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Herman Melville: Pierre, Or the Ambiguities

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Herman Melville Pierre, Or the Ambiguities

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A reconstruction of Melville's original text omits the "Pierre as author" subplot that was later assimilated and is accompanied by thirty full-color pictures by Maurice Sendak.

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III

In the midst of all these mental confusions they arrived at the wharf; and selecting the most inviting of the various boats which lay about them in three or four adjacent ferry-slips, and one which was bound for a half-hour's sail across the wide beauty of that glorious bay; they soon found themselves afloat and in swift gliding motion.

They stood leaning on the rail of the guard, as the sharp craft darted out from among the lofty pine-forests of ships'-masts, and the tangled underbrush and cane-brakes of the dwarfed sticks of sloops and scows. Soon, the spires of stone on the land, blent with the masts of wood on the water; the crotch of the twin-rivers pressed the great wedged city almost out of sight. They swept by two little islets distant from the shore; they wholly curved away from the domes of free-stone and marble, and gained the great sublime dome of the bay's wide-open waters.

Small breeze had been felt in the pent city that day, but the fair breeze of naked nature now blew in their faces. The waves began to gather and roll; and just as they gained a point, where — still beyond-between high promontories of fortresses, the wide bay visibly sluiced into the Atlantic, Isabel convulsively grasped the arm of Pierre and convulsively spoke.

"I feel it! I feel it! It is! It is!"

"What feelest thou? — what is it?"

"The motion! the motion!"

"Dost thou not understand, Pierre?" said Lucy, eying with concern and wonder his pale, staring aspect. — "The waves: it is the motion of the waves that Isabel speaks of. Look, they are rolling, direct from the sea now."

Again Pierre lapsed into a still stranger silence and revery.

It was impossible altogether to resist the force of this striking corroboration of by far the most surprising and improbable thing in the whole surprising and improbable story of Isabel. Well did he remember her vague reminiscence of the teetering sea, that did not slope exactly as the floors of the unknown, abandoned, old house among the French-like mountains.

While plunged in these mutually neutralizing thoughts of the strange picture and the last exclamations of Isabel, the boat arrived at its destination-a little hamlet on the beach, not very far from the great blue sluice-way into the ocean, which was now yet more distinctly visible than before.

"Don't let us stop here"-cried Isabel. "Look, let us go through there! Bell must go through there! See! see! out there upon the blue! yonder, yonder! far away-out, out! — far, far away, and away, and away, out there! where the two blues meet, and are nothing-Bell must go!"

"Why, Isabel," murmured Lucy, "that would be to go to far England or France; thou wouldst find but few friends in far France, Isabel."

"Friends in far France? And what friends have I here? — Art thou my friend? In thy secret heart dost thou wish me well? And for thee, Pierre, what am I but a vile clog to thee; dragging thee back from all thy felicity? Yes, I will go yonder- yonder; out there! I will, I will! Unhand me! Let me plunge!"

For an instant, Lucy looked incoherently from one to the other. But both she and Pierre now mechanically again seized Isabel's frantic arms, as they were again thrown over the outer rail of the boat. They dragged her back; they spoke to her; they soothed her; but though less vehement, Isabel still looked deeply distrustfully at Lucy, and deeply reproachfully at Pierre.

They did not leave the boat as intended; too glad were they all, when it unloosed from its fastenings, and turned about upon the backward trip.

Stepping to shore, Pierre once more hurried his companions through the unavoidable publicity of the thoroughfares; but less rapidly proceeded, as soon as they gained the more secluded streets.

IV

Gaining the Apostles', and leaving his two companions to the privacy of their chambers, Pierre sat silent and intent by the stove in the dining-room for a time, and then was on the point of entering his closet from the corridor, when Delly, suddenly following him, said to him, that she had forgotten to mention it before, but he would find two letters in his room, which had been separately left at the door during the absence of the party.

He passed into the closet, and slowly shooting the bolt- which, for want of something better, happened to be an old blunted dagger-walked, with his cap yet unmoved, slowly up to the table, and beheld the letters. They were lying with their sealed sides up; one in either hand, he lifted them; and held them straight out sideways from him.

"I see not the writing; know not yet, by mine own eye, that they are meant for me; yet, in these hands I feel that I now hold the final poniards that shall stab me; and by stabbing me, make me too a most swift stabber in the recoil. Which point first? — this!"

He tore open the left-hand letter:-

"Sm:-You are a swindler. Upon the pretense of writing a popular novel for us, you have been receiving cash advances from us, while passing through our press the sheets of a blasphemous rhapsody, filched from the vile Atheists, Lucian and Voltaire. Our great press of publication has hitherto prevented our slightest inspection of our reader's proofs of your book. Send not another sheet to us. Our bill for printing thus far, and also for our cash advances, swindled out of us by you, is now in the hands of our lawyer, who is instructed to proceed with instant rigor.

"(Signed)

Steel, Flint Asbestos."

He folded the left-hand letter, and put it beneath his left heel, and stood upon it so; and then opened the right-hand letter.

"Thou, Pierre Glendinning, art a villainous and perjured liar. It is the sole object of this letter imprintedly to convey the point-blank lie to thee; that taken in at thy heart, it may be thence pulsed with thy blood, throughout thy system. We have let some interval pass inactive, to confirm and solidify our hate. Separately, and together, we brand thee, in thy every lung-cell, a liar;-liar, because that is the scornfullest and loathsomest title for a man; which in itself is the compend of all infamous things. "(Signed)

Glendinnino Stanly "Frederic Tartan."

He folded the right-hand letter, and put it beneath his right heel; then folding his two arms, stood upon both letters.

"These are most small circumstances; but happening just now to me, become indices to all immensities. For now am I hate-shod! On these I will skate to my acquittal! No longer do I hold terms with aught. World's bread of life, and world's breath of honor, both are snatched from me; but I defy all world's bread and breath. Here I step out before the drawn-up worlds in widest space, and challenge one and all of them to battle! Oh, Glen! oh, Fred! most fraternally do I leap to your rib-crushing hugs! Oh, how I love ye two, that yet can make me lively hate, in a world which elsewise only merits stagnant scorn! — Now, then, where is this swindler's, this coiner's book? Here, on this vile counter, over which the coiner thought to pass it to the world, here will I nail it fast, for a detected cheat! And thus nailed fast now, do I spit upon it, and so get the start of the wise world's worst abuse of it! Now I go out to meet my fate, walking toward me in the street."

As with hat on, and Glen and Frederic's letter invisibly crumpled in his hand, he-as it were somnambulously-passed into the room of Isabel, she gave loose to a thin, long shriek, at his wondrous white and haggard plight; and then, without the power to stir toward him, sat petrified in her chair, as one embalmed and glazed with icy varnish.

He heeded her not, but passed straight on through both intervening rooms, and without a knock unpremeditatedly entered Lucy's chamber. He would have passed out of that, also, into the corridor, without one word; but something stayed him.

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