William Faulkner - Mosquitoes

But she was ineffably unaware of this as she stood on Canal street waiting for her car to come along, watching Pete’s damaged hat slanting away amid the traffic, clutching the dime he had given her for carfare in her little soiled hand. Soon her car came along and she got in it and gave the conductor her dime and received change and put seven cents in the machine while men, unshaven men and coatless men and old men and spruce young men and men that smelled of toilet water and bay rum and sweat and men that smelled of just sweat, watched her with the moist abjectness of hounds. Then she went on up the aisle, rife, placidly unreluctant, and then the car jolted forward and she sat partly upon a fat man in a derby and a newspaper, who looked up at her and then hunched over to the window and dived again into his newspaper with his derby on.

The car hummed and spurted and jolted and stopped and jolted and hummed and spurted between croaching walls and old iron lovely as dingy lace, and shrieking children from south Europe once removed and wild and soft as animals and cheerful with filth; and old rich food smells, smells rich enough to fatten the flesh through the lungs; and women screaming from adjacent door to door in bright dirty shawls. Her three pennies had got warm and moist in her hand, so she changed them to the other hand and dried her palm on her thigh.

Soon it was a broader street at right angles — a weary green spaciousness of late August foliage and civilization again in the shape of a filling station; and she descended and passed between houses possessing once and along ago individuality, reserve, but now become somehow vaguely and dingily identical; reaching at last an iron gate through which she went and on up a shallow narrow concrete walk bordered on either side by beds in which flowers for some reason never seemed to grow well, and so on across the veranda and into the house.

Her father was on the night force and he now sat in his sock feet and with his galluses down, at his supper of mackerel (it is Friday) and fried potatoes and coffee and an early afternoon edition. He wiped his mustache with two sweeps of the back of his hand.

“Where you been?”

Jenny entered the room removing her hat. She dropped it to the floor and came up in a flanking movement. “On a boat ride,” she answered. Her father drew his feet under his chair to rise and his face suffused slowly with relief and anger.

“And you think you can go off like that, without a word to nobody, and then walk back into this house—” But Jenny captured him and she squirmed onto his rising lap and though he tried to defend himself, kissed him through his mackerelish mustache, and held him speechless so while she delved amid that vague pinish region which was her mind. After a while she remembered it.

“Haul up your sheet,” she said. “You’re jibbing.”

2

Pete was the baby: he was too young to have been aware of it, of course, but that electric sign with the family name on it had marked a climacteric: the phoenix-like rise of the family fortunes from the dun ashes of respectability and a small restaurant catering to. Italian working people, to the final and ultimate Americanization of the family, since this fortune, like most American ones, was built on the flouting of a statutory impediment.

Prior to nineteen-nineteen you entered it dingy room fecund with the rich heavy odor of Italian cooking, you sat surrounded by Italian faces and frank Italian eating sounds, at oilcloth of a cheerful red-and-white check and cunningly stained, impermeated with food, where you were presently supplied with more food. Perhaps old lady Ginotta herself came bustling out with soup and one thumb in a thick platter and a brisk word for you, or by Joe, anyway, bare armed and skillful and taciturn, while Mr. Ginotta himself in his stained apron stood talking to a table of his intimates. Perhaps if you lingered long enough over your banana or overripe oft-handled grapes you would see Pete in his ragged corduroy knickers and faded clean shirt, with his curling shock of hair and his queer golden eyes, twelve years old and beautiful as only an Italian lad can be.

But now, all this was changed. Where was once a dingy food-laden room, wooden floored and not too clean, was now a tiled space cleared and waxed for dancing and enclosed on one side by mirrors and on the other by a row of booths containing each a table and two chairs and lighted each by a discreet table lamp of that surreptitious and unmistakable shade of pink and curtained each with heavy maroon rep. And where you once got food good and Italian and cheap, you now paid so much for it that you were not required to eat it at all: and platters of spaghetti and roasted whole fowls, borne not by Joe, barearmed and skillful if taciturn, but by dinner-coated waiters with faces ironed and older than sin — platters which served as stage properties for the oldest and weariest comedy in the world, were served you and later removed by the waiters with a sort of clairvoyant ubiquity and returned to the kitchen practically intact. And from the kitchen there came no longer any odor of cooking at all.

Joe’s idea, it was. Joe, five-and-twenty and more American than any of them, had seen the writing on the wall, had argued, prevailed, and proven himself right. Mr. Ginotta had not stood prosperity. He was afraid of the new floor, to begin with. It was too slick, dangerous for a man of his age and bulk; and to look out of his kitchen, that kitchen into which he no longer dared bring his stained apron, upon a room once crowded with his friends and noisy and cheerful with eating and smells of food—

But all that was changed now. The very waiters themselves he did not know, and the food they bore back and forth was not food; and the noise was now a turgid pandemonium of saxophones and drums and, riding above it like distracted birds, a shrill and metallic laughter of women, ceaseless and without joy; and the smells of a blending of tobacco and alcohol and unchaste scent. And from the kitchen there came no longer any odor of cooking at all: even his range was gone, replaced by an oil stove.

So he died, fairly full of years and with more money to his name in the bank than most Italian princes have. Mrs. Ginotta had the flu at the same time. It had settled in her ears and as time passed she became quite deaf; and because of the fact that her old friends now went elsewhere to dine and the people who came now arrived quite late, after she was in bed mostly, and her old man was dead and her sons were such Americans now, busy and rich and taciturn, and because the strange waiters frightened her a little, the old lady had got out of the habit of talking at all. She prepared food for her sons on the new stove of which she was afraid, but they were in and out so much it was hard to anticipate their mealtimes; and her eyes being no longer good enough for sewing, she spent her time puttering about their living quarters overhead or in a corner of the kitchen where she would be out of the way, preparing vegetables and such — things that didn’t require keenness of sight or attention.

The room itself she would not enter, though from her accustomed corner in the kitchen she could on occasion watch the boneless sophistication of the saxophone player and the drummer’s flapping elbows, and years ago she had heard the noise they made. But that was long ago and she had forgotten it, and now she accepted their antics as she accepted the other changes, associating no sound with them at all. Joe had several automobiles now: big noticeable ones, and he used to try to persuade her to ride in them. But she refused stubbornly always, though it was a matter of neighborhood comment, how good the Ginotta boys were to the old lady.

But Joe, with his shrewd taciturn face and his thinning hair and his shirt of heavy striped silk smoothly taut across his tight embryonic paunch — Joe, standing with his headwaiter at the desk, paused in his occupation to glance down that room with its every modern fixture, its tiled floor and lights and mirrors, with commendable pride. With the quiet joy of ownership his gaze followed its mirrored diminishing tunnel and passed on to the discreetly curtained entrance beneath that electric sign, that ultimate accolade of Americanization, flashing his name in golden letters in rain or mist or against the remote insane stars themselves; and to his brother slanting his damaged hat defiantly, turning in beneath it.