Lawrence Durrell - The Alexandria Quartet

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The Alexandria Quartet by Lawrence Durrell
Justine first published in 1957 Balthazar first published in 1958 Mountolive first published in 1958 Clea first published in 1960

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And then: the first pure draughts of desert air, and the nakedness of space, pure as a theorem, stretching away into the sky drenched in all its own silence and majesty, untenanted except by such figures as the imagination of man has invented to people landscapes which are inimical to his passions and whose purity flays the mind.

Narouz gave a shout and the horses, suddenly awoken and filled with a sense of new freedom and space around them, started their peculiar tearing plunging gallop across the dunes, manes and tassels tossing, saddles creaking. They raced like this for many minutes, Nessim giggling with excitement and joy. It was so long since he had ridden at this wild gallop.

But they held it, completing a slow arc eastwards across scrubby land where wild flowers bloomed and butterflies tippled amongst the waste of dunes and the dingy tenacious specimens of plantlife. Their hooves rattled across shingle floors, through stone valleys with great sandstone needles and chines of rosy shale filling in the known horizons. Nessim was busy with his memories of those youthful nights camped out here under a sky hoary with stars, in a booming tent (whose frosted guy-ropes glittered like brilliants) pitched under Vega, the whole desert spread around them like an empty room. How did one come to forget the greatest of one’s experiences? It was all lying there like a piano that one could play but which one had somehow forgotten to touch for years. He was irradiated by the visions of his inner eye and followed Narouz blindly. He saw them in all that immensity — two spots like pigeons flying in an empty sky.

They halted for a short rest in the shadow of a great rock — a purple oasis of darkness — panting and happy. ‘If we put up a desert wolf said Narouz ‘I’ll run it down with my kurbash ,’ and he caressed the great whip lovingly, running it through his fingers.

When they set off again, Narouz started a slow tacking path, questing about for the ancient caravan route — the masrab which would take them to the Quasur el Atash (Castles of the Thirsty) where the Sheik’s men were due to meet them before noon. Once Nessim too had known these highways by heart — the smugglers’ roads which had been used for centuries by the caravans which plied between Algiers and Mecca — the ‘bountiful highways’ which steered the fortunes of men through the wilderness of the desert, taking spices and stuffs from one part of Africa to another or affording to the pious their only means of reaching the Holy City.

He was suddenly jealous of his brother’s familiarity with the desert they had once equally owned. He copied him eagerly.

Presently Narouz gave a hoarse shout and pointed and in a little while they came upon the masrab — a highway of camel-tracks, deeply worn in some places into solid rock, but running in a wavy series, parallel from horizon to horizon. And here once more the younger brother set the pace. His blue shirt was now stained violet at the armpits. ‘Nearly there’ he cried, and out of the trembling pearly edges of the sky there swam slowly a high cluster of reddish basalt blocks, carved into the vague semblance (like a face in the fire) of a sphinx tortured by thirst; and there, gibbering in the dark shade of a rock, the little party waited to conduct them to the Sheik’s tents — four tall lean men, made of brown paper, whose voices cracked at the edges of meaning with thirst, and whose laughter was like fury unleashed. To them they rode — into the embrace of arms like dry sticks and the thorny clicking of an unfamiliar Arabic in which Narouz did all the talking and explaining.

Nessim waited, feeling suddenly like a European, city-bred, a visitor: for the little party carried with them all the feeling of the tight inbred Arab world — its formal courtesies and feuds — its primitiveness. He surprised himself by seeking in his own mind the memory of a painting by Bonnard or a poem by Blake — as a thirsty man might grope at a spring for water. In such a way might a traveller present himself to some rude mountain clan, admiring their bunioned feet and coarse hairy legs, but grateful too that the sum of European culture was not expressed by their life-hating, unpleasure-loving strength. Here he suddenly lost his brother, parted company with him, for Narouz had plunged into the life of these Arabian herdsmen with the same intensity as he plunged into the life of his land, his trees. The great corded muscles in his hairy body were tense with pride, for he, a city-bred Alexandrian — almost a despised Nasrany — could out-shoot, out-talk and outgallop any of them. On him whose mettle they knew they kept a speculative aboriginal eye; the gentle Nessim they had seen in many guises before, his well-kept hands betrayed a city gentleman.

But they were polite.

A knowledge of forms only was necessary now, not insight, for these delightful desert folk were automata; thinking of Mountolive Nessim smiled suddenly and wondered where the British had found the substance of their myths about the desert Arab. The fierce banality of their lives was so narrow, so regulated. If they stirred one at all it was as the bagpipe can, without expressing anything above the level of the primitive. He watched his brother handle them, simply from a knowledge of their forms of behaviour, as a showman handles dancing fleas. Poor souls! He felt the power and resource of his city-bred intelligence stir in him.

They all rode now in a compact group to the Sheik’s tents, down long ribbed inclines of sand, through mirages of pastures which only the rain clouds imagined, until they came there, to the little circle of tents, manhood’s skies of hide, invented by men whose childish memories were so fearful they had had perforce to invent a narrower heaven in which to contain the germ of the race; in this little cone of hide the first child was born, the first privacy of the human kiss invented…. Nessim wished bitterly that he could paint as well as Clea. Absurd thoughts, and out of place.

But the Sheik’s tents were extensive, covering nearly two thousand square feet with a tent-cloth woven of goat-hair in broad stitches of black, green, maroon and white. Long tassels hung down from the seams, playing in the wind.

The Sheik and his sons, like a gallery of playing cards, awaited them with the conventional greetings to which Narouz at least knew every response. The Sheik himself conducted them to a tent saying ‘This house is your house; do as you please. We are your servants.’ And behind him pressed the water-carriers to bathe their hands and feet and faces — the latter now somewhat dry and blistered by the journey. They rested for at least an hour, for the heat of the day was at full, in that brown darkness. Narouz lay snoring upon the cushions with arms and legs outspread while Nessim dozed fitfully, awakening from time to time to watch him — the effortless progress of sleep which physical surrender to action always brings. He brooded upon his brother’s ugliness — the magnificent set of white teeth showing through the pink rent in his upper lip. From time to time, too, as they rested, the headmen of the tribe called noiselessly, taking off their shoes at the entrance of the tent, to enter and kiss Nessim’s hand. Each uttered the single word of welcome ‘ Mahubbah ’ in a whisper.

It was late in the afternoon when Narouz woke and calling for water doused his body down, asking at the same time for a change of clothes which were at once brought to him by the Sheik’s eldest son. He strode out into the heat of the sand saying: ‘Now for the colt. It may take a couple of hours? You won’t mind? We’ll be back a bit late, eh?’ Cushions had been set for them in the shade and here Nessim was glad to recline and watch his brother moving quickly across the dazzle of sand towards a group of colts which had been driven up for him to examine.

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