the Caretaker interjected, glancing with agitation at the red and emotional face of Korsunsky, “there is of course no safe way to check the thing; as you must know, automatons when corrupted with such devices are often rigged with trigger bombs as well.”

Vronsky, clearly put off with the Caretaker’s effrontery in presuming to know what he in his position knew or did not know, stood for a moment in thought, his thumb idly tracing a circle on the hilt of his hot-whip. From where she stood at the periphery of the incident, Kitty Shcherbatskaya saw with pained clarity how Vronsky cast a quick, distracted glance toward Anna Arkadyevna, to be sure, despite the gravity of the situation, that he had her attention.

At last he gave a small wave of his hand, and bent before the twittering orange Class III. Not waiting for permission from the Caretaker, he carefully, with evident expertise, dismantled Portcullis’s exterior safeguards and cracked open the torso of the servomechanism.

A long, tense moment then passed, during which Korsunsky wrung his hands, and whined helplessly from where he stood between the powerful forms of two 77s.

“Yes,” Vronsky said finally, straightening up and roughly wiping metal grease off his hands onto his sharply pressed silver trousers. “This is a Janus machine.”

“No! No, it cannot be…” Korsunsky shook violently, tears streaming down his face. The Caretaker, wasting no more time, motioned to the 77s, and the cords began to snake out of their torsos, searching automatically for the necessary points along the Class III’s wide orange torso-Portcullis now quivered wildly, emitting terrified squawks and beeps.

“No,” said Vronsky to the 77s. “Allow me.”

“Vronsky!” said Korsunsky. “Vronsky, please…” The air sizzled with fire. In the space of an instant, he had drawn both of his twin smokers and fired off the necessary ordnance at the droid’s face, and Portcullis was junkered.

“Ah, God,” cried Korsunsky, kneeling at the mechanized feet of his companion robot, which never again would give him comfort and consolation through life’s trials. “Merciful God.”

The crowd, while sympathizing with Korsunsky’s grief, still clapped enthusiastically, for the threat was eliminated, the mechanism of the state had overcome the peril, and-most importantly from the perspective of the young romantic people in search of polite amusement and not spy-bots and laser fire-the float could proceed. The music began again, the air-chime sounded and the windblasts resumed, and the waltz continued. Vronsky holstered his smokers, and he and Kitty waltzed several times through the air. After the first waltz Kitty went to her mother, and she had hardly time to say a few words to Countess Nordston when Vronsky came up again for the first quadrille. During the quadrille-as the air-patterns busily evolved, blowing faster and slower, harder and weaker, in keeping with the complexity of the music-nothing of any significance was said: only once the conversation touched her to the quick, when he asked her about Levin, whether he was here, and added that he liked him so much. But Kitty did not expect much from the quadrille. She looked forward with a thrill at her heart to the mazurka. She fancied that in the mazurka everything must be decided. The fact that he did not during the quadrille ask her for the mazurka did not trouble her. She felt sure she would dance the mazurka with him as she had done at former floats, and refused five young men, saying she was engaged for the mazurka. The whole float up to the last quadrille was for Kitty an enchanted vision of delightful colors, sounds, and motions. She only sat down when she felt too tired and begged for a rest. But as she was dancing the last quadrille with one of the tiresome young men whom she could not refuse, she chanced to be vis-á-vis with Vronsky and Anna.

She had not been near Anna again since the destruction of Korsunsky’s Class III, and now again she saw her suddenly quite new and surprising. She saw in her the signs of that excitement of success she knew so well in herself; she saw that she was intoxicated with the delighted admiration she was exciting. She knew that feeling and knew its signs, and saw them in Anna-saw the quivering, flashing light in her eyes, and the smile of happiness and excitement unconsciously playing on her lips, and the deliberate grace, precision, and lightness of her movements.

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