William Maugham - Theatre

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Julia Lambert is in her prime, the greatest actress in England. On stage she is a true professional, in full possession of her emotions. Off stage, however, she is bored with her husband, less disciplined about her behaviour. She is at first amused by the attentions of a shy but ambitious young fan, then thrilled by his persistence—and at last wildly but dangerously in love… Although Maugham is most celebrated as a novelist and shortstory writer, it was as a playwright that he first knew success.
is both a tribute to a world from which he had retired and a persuasive testimony to his enthusiasm for drama and the stage.

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‘No. You were fond of me when I was a kid and you could have me photographed with you. It made a lovely picture and it was fine publicity. But since then you haven’t bothered much about me. I’ve bored you rather than otherwise. You were always glad to see me, but you were thankful that I went my own way and didn’t want to take up your time. I don’t blame you; you hadn’t got time in your life for anyone but yourself.’

Julia was beginning to grow a trifle impatient. He was getting too near the truth for her comfort.

‘You forget that young things are rather boring.’

‘Crashing, I should think,’ he smiled. ‘But then why do you pretend that you can’t bear to let me out of your sight? That’s just acting too.’

‘You make me very unhappy. You make me feel as if I hadn’t done my duty to you.’

‘But you have. You’ve been a very good mother. You’ve done something for which I shall always be grateful to you, you’ve left me alone.’

‘I don’t understand what you want.’

‘I told you. Reality.’

‘But where are you going to find it?’

‘I don’t know. Perhaps it doesn’t exist. I’m young still; I’m ignorant. I thought perhaps that at Cambridge, meeting people and reading books, I might discover where to look for it. If they say it only exists in God, I’m done.’

Julia was disturbed. What he said had not really penetrated to her understanding, his words were lines and the important thing was not what they meant, but whether they ‘got over’, but she was sensitive to the emotion she felt in him. Of course he was only eighteen, and it would be silly to take him too seriously, she couldn’t help thinking he’d got all that from somebody else, and that there was a good deal of pose in it. Did anyone have ideas of his own and did anyone not pose just a wee, wee bit? But of course it might be that at the moment he felt everything he said, and it wouldn’t be very nice of her to make light of it.

‘Of course I see what you mean,’ she said. ‘My greatest wish in the world is that you should be happy. I’ll manage your father, and you can do as you like. You must seek your own salvation, I see that. But I think you ought to make sure that all these ideas of yours aren’t just morbid. Perhaps you were too much alone in Vienna and I dare say you read too much. Of course your father and I belong to a different generation and I don’t suppose we can help you. Why don’t you talk it over with someone more of your own age? Tom, for instance.’

‘Tom? A poor little snob. His only ambition in life is to be a gentleman, and he hasn’t the sense to see that the more he tries the more hopeless it is.’

‘I thought you liked him so much. Why, at Taplow last summer you just lived in his pocket.’

‘I didn’t dislike him. I made use of him. He could tell me a lot of things that I wanted to know. But I thought him an insignificant, silly little thing.’

Julia remembered how insanely jealous she had been of their friendship. It made her angry to think of all the agony she had wasted.

‘You’ve dropped him, haven’t you?’ he asked suddenly.

She was startled.

‘I suppose I have more or less.’

‘I think it’s very wise of you. He wasn’t up to your mark.’

He looked at her with his calm, reflective eyes, and on a sudden Julia had a sickening fear that he knew that Tom had been her lover. It was impossible, she told herself, it was only her guilty conscience that made her think so; at Taplow there had been nothing; it was incredible that any of the horrid gossip had reached his ears; and yet there was something in his expression that made her certain that he knew. She was ashamed.

‘I only asked him to come down to Taplow because I thought it would be nice for you to have a boy of that age to play around with.’

‘It was.’

There was in his eyes a faint twinkle of amusement. She felt desperate. She would have liked to ask him what he was grinning at, but dared not; for she knew; he was not angry with her, she could have borne that, he was merely diverted. She was bitterly hurt. She would have cried, but that he would only laugh. And what could she say to him? He believed nothing she said. Acting! For once she was at a loss how to cope with a situation. She was up against something that she did not know, something mysterious and rather frightening. Could that be reality? At that moment they heard a car drive up.

‘There’s your father,’ she exclaimed.

What a relief! The scene was intolerable, and she was thankful that his arrival must end it. In a moment Michael, very hearty, with his chin thrust out and his belly pulled in, looking for all his fifty odd years incredibly handsome, burst into the room and, in his manly way, thrust out his hand to greet, after a six months’ absence, his only begotten son.

28

THREE days later Roger went up to Scotland. By the exercise of some ingenuity Julia had managed that they should not again spend any length of time alone together. When they happened to be by themselves for a few minutes they talked of indifferent things. Julia was not really sorry to see him go. She could not dismiss from her mind the curious conversation she had had with him. There was one point in particular that unaccountably worried her; this was his suggestion that if she went into an empty room and someone suddenly opened the door there would be nobody there. It made her feel very uncomfortable.

‘I never set out to be a raving beauty, but the one thing no one has ever denied me is personality. It’s absurd to pretend that because I can play a hundred different parts in a hundred different ways I haven’t got an individuality of my own. I can do that because I’m a bloody good actress.’

She tried to think what happened to her when she went alone into an empty room.

‘But I never am alone, even in an empty room. There’s always Michael, or Evie, or Charles, or the public; not in the flesh, of course, but in the spirit, as it were. I must speak to Charles about Roger.’

Unfortunately he was away. But he was coming back for the dress-rehearsal and the first night; he had not missed these occasions for twenty years, and they had always had supper together after the dress-rehearsal. Michael would remain in the theatre, busy with the lights and so on, so that they would be alone. They would be able to have a good talk.

She studied her part. Julia did not deliberately create the character she was going to act by observation; she had a knack of getting into the shoes of the woman she had to portray so that she thought with her mind and felt with her senses. Her intuition suggested to her a hundred small touches that afterwards amazed people by their verisimilitude; but when they asked her where she had got them she could not say. Now she wanted to show the courageous yet uneasy breeziness of the Mrs Marten who played golf and could talk to a man like one good chap to another and yet, essentially a respectable, middle-class woman, hankered for the security of the marriage state.

Michael never liked to have a crowd at a dress-rehearsal, and this time, anxious to keep the secret of the play till the first night, he had admitted besides Charles only the people, photographers and dressmakers, whose presence was necessary. Julia spared herself. She had no intention of giving all she had to give till the first night. It was enough if her performance was adequate. Under Michael’s business-like direction everything went off without a hitch, and by ten o’clock Julia and Charles were sitting in the Grill Room of the Savoy. The first thing she asked him was what he thought of Avice Crichton.

‘Not at all bad and wonderfully pretty. She really looked lovely in that second-act dress.’

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