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Antony Burgess: A Clockwork Orange

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Antony Burgess A Clockwork Orange

A Clockwork Orange: краткое содержание, описание и аннотация

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Fifteen-year-old Alex and his three friends start an evening’s mayhem by hitting an old man, tearing up his books and stripping him of money and clothes. Or rather Alex and his three droogs tolchock an old veck, razrez his books, pull off his outer platties and take a malenky bit of cutter. For Alex’s confessions are written in ‘nadsat’—the teenage argot of a not-too-distant future. Because of his delinquent excesses, Alex is jailed and made subject to “Ludovico’s Technique,” a chilling experiment in Reclamation Treatment… Horror farce? Social prophecy? Penetrating study of human choice between good and evil? A “Clockwork Orange” is all three, dazzling proof of Anthony Burgess’s vast talents.

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Oh dear dear land, I fought for thee
And brought thee peace and victory—

So we cracked into him lovely, grinning all over our litsos, but he still went on singing. Then we tripped him so he laid down flat and heavy and a bucketload of beer-vomit came whooshing out. That was disgusting so we gave him the boot, one go each, and then it was blood, not song nor vomit, that came out of his filthy old rot. Then we went on our way.

It was round by the Municipal Power Plant that we came across Billyboy and his five droogs. Now in those days, my brothers, the teaming up was mostly by fours or fives, these being like auto-teams, four being a comfy number for an auto, and six being the outside limit for gang-size. Sometimes gangs would gang up so as to make like malenky armies for big night-war, but mostly it was best to roam in these like small numbers. Billyboy was something that made me want to sick just to viddy his fat grinning litso, and he always had this von of very stale oil that’s been used for frying over and over, even when he was dressed in his best platties, like now. They viddied us just as we viddied them, and there was like a very quit kind of watching each other now. This would be real, this would be proper, this would be the nozh, the oozy, the britva, not just fisties and boots. Billyboy and his droogs stopped what they were doing, which was just getting ready to perform something on a weepy young devotchka they had there, not more than ten, she creeching away but with her platties still on. Billyboy holding her by one rooker and his number-one, Leo, holding the other. They’d probably just been doing the dirty slovo part of the act before getting down to a malenky bit of ultra-violence. When they viddied us a-coming they let go of this boo-hooing little ptitsa, there being plenty more where she came from, and she ran with her thin white legs flashing through the dark, still going “Oh oh oh.” I said, smiling very wide and droogie: “Well, if it isn’t fat stinking billygoat Billyboy in poison. How art thou, thou globby bottle of cheap stinking chip-oil? Come and get one in the yarbles, if you have any yarbles, you eunuch jelly, thou.” And then we started.

There were four of us to six of them, like I have already indicated, but poor old Dim, for all his dimness, was worth three of the others in sheer madness and dirty fighting. Dim had a real horrorshow length of oozy or chain round his waist, twice wound round, and he unwound this and began to swing it beautiful in the eyes or glazzies. Pete and Georgie had good sharp nozhes, but I for my own part had a fine starry horrorshow cut-throat britva which, at that time, I could flash and shine artistic. So there we were dratsing away in the dark, the old Luna with men on it just coming up, the stars stabbing away as it might be knives anxious to join in the dratsing. With my britva I managed to slit right down the front of one of Billyboy’s droog’s platties, very very neat and not even touching the plott under the cloth. Then in the dratsing this droog of Billyboy’s suddenly found himself all opened up like a peapod, with his belly bare and his poor old yarbles showing, and then he got very razdraz, waving and screaming and losing his guard and letting in old Dim with his chain snaking whisssssshhhhhhhhh, so that old Dim chained him right in the glazzies, and this droog of Billyboy’s went tottering off and howling his heart out. We were doing very horrorshow, and soon we had Billyboy’s number-one down underfoot, blinded with old Dim’s chain and crawling and howling about like an animal, but with one fair boot on the gulliver he was out and out and out.

Of the four of us Dim, as usual, came out the worst in point of looks, that is to say his litso was all bloodied and his platties a dirty mess, but the others of us were still cool and whole. It was stinking fatty Billyboy I wanted now, and there I was dancing about with my britva like I might be a barber on board a ship on a very rough sea, trying to get in at him with a few fair slashes on his unclean oily litso. Billyboy had a nozh, a long flick-type, but he was a malenky bit too slow and heavy in his movements to vred anyone really bad. And, my brothers, it was real satisfaction to me to waltz—left two three, right two three—and carve left cheeky and right cheeky, so that like two curtains of blood seemed to pour out at the same time, one on either side of his fat filthy oily snout in the winter starlight. Down this blood poured in like red curtains, but you could viddy Billyboy felt not a thing, and he went lumbering on like a filthy fatty bear, poking at me with his nozh.

Then we slooshied the sirens and knew the millicents were coming with pooshkas pushing out of the police-auto-windows at the ready. That weepy little devotchka had told them, no doubt, there being a box for calling the rozzes not too far behind the Muni Power Plant. “Get you soon, fear not,” I called, “stinking billygoat. I’ll have your yarbles off lovely.” Then off they ran, slow and panting, except for Number One Leo out snoring on the ground, away north towards the river, and we went the other way. Just round the next turning was an alley, dark and empty and open at both ends, and we rested there, panting fast then slower, then breathing like normal. It was like resting between the feet of two terrific and very enormous mountains, these being the flatblocks, and in the windows of all the flats you could viddy like blue dancing light. This would be the telly. Tonight was what thy called a worldcast, meaning that the same programme was being viddied by everybody in the world that wanted to, that being mostly the middle-aged middle-class lewdies. There would be some big famous stupid comic chelloveck or black singer, and it was all being bounced off the special telly satellites in outer space, my brothers. We waited panting, and we could slooshy the sirening millicents going east, so we knew we were all right now. But poor old Dim kept looking up at the stars and planets and the Luna with his rot wide open like a kid who’d never viddied any such things before, and he said:

“What’s on them, I wonder. What would be up there on things like that?”

I nudged him hard, saying: “Come, gloopy bastard as thou art. Think thou not on them. There’ll be life like down here most likely, with some getting knifed and others doing the knifing. And now, with the nochy still molodoy, let us be on our way, O my brothers.” The others smecked at this, but poor old Dim looked at me serious, then up again at the stars and the Luna. So we went on our way down the alley, with the worldcast blueing on on either side. What we needed now was an auto, so we turned left coming out of the alley, knowing right away we were in Priestly Place as soon as we viddied the big bronze statue of some starry poet with an apey upper lip and a pipe stuck in a droopy old rot. Going north we came to the filthy old Filmdrome, peeling and dropping to bits through nobody going there much except malchicks like me and my droogs, and then only for a yell or a razrez or a bit of in-out-in-out in the dark. We could viddy from the poster on the Filmdrome’s face, a couple of fly-dirtied spots trained on it, that there was the usual cowboy riot, with the archangels on the side of the US marshal six-shooting at the rustlers out of hell’s fighting legions, the kind of hound-and-horny veshch put out by Statefilm in those days. The autos parked by the sinny weren’t all that horrorshow, crappy starry veshches most of them, but there was a newish Durango 95 that I thought might do. Georgie had one of these polyclefs, as they called them, on his keyring, so we were soon aboard—Dim and Pete at the back, puffing away lordly at their cancers—and I turned on the ignition and started her up and she grumbled away real horrorshow, a nice warm vibraty feeling grumbling all through your guttiwuts. Then I made with the noga, and we backed out lovely, and nobody viddied us take off.

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