Владимир Набоков: Vladimir Nabokov Pnin

He delivered these stale goods with the rotund gusto of the classical Alexandrinka (a theatre in Petersburg), rather than with the crisp simplicity of the Moscow Artists; but since to appreciate whatever fun those passages still retained one had to have not only a sound knowledge of the vernacular but also a good deal of literary insight, and since his poor little class had neither, the performer would be alone in enjoying the associative subtleties of his text. The heaving we have already noted in another connexion would become here a veritable earthquake. Directing his memory, with all the lights on and all the masks of the mind a-miming, toward the days of his fervid and receptive youth (in a brilliant cosmos that seemed all the fresher for having been abolished by one blow of history), Pnin would get drunk on his private wines as he produced sample after sample of what his listeners politely surmised was Russian humour. Presently the fun would become too much for him; pear-shaped tears would trickle down his tanned cheeks. Not only his shocking teeth but also an astonishing amount of pink upper-gum tissue would suddenly pop out, as if a jack-in-the-box had been sprung, and his hand would fly to his mouth, while his big shoulders shook and rolled. And although the speech he smothered behind his dancing hand was now doubly unintelligible to the class, his complete surrender to his own merriment would prove irresistible. By the time he was helpless with it he would have his students in stitches, with abrupt barks of clockwork hilarity coming from Charles and a dazzling flow of unsuspected lovely laughter transfiguring Josephine, who was not pretty, while Eileen, who was, dissolved in a jelly of unbecoming giggles.

All of which does not alter the fact that Pnin was on the wrong train.

How should we diagnose his sad case? Pnin, it should be particularly stressed, was anything but the type of that good-natured German platitude of last century, der zerstreute Professor. On the contrary, he was perhaps too wary, too persistently on the look-out for diabolical pitfalls, too painfully on the alert lest his erratic surroundings (unpredictable America) inveigle him into some bit of preposterous oversight. It was the world that was absent-minded and it was Pnin whose business it was to set it straight. His life was a constant war with insensate objects that fell apart, or attacked him, or refused to function, or viciously got themselves lost as soon as they entered the sphere of his existence. He was inept with his hands to a rare degree; but because he could manufacture in a twinkle a one-note mouth-organ out a pea pod, make a flat pebble skip ten times on the surface of a pond, shadowgraph with his knuckles a rabbit (complete with blinking eye), and perform a number of other tame tricks that Russians have up their sleeves, he believed himself endowed with considerable manual and mechanical skill. On gadgets he doted with a kind of dazed, superstitious delight. Electric devices enchanted him. Plastics swept him off his feet. He had a deep admiration for the zipper. But the devoutly plugged-in clock would make nonsense of his mornings after a storm in the middle of the night had paralysed the local power station. The frame of his spectacles would snap in mid bridge, leaving him with two identical pieces, which he would vaguely attempt to unite, in the hope, perhaps, of some organic marvel of restoration coming to the rescue. The zipper a gentleman depends on most would come loose in his puzzled hand at some nightmare moment of haste and despair.

And he still did not know that he was on the wrong train.

A special danger area in Pnin's case was the English language. Except for such not very helpful odds and ends as 'the rest is silence', 'nevermore', 'week-end', 'who's who', and a few ordinary words like' eat', 'street', 'fountain pen', 'gangster', 'Charleston', 'marginal utility', he had had no English at all at the time he left France for the States. Stubbornly he sat down to the task of learning the language of Fenimore Cooper, Edgar Poe, Edison, and thirty-one Presidents. In 1941, at the end of one year of study, he was proficient enough to use glibly terms like 'wishful thinking' and 'okey-dokey'. By 1942 he was able to interrupt his narration with the phrase, 'To make a long story short'. By the time Truman entered his second term, Pnin could handle practically any topic: but otherwise progress seemed to have stopped despite all his efforts, and by 1950 his English was still full of flaws. That autumn he supplemented his Russian courses by delivering a weekly lecture in a so-called symposium ('Wingless Europe: A Survey of Contemporary Continental Culture') directed by Dr Hagen. All our friend's lectures, including sundry ones he gave out of town, were edited by one of the younger members of the German Department. The procedure was somewhat complicated. Professor Pnin laboriously translated his own Russian verbal flow, teeming with idiomatic proverbs, into patchy English. This was revised by young Miller. Then Dr Hagen's secretary, a Miss Eisenbohr, typed it out. Then Pnin deleted the passages he could not understand. Then he read it to his weekly audience. He was utterly helpless without the prepared text, nor could he use the ancient system of dissimulating his infirmity by moving his eyes up and down--snapping up an eyeful of words, reeling them off to his audience, and drawing out the end of the sentence while diving for the next. Pnin's worried eye would be bound to lose its bearings. Therefore he preferred reading his lectures, his gaze glued to his text, in a slow, monotonous baritone that seemed to climb one of those interminable flights of stairs used by people who dread elevators.

The conductor, a grey-headed fatherly person with steel spectacles placed rather low on his simple, functional nose and a bit of soiled adhesive tape on his thumb, had now only three coaches to deal with before reaching the last one, where Pnin rode.

Pnin in the meantime had yielded to the satisfaction of a special Pninian craving. He was in a Pninian quandary. Among other articles indispensable for a Pninian overnight stay in a strange town, such as shoe trees, apples, dictionaries, and so on, his Gladstone bag contained a relatively new black suit he planned to wear that night for the lecture ('Are the Russian People Communist?') before the Cremona ladies. It also contained next Monday's symposium lecture ('Don Quixote and Faust'), which he intended to study the next day, on his way back to Waindell, and a paper by the graduate student, Betty Bliss ('Dostoyevsky and Gestalt Psychology'), that he had to read for Dr Hagen, who was her main director of cerebration. The quandary was as follows: If he kept the Cremona manuscript--a sheaf of typewriter-size pages, carefully folded down the centre--on his person, in the security of his body warmth, the chances were, theoretically, that he would forget to transfer it from the coat he was wearing to the one he would wear. On the other hand, if he placed the lecture in the pocket of the suit in the bag now, he would, he knew, be tortured by the possibility of his luggage being stolen. On the third hand (these mental states sprout additional forelimbs all the time), he carried in the inside pocket of his present coat a precious wallet with two ten-dollar bills, the newspaper clipping of a letter he had written, with my help, to the New York Times in 1945 anent the Yalta conference, and his certificate of naturalization; and it was physically possible to pull out the wallet, if needed, in such a way as fatally to dislodge the folded lecture. During the twenty minutes he had been on the train, our friend had already opened his bag twice to play with his various papers. When the conductor reached the car, diligent Pnin was perusing with difficulty Betty's last effort, which began, 'When we consider the mental climate wherein we all live, we cannot but notice--'

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