Julie Himes - Mikhail and Margarita

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Mikhail and Margarita: краткое содержание, описание и аннотация

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A love triangle involving Mikhail Bulgakov, famed author of
, an agent of Stalin’s secret police, and the bewitching Margarita has inescapable consequences for all three in 1930s Russia. It is 1933 and Mikhail Bulgakov’s enviable career is on the brink of being dismantled. His friend and mentor, the poet Osip Mandelstam, has been arrested, tortured, and sent into exile. Meanwhile, a mysterious agent of the secret police has developed a growing obsession with exposing Bulgakov as an enemy of the state. To make matters worse, Bulgakov has fallen in love with the dangerously outspoken Margarita. Facing imminent arrest, infatuated with Margarita, he is inspired to write his masterpiece,
, a satirical novel that is scathingly critical of power and the powerful.
Ranging between lively readings in the homes of Moscow’s literary elite to the Siberian Gulag,
recounts a passionate love triangle while painting a portrait of a country whose towering literary tradition is at odds with a dictatorship that does not tolerate dissent. Margarita is a strong, idealistic, seductive woman who is fiercely loved by two very different men, both of whom will fail in their attempts to shield her from the machinations of a regime hungry for human sacrifice.
Debut novelist Julie Lekstrom Himes launches a rousing defense of art and the artist during a time of systematic deception, and she movingly portrays the ineluctable consequences of love for one of history's most enigmatic literary figures.

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He stroked the Nagant. It wouldn’t hold back the People’s army, but it would do the trick. Yet vodka was his friend as well and he refilled his glass. He listened to the gathering liquid. He didn’t want to die, but he didn’t want to live. Vodka promised to help with this.

Pyotrovich had said that manuscripts don’t burn. Yet people disappear. Whole countries of them.

Bulgakov went to his desk and gathered the final chapters. He knelt by the fireplace. He arranged some of the pages on the andirons; in the darkness, they seemed unaware of their new bed. With a match, he lit a corner. The paper held the flame poorly at first and he moved the match along its edge. As the flames caught, the orange light illuminated the words; he recognized a particular passage. He sat back a little; the flames progressed along the perimeter; then, growing, they leaned inward, cupping the pages. The edges darkened and curled; lifting up, fragmenting, more life to them than they’d ever known. He added more; again, the flames illuminated first, then consumed. The characters who’d lived there were gone. This seemed more than right. They should all disappear.

CHAPTER 38

Ilya had told her they were traveling to Irkutsk. There they would board the train for Mongolia.

He’d had false papers made for them. They were stopped only once. They sat in the car as the soldier reviewed them. Ilya maintained an air of disinterest and boredom. When the soldier bent down to look at her Ilya placed his hand high on her thigh, as if in absent gesture. The soldier straightened, his head disappearing, and concluded his business with them. Ilya’s hand slipped away. She looked out the window and the car started forward.

Later she asked to see them. She made a face at the typeset of her new name. “Who picked this?” Maryanka Vasileyna Solovyova . Ilya didn’t answer right away. He was driving.

“You don’t like it?” He sounded sheepish and in part apologetic. It somehow pleased her that she could do that.

“It sounds like the name of an unattractive girl.”

“No it doesn’t.” He looked to see if she could be serious.

“And you?” she said.

“Boris. Mikhailovich Solovyov.”

So she was married. As though she’d dressed that morning in someone else’s clothes. Of course, it was only paper.

“That is the name of a blacksmith,” she said.

“Perhaps in my next life, Marya.”

She stared ahead. The sky was a hard, steady blue.

“Are you all right?” he said after a moment.

She nodded. “The sun hurts my eyes,” she told him, by way of explanation.

She could hear the voice of Anyuta in her head. It seemed a nuisance memory replaying itself. The girl had been talking on and on about nothing and Margarita had just wanted some quiet to think. You’re not as nice as you look , Anyuta had told her, marching away. Was it a person’s responsibility to live up to the promise of their appearance? An hour later, it’d been forgotten, Anyuta chatting endlessly, but the memory refused to leave her.

She asked Ilya what he thought would happen to Vera and her husband. When at first he was silent, she thought he was considering the question. Then she saw his acute discomfort.

“They had no idea what they were doing,” she said.

“Some effort will be expended to find out if that is true.” He sounded coldly technical, though perhaps self-conscious for that.

She remembered the sound of her feet on the stairs to Vera’s apartment. The wear of the banister under her hand. All of the times she’d joined her at lunch. All of the ways she’d appealed to her nature. Criminal acts, every one.

“You spent time with them too,” said Margarita.

“Any information they provide will put the authorities on the wrong track. At least for a while.” He paused. “If they are forthcoming it might give us an advantage.”

She could still feel Vera’s arm around her waist. Speaking of the daughter she’d always wanted.

He stared at the road as he spoke; it was straight and unambiguous. As though to look instead at her would be a cruel thing. It seemed then he was taking them both to some terrible destination.

They slept in the car at night. Other than that first kiss he’d not touched her. She lay awake under the layers of fur and listened to his restless breathing.

Why writers, he had asked long ago. She’d asked it of herself.

The memory of a particular afternoon came back to her. It’d been raining and Bulgakov had returned to their apartment carrying its chill in the folds of his damp clothes. At first it’d seemed she wanted only to relieve him of his coat, but the fabric of his shirt beneath clung to him in a way that made him startlingly vibrant. She didn’t stop at his coat, his shirt; she wanted to feel the warmth of his skin. He let her; he held his arms slightly apart and quietly watched. He was both passive and complicit. Then she pulled off her own clothes.

Later, she told him he wasn’t such a genius. She was being playful.

“Actually, I am,” he said. He was smiling.

She stopped teasing and became thoughtful. “You’re a genius about people.”

He wouldn’t take her seriously. “I just pay attention. How else does one write?”

“Even the villains have their chance,” she said

“Well—don’t they?”

She reached across the dark car toward Ilya; her fingers stopped short of him.

Why Bulgakov? She thought back to Patriarch’s Ponds—had she known then? Before everything, had she known of those things of which she could be capable? She withdrew her hand.

Write your most flawed character, she wished to him so far away. She squeezed her eyes shut until the darkness turned red. She strengthened her prayer. Take all of your humanity and write your grandest villain, your most foul sinner. Write as though mankind depended on this. And render some parcel of that humanity for me.

The next day shortly before noon, they came upon a line of wagons stopped on the road. The reason wasn’t immediately apparent. The day was fine; the sky promised no difficulties. Much of the snow had melted; clover grew everywhere. Children played along the roadway, chasing each other between the stopped vehicles; mothers stood in the shallow ditch and chatted in small groups. Ilya slowed as they entered the queue, then stopped the engine. Faces turned to them, the car a relative novelty, before returning to other conversations.

Ilya stared over the top of the steering wheel; he seemed certain yet tentative. Perhaps it was nothing. “Stay here,” he said. He looked like he might say more but instead got out and began walking toward the front of the line. Effortlessly he took on the gait of a more common man, ambling, broad-based. He passed a group of children; he ran his hand over the head of one of the older boys playing. The boy glanced up, unperturbed; the old man appeared no different from any of those from his village. She thought—they needed to be forgettable. To disappear among the others. Perhaps he thought that she, like the car, was incapable of such.

There was a knock on her glass. A woman only slightly older bent low and beckoned her, smiling. Margarita lowered the window.

Had she brought something for dinner? asked the woman. Someone had suggested a picnic. The woman eyed the back of the car greedily. Surely someone driving such a vehicle would have something worthy to share. “I’ve never seen a car like this before,” she said.

There was Vera’s food. They couldn’t spare any yet this would be a way to disappear—even for a few hours.

“Is that your husband?” said the woman.

Ilya was returning.

His hands were in his pockets. He appeared to give off a casual air, yet Margarita sensed the urgency in his stride. Something was wrong. She shook her head at the woman. “We didn’t bring anything.” She tried to seem disappointed.

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