Lawrence Durrell - The Alexandria Quartet

Well then, first, the abyss which separates the rich from the poor — it is positively Indian. In Egypt today, for example, six per cent of the people own over three-quarters of the land, thus leaving under a feddan a head for the rest to live on. Good! Then the population is doubling itself every second generation — or is it third?

But I suppose any economic survey will tell you this. Meanwhile there is the steady growth of a vocal and literate middle-class whose sons are trained at Oxford among our comfy liberalisms — and who find no jobs waiting for them when they come back here. The babu is growing in power, and the dull story is being repeated here as elsewhere. ‘Intellectual coolies of the world unite.’ To these internal pressures we are gracefully adding by direct encouragement, the rigour of a nationalism based in a fanatical religion. I personally admire it, but never forget that it is a fighting religion with no metaphysics, only an ethic. The Arab Union, etc…. My dear chap, why are we thinking up these absurd constructs to add to our own discomfiture — specially as it is clear to me that we have lost the basic power to act which alone would ensure that our influence remained paramount here?

These tottering backward-looking feudalisms could only be supported by arms against these disintegrating elements inherent in the very nature of things today; but to use arms, ‘to preach with the sword’ in the words of Lawrence, one must have a belief in one’s own ethos, one’s own mystique of life. What does the Foreign Office believe? I just don’t know. In Egypt, for example, very little has been done beyond keeping the peace; the High Commission is vanishing after a rule of — since 1888? — and will not leave behind even the vestiges of a trained civil service to stabilize this rabble-ridden grotesque which we now apparently regard as a sovereign state. How long will fair words and courtly sentiments prevail against the massive discontents these people feel? One can trust a treaty king only as long as he can trust his people. How long remains before a flashpoint is reached? I don’t know — and to be frank I don’t much care. But I should say that some unforeseen outside pressure like a war would tumble over these scarecrow principalities at a breath. Anyway, these are my general reasons for wanting a change. I believe we should reorient policy and build Jewry into the power behind the scenes here. And quick.

Now for the particular. Very early in my political life I ran up against a department of the War Office specializing in general intelligence, run by a Brigadier who resented the idea that his office should bow the knee to us. A question of rank, or allowances, or some such rot; under the Commission he had been allowed more or less a free hand. Incidentally, this is the remains of the old Arab Bureau left over from 1918 which has been living on quietly like a toad buried under a stone! Obviously in the general re-alignment, his show must (it seemed to me) integrate with somebody. And now there was only an embryonic Embassy in Egypt. As he had worked formerly to the High Commission’s Political Branch, I thought he should work to me — and indeed, after a series of sharp battles, bent if not broke him — Maskelyne is the creature’s name. He is so typical as to be rather interesting and I have made extensive notes on him for a book in my usual fashion. (One writes to recover a lost innocence!)

Well, since the Army discovered that imagination is a major factor in producing cowardice they have trained the Maskelyne breed in the virtues of counter-imagination: a sort of amnesia which is almost Turkish. The contempt for death has been turned into a contempt for life and this type of man accepts life only on his own terms. A frozen brain alone enables him to keep up a routine of exceptional boredom. He is very thin, very tall, and his skin has been tanned by Indian service to the colour of smoked snakeskin, or a scab painted with iodine. His perfect teeth rest as lightly as a feather upon his pipestem. There is a peculiar gesture he has — I wish I could describe it, it interests me so much — of removing his pipe slowly before speaking, levelling his small dark eyes at one, and almost whispering: ‘Oh, do you really think so?’ The vowels drawing themselves out infinitely into the lassitude, the boredom of the silence which surrounds him. He is gnawed by the circumscribed perfection of a breeding which makes him uncomfortable in civilian clothes, and indeed he walks about in his well-cut cavalry coat with a Noli me tangere air. (Breed for type and you always get anomalies of behaviour.) He is followed everywhere by his magnificent red pointer Nell (named after his wife?) who sleeps on his feet while he works at his files, and on his bed at night. He occupies a room in a hotel in which there is nothing personal — no books, no photographs, no papers. Only a set of silver-backed brushes, a bottle of whisky and a newspaper.

(I imagine him sometimes brushing the silent fury out of his own scalp, furiously brushing his dark shiny hair back from the temples, faster and faster. Ah, that’s better — that’s better!)

He reaches his office at eight having bought his day-late copy of the Daily Telegraph. I have never seen him read anything else. He sits at his huge desk, consumed with a slow dark contempt for the venality of the human beings around him, perhaps the human race as a whole; imperturbably he examines and assorts their differing corruptions, their maladies, and outlines them upon marble minute-paper which he always signs with his little silver pen in a small awkward fly’s handwriting. The current of his loathing flows through his veins slowly, heavily, like the Nile at flood. Well, you can see what a numero he is. He lives purely in the military imagination for he never sees or meets the subjects of most of his papers; the information he collates comes in from suborned clerks, or discontented valets, or pent-up servants. It does not matter. He prides himself on his readings of it, his I.A. (intelligence appreciation), just like an astrologer working upon charts belonging to unseen, unknown subjects. He is judicial, proud as the Calif, unswerving, I admire him very much. Honestly I do.

Maskelyne has set up two marks between which (as between degree-signs on a calibrated thermometer) the temperatures of his approval and disapproval are allowed to move, expressed in the phrases: ‘A good show for the Raj’ and ‘Not such a good show for the Raj’. He is too single-minded of course, ever to be able to imagine a really Bad Show for the Bloody Raj. Such a man seems unable to see the world around him on open sights; but then his profession and the need for reserve make him a complete recluse, make him inexperienced in the ways of the world upon which he sits in judgement…. Well, I am tempted to go on and frame the portrait of our spycatcher, but I will desist. Read my next novel but four, it should also include a sketch of Telford, who is Maskelyne’s Number Two — a large blotchy ingratiating civilian with ill-fitting dentures who manages to call one ‘old fruit’ a hundred times a second between nervous guffaws. His worship of the cold snaky soldier is marvellous to behold. ‘Yes, Brigadier’, ‘No, Brigadier’, falling over a chair in his haste to serve; you would say he was completely in love with his boss. Maskelyne sits and watches his confusion coldly, his brown chin, cleft by a dark dimple, jutting like an arrow. Or he will lean back in his swivelchair and tap softly on the door of the huge safe behind him with the faintly satisfied air of a gourmet patting his paunch as he says:

‘You don’t believe me? I have it all in here, all in here.’ Those files, you think, watching this superlative, all-comprehending gesture, must contain material enough to indict the world! Perhaps they do.