William Maugham - Theatre

‘When I used to come and visit you in Jersey, my dear, and gentlemen were coming to dinner, I remember you would put on a tea-gown.’

‘Of course a tea-gown would be very suitable.’

They looked at Julia hopefully. She shook her head.

‘I would sooner wear a shroud.’

Aunt Carrie wore a high-necked dress of heavy black silk, with a string of jet, and Mrs Lambert a similar one, but with her lace shawl and a paste necklace. The Commandant, a sturdy little man with a much-wrinkled face, white hair cut en brosse and an imposing moustache dyed a deep black, was very gallant, and though well past seventy pressed Julia’s foot under the table during dinner. On the way out he seized the opportunity to pinch her bottom.

‘Sex appeal,’ Julia murmured to herself as with dignity she followed the two old ladies into the parlour.

They made a fuss of her, not because she was a great actress, but because she was in poor health and needed rest. Julia to her great amazement soon discovered that to them her celebrity was an embarrassment rather than an asset. Far from wanting to show her off, they did not offer to take her with them to pay calls. Aunt Carrie had brought the habit of afternoon tea with her from Jersey, and had never abandoned it. One day, soon after Julia’s arrival, when they had invited some ladies to tea, Mrs Lambert at luncheon thus addressed her daughter.

‘My dear, we have some very good friends at St Malo, but of course they still look upon us as foreigners, even after all these years, and we don’t like to do anything that seems at all eccentric. Naturally we don’t want you to tell a lie, but unless you are forced to mention it, your Aunt Carrie thinks it would be better if you did not tell anyone that you are an actress.’

Julia was taken aback, but, her sense of humour prevailing, she felt inclined to laugh.

‘If one of the friends we are expecting this afternoon happens to ask you what your husband is, it wouldn’t be untrue, would it? to say that he was in business.’

‘Not at all,’ said Julia, permitting herself to smile.

‘Of course, we know that English actresses are not like French ones,’ Aunt Carrie added kindly. ‘It’s almost an understood thing for a French actress to have a lover.’

‘Dear, dear,’ said Julia.

Her life in London, with its excitements, its triumphs and its pains, began to seem very far away. She found herself able soon to consider Tom and her feeling for him with a tranquil mind. She realized that her vanity had been more wounded than her heart. The days passed monotonously. Soon the only thing that recalled London to her was the arrival on Monday of the Sunday papers. She got a batch of them and spent the whole day reading them. Then she was a trifle restless. She walked on the ramparts and looked at the islands that dotted the bay. The grey sky made her sick for the grey sky of England. But by Tuesday morning she had sunk back once more into the calmness of the provincial life. She read a good deal, novels, English and French, that she bought at the local bookshop, and her favourite Verlaine. There was a tender melancholy in his verses that seemed to fit the grey Breton town, the sad old stone houses and the quietness of those steep and tortuous streets. The peaceful habits of the two old ladies, the routine of their uneventful existence and their quiet gossip, excited her compassion. Nothing had happened to them for years, nothing now would ever happen to them till they died, and then how little would their lives have signified. The strange thing was that they were content. They knew neither malice nor envy. They had achieved the aloofness from the common ties of men that Julia felt in herself when she stood at the footlights bowing to the applause of an enthusiastic audience. Sometimes she had thought that aloofness her most precious possession. In her it was born of pride; in them of humility. In both cases it brought one precious thing, liberty of spirit; but with them it was more secure.

Michael wrote to her once a week, brisk, businesslike letters in which he told her what her takings were at the Siddons and the preparations he was making for the next production; but Charles Tamerley wrote to her every day. He told her the gossip of the town, he talked in his charming, cultivated way of the pictures he saw and the books he read. He was tenderly allusive and playfully erudite. He philosophized without pedantry. He told her that he adored her. They were the most beautiful love-letters Julia had ever received and for the sake of posterity she made up her mind to keep them. One day perhaps someone would publish them and people would go to the National Portrait Gallery and look at her portrait, the one McEvoy had painted, and sigh when they thought of the sad, romantic love-story of which she had been the heroine.

Charles had been wonderful to her during the first two weeks of her bereavement, she did not know what she would have done without him. He had always been at her beck and call. His conversation, by taking her into a different world, had soothed her nerves. Her soul had been muddied, and in his distinction of spirit she had washed herself clean. It had rested her wonderfully to wander about the galleries with him and look at pictures. She had good reason to be grateful to him. She thought of all the years he had loved her. He had waited for her now for more than twenty years. She had not been very kind to him. It would have given him so much happiness to possess her and really it would not have hurt her. She wondered why she had resisted him so long. Perhaps because he was so faithful, because his devotion was so humble, perhaps only because she wanted to preserve in his mind the ideal that he had of her. It was stupid really and she had been selfish. It occurred to her with exultation that she could at last reward him for all his tenderness, his patience and his selflessness. She had not lost the sense of unworthiness which Michael’s great kindness had aroused in her, and she was remorseful still because she had been for so long impatient of him. The desire for self-sacrifice with which she left England burnt still in her breast with an eager flame. She felt that Charles was a worthy object for its exercise. She laughed a little, kindly and compassionately, as she thought of his amazement when he understood what she intended; for a moment he would hardly be able to believe it, and then what rapture, then what ecstasy! The love that he had held banked up for so many years would burst its sluices like a great torrent and in a flood o’erwhelm her. Her heart swelled at the thought of his infinite gratitude. But still he could hardly believe in his good fortune; and when it was all over and she lay in his arms she would nestle up to him and whisper tenderly:

‘Was it worth waiting for?’

‘Like Helen, you make me immortal with a kiss.’

It was wonderful to be able to give so much happiness to a human being.

‘I’ll write to him just before I leave St Malo,’ she decided.

The spring passed into summer, and at the end of July it was time for Julia to go to Paris and see about her clothes. Michael wanted to open with the new play early in September, and rehearsals were to start in August. She had brought the play with her to St Malo, intending to study her part, but the circumstances in which she lived had made it impossible. She had all the leisure she needed, but in that grey, austere and yet snug little town, in the constant company of those two old ladies whose interests were confined to the parish church and their household affairs, though it was a good play, she could take but little interest in it.

‘It’s high time I was getting back,’ she said. ‘It would be hell if I really came to the conclusion that the theatre wasn’t worth the fuss and bother they make about it.’