Джеймс Кейн - Mignon

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Mignon: краткое содержание, описание и аннотация

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MIGNON is James M. Cain’s first novel in nearly ten years. Readers of previous bestsellers such as The Postman Always Rings Twice, Double Indemnity, and Mildred Pierce will find Mignon Fournet, the heroine of the new novel, as remarkable a creation as the women in those two celebrated books.
Mignon is a beautiful young widow who, with her father, has come to New Orleans at the close of the Civil War in the hopes of improving their war-reduced fortunes. But the risky trade in contraband cotton has landed her father in jail and Mignon at the hotel room door of Bill Cresap. Cresap, recently discharged from the Union Army for wounds received in battle, has arrived in New Orleans to start a business with a friend. Reluctantly, but irrevocably, Cresap is drawn into the intrigues and dangers which engulf the irresistible Mignon.
Also moving among the dark events of those tough, troubled times is a fascinating variety of richly drawn characters. There is Adolphe Landry, Mignon’s enigmatic father; Frank Burke, Landry’s unscrupulous partner; Gippo, Burke’s henchman, more animal than human; and Marie Tremaine, the beautiful, rich, and powerful chatelaine of a notorious New Orleans gambling house.
From gaudy New Orleans, the scene shifts up-river to the bloody Red River battle. There, the personal and military dramas are joined. Cresap, in the turbulent actions which follow, finds himself not only involved in the intrigues of desperate men, but the passions of two beautiful women. In an explosion of violence and tragedy, the novel reaches its inevitable climax.
Of MIGNON, Mr. Cain says: It is a continuation, in theme, of a previous book, Past All Dishonor, in which the hero is tempted, by his love for a girl, so slight his duty — not much, just a little bit. In MIGNON, Mr. Cain depicts the bafflement of large numbers of men, even in high places, who must wrestle the rules of war and slight them — not much, but a little bit. “Treason,” says Mr. Cain, “doesn’t invite my interest, at least as a narrative theme, being so stark it defies exploration. But its close relative, cheating just little bit, fascinates me. Sometimes, as in Mignon, it even manages to seem quite praiseworthy, which is where the trouble really starts.”

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“I have a key,” said Mr. Landry. “To his back door.”

“He may have a lockbox or something.”

And to Burke again: “ Putem out!

He obeyed, pretty quick, pitching a ring on the table, with quite a few keys on it, of assorted sizes. I reached out to pull it toward me, still holding the gun, hooking it with my little finger to pull it to me. By then, my stick was second nature, and I hardly thought about it as my other hand held it, supporting my weight. But the sneaky Irishman did. He twitched it with his feet, just a little, but that was enough. He shot it out from under me, and as I lost balance and fell, he smashed one hand at my gun, the other at her face, so she fell and his gun flew out of her hand. He grabbed it and leveled both guns. “Stay where you are,” he commanded, “and listen to me, the three of you!” Then he started in, as Landry stood where he was and she and I lay on the floor, pouring out what he felt. It quickly became clear that we weren’t the only ones with pent-up ugly feelings. It was shocking, the language he used, not only to her and her father, but most of all, to me. He swore he was going to kill me, and I had a horrible feeling he meant it. But pretty soon Mr. Landry broke in: “Quit it, Frank, quit it!

“I repeat every word I’ve said!”

“You want to hang? Because that’s what you’ll do, that’s what we all will do, unless I get that receipt before the Navy gets it.”

He held up his hand at Burke, slipped his hands under Mignon’s arms, lifted her to her feet and kissed her. Then he started for me, to help me up. But, as though doing first things first, he turned to hand me the stick that still lay on the floor. The rest was all one motion. He picked it up by the small end and swung it — in an arc as a batter swings a bat, so hard it whined through the air. The crack was sharp, and Burke fell like a pole-axed steer, toppling from his chair. I grabbed the guns as they fell, shoving the Moore & Pond into the holster, handing the other to Mr. Landry. He took it but without paying attention, as he was staring down at Burke with a wild, venomous look. She was staring too, but at him , as though he was something holy. I guess I stared too, and maybe mumbled my thanks for the quick-witted thing he had done. Then at last he looked up, patted the Colt, and took the keys. He said: “I want him — left where he is, till I dispose of him later. While I’m searching that house — get this meat cut up — put it down, out of sight. If somebody comes — let them in — act natural — talk. If they’re looking for him — all you know is — he was due to leave — for Shreveport. Tell them nothing — above all, don’t bring them back here.”

“Yes,” she said.

“Right,” I agreed.

“I’ll be back as soon as I can.”

He went, down through the store, through the gates in the fences, and in through Burke’s back door.

Chapter 20

She scrambled down and spread newspapers out on the floor at the foot of the stairs, directly below the trapdoor. Then she came back, standing by as I hacked at the meat, taking each piece as I got it off and dropping it down on the paper. It was a new kind of job to me and made me pretty sick, though whether it was the bloody meat that got me or the sight of Burke on the floor, I can’t rightly say — maybe a little of both. But before very long I was done, and as soon as I wiped off the table and washed up the tools and myself, I went down with her to the locked-up store, with its empty shelves, musty smell, and cobwebs. The meat had to go in a tub, which was already down in the old cistern, but to reach it boards had to be moved; these she pried up with tire iron. The cistern was dry enough, but the bottom was covered with duckboards, and the tub sat on them. It was half full of other meat, including a picked chicken she said we would have for dinner. I handed it up and she passed the venison down. I put it in with the other meat, replaced all the boards, and followed her upstairs.

She was a few seconds ahead of me, and when I got to the kitchen, she was standing face to the wall, her head on her arms. When I asked what the trouble was, she pointed to Burke and said: “Willie, I was glad at him being dead — I was proud of Father for hitting him. But he’s not dead! He’s breathing!”

I listened, and he certainly was, with a rattle in his throat, his face a purplish red. I said: “He won’t be for long, I imagine.”

“Willie! I’m not glad any more! I’m scared!”

“So what do I do? Shoot him?”

“No!” Then: “He’s getting a knot on his head!”

“Well he was cracked on the conk, you know.”

“But it shows! It proves how long we left him lay!”

“... I guess that’s not so good.”

“It knocks in the head any story we tell — about its being self-defense, or anything of that kind. Willie, if he dies or he doesn’t die, there’s that knot to prove that what we say is not true! Because if it was self-defense, why didn’t we give one yelp for help when we needed help? Why did we let all that time go by while that knot was swelling up? And if it was not self-defense, what was it?”

“Take it easy. Let’s figure on it.”

To tell the truth, I was beginning to be just as scared as she was, now I was seeing things as they were, not as I thought they were going to be. While we were cutting the meat to get it out of the way and have the place shipshape, I’d been putting first things first and postponing everything else until Mr. Landry’s return, when I supposed he’d take the lead — it was his responsibility, he had swung the stick. But that was on the assumption he would only be a few minutes, and once the papers were burned we could decide what to say, with our corpse still not cold. But here it was almost an hour, and instead of a corpse there was Burke on the floor, not even really alive. What to do about him I was too panicked to think. I may as well own up I was tempted to settle his hash, give him a tap with the peen of a hatchet that was on top of the woodbox. But I didn’t quite have the nerve.

All of a sudden she pointed, and there was Mr. Landry, coming through the gates, stuffing papers into his coat pocket. But instead of entering the store, he raced to the Schmidt place, and then from under my flat we heard metal banging. Then there he was back in the yard, carrying a tremendous can, one I’d seen through the window, in among the sugar-mill stuff. He opened the door below, and we heard the can banging, down at the foot of the stairs. Then he was climbing up through the trapdoor, his face white, his eyes bright the way hers were sometimes, with a wild, fanatical shine. He said: “Sorry, Mignon; sorry, Bill, to be so long, but I was forever finding that tin box he had to keep his papers in. It was inside the square piano! However, it may have been just as well, as it gave me time to think what to do with him. He’s going in a can I borrowed from Friedrich Schmidt — we wire the top on, load it on the dolly, roll it across Front Street, and dump it into Red River — right in front of their eyes, now, in broad daylight!”

“We’re not!” she said. “No such!”

“Daughter, we dare not report this death.”

“He’s not dead!”

“... What?

“All right, go look for yourself!”

He looked, listened to Burke’s breathing, and sat down at the table. “This complicates things,” he said. His eyes lost their shine, and I could see him doing what I did: lose his nerve and fall apart at the change from high excitement to dull, stupid danger that wasn’t the less dangerous from being halfway under the gate, and stuck there. He licked his lips, and then pretty soon looked up. “At least,” he said, “I’ve brought the can in — it’s down there, in the store. When it happens, we’ll have it ready.” To that nobody said anything, but it was plain, from the silent treatment she gave it, that she didn’t enthuse at all to that we he’d got off so glibly. After some minutes, he pulled himself together a little, took the papers out of his pocket — some on legal-cap, tied at the top with tape that had wax seals on the knots, some on printed forms with RACHAL’S at the top, some just plain foolscap with columns of letters and numbers. He said: “At least, we can get these out of the way, so we can breathe safely,” and started for the stove, where some embers were still glowing. I watched him lift the lid, then suddenly bellowed: “ Hold it!

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