Джеймс Кейн - Mignon

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Mignon: краткое содержание, описание и аннотация

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MIGNON is James M. Cain’s first novel in nearly ten years. Readers of previous bestsellers such as The Postman Always Rings Twice, Double Indemnity, and Mildred Pierce will find Mignon Fournet, the heroine of the new novel, as remarkable a creation as the women in those two celebrated books.
Mignon is a beautiful young widow who, with her father, has come to New Orleans at the close of the Civil War in the hopes of improving their war-reduced fortunes. But the risky trade in contraband cotton has landed her father in jail and Mignon at the hotel room door of Bill Cresap. Cresap, recently discharged from the Union Army for wounds received in battle, has arrived in New Orleans to start a business with a friend. Reluctantly, but irrevocably, Cresap is drawn into the intrigues and dangers which engulf the irresistible Mignon.
Also moving among the dark events of those tough, troubled times is a fascinating variety of richly drawn characters. There is Adolphe Landry, Mignon’s enigmatic father; Frank Burke, Landry’s unscrupulous partner; Gippo, Burke’s henchman, more animal than human; and Marie Tremaine, the beautiful, rich, and powerful chatelaine of a notorious New Orleans gambling house.
From gaudy New Orleans, the scene shifts up-river to the bloody Red River battle. There, the personal and military dramas are joined. Cresap, in the turbulent actions which follow, finds himself not only involved in the intrigues of desperate men, but the passions of two beautiful women. In an explosion of violence and tragedy, the novel reaches its inevitable climax.
Of MIGNON, Mr. Cain says: It is a continuation, in theme, of a previous book, Past All Dishonor, in which the hero is tempted, by his love for a girl, so slight his duty — not much, just a little bit. In MIGNON, Mr. Cain depicts the bafflement of large numbers of men, even in high places, who must wrestle the rules of war and slight them — not much, but a little bit. “Treason,” says Mr. Cain, “doesn’t invite my interest, at least as a narrative theme, being so stark it defies exploration. But its close relative, cheating just little bit, fascinates me. Sometimes, as in Mignon, it even manages to seem quite praiseworthy, which is where the trouble really starts.”

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“I’ll do my best, Bill.”

I didn’t see him for several days, and in that time I gained enough strength to sit up. I’d taken my first staggering stroll, to the sofa in the sitting room, and was reading the Times there when a tap came at the door. “It’s open, come in!” I called, expecting the maid. But who opened the door was Marie. She had on a white summer dress, with floppy straw hat, and carried a bouquet of flowers tied with a white ribbon. I jumped up to greet her, but she pushed me back on the sofa, then sat down, laying her flowers aside, and took me in her arms. “Guillaume,” she said, “are you better?”

“I’m fine,” I said. “I’m going to be all right — thanks to you, I think. And that’s what we’re talking about.”

“No, please,” she whispered. “First, about me.”

“Then — what about you?”

“You may félicite me. I am mariée .”

“That means — married?

“Yes, Guillaume. Are you angry at me?”

“Angry? I’m so happy I want to cry.”

Alors. Alors. Alors .”

She got up, as though to go to the door, but I grabbed her, pulled her down again, kissed her, and kissed her again. I said: “It’s the most wonderful news, Marie — especially to me, after the lousy way I treated you—”

“There shall be no talk of louses! You were in love, with a fine, wonderful girl, half poupée , half tigre , so where is the louse, for example? But you ask not, petit , who my husband is.”

“All right, who is this lucky hombre?”

She got up, went to the door and beckoned. I expected her guard to come in, or Dumont, or someone who had been in her life before she met me, but Sandy stepped through the door, a self-conscious grin on his face, his Lavadeau suit glittering like a Christmas tree. I said: “ You?

“That’s right, Bill. I’m the one.”

“Pardon me, I think I’m going to faint.”

He took a seat in a chair, quite pleased with himself, while she sat by me again, no longer afraid of what I might say, but friendly, cuddly, and ramping to tell me about it. She said: “Alexandre came to me, with messages of you, who I heard about of m’sieu Olsen, but it seemed discussions were required. So — we walked, in Jackson Square. We had coffee, in the French Market, perhaps — gras , greezee but droll. Ainsi , next day, more discussion appeared to devolve, so we lunched at Antoine’s, some hours. Then, it was time for dinner, and then we attended the theater. Then, we walked more in Jackson Square, and next day we resumed our discussions. Ainsi, ainsi, ainsi — today, we go to the City Hall, and — pardon if I draw breath.”

“You mean — there’s more?”

“Little bit, Bill,” said Sandy. “She’ll tell you.”

“Cresap et Gregg,” she said.

“Gregg and Cresap,” he corrected.

Cresap et Gregg! ” she repeated, jumping up and stamping her foot. “Who tames one river may perhaps tame another, and we know who this tamer was!”

“Then — Cresap and Gregg, all right!

“What are you talking about?” I asked them.

“The twenty-five thousand bocks,” she said.

“Bill,” he told me very solemnly, “you don’t have to go home if you don’t want to. I didn’t bring this up, and in fact knew nothing about it, except that crack I heard that Mignon made one time — but it didn’t really connect. And she didn’t bring it up, until after the knot was tied in City Hall just now. But then she did bring it up — and that’s what brought us here. One of the things.”

“Marie,” I said, “now I am going to cry.”

So, in the mornings I read the papers, for the U.S. marshal’s auction sales of stuff we’re going to need, and sometimes go out to bid, having the gear delivered to a waterfront shed we rented over on the Algiers side. In the afternoons I write, on a stack of foolscap I got, of the hours I spent with her, to explain how everything was, so I’ll have it to read later on, and so perhaps it’ll ease the pain. Because at night is when my life gets bad. I turn out the light, I go to bed, I make myself sleep somehow. Then I open my eyes and she comes — through the walls, floating in, her hair wet , her cheek cold, her hands pressing mine, telling me how she escaped; how she swam ashore at Biossat’s, at the bridge, at the Catholic church below town, and was hidden by kind friends, so the Navy couldn’t find her; and how, if I’ll give her a little time, we’ll be together soon when the war is over at last. Then I moan and try to tell her I would have dived in to save her, but I was forcibly stopped. Then I get more and more worked up, and then she goes — through the wall, waving as she did from the monitor’s deck.

So, the hoodoo passed me by at Red River but didn’t forget me, at all. He sleeps in the other bed.

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