Anchee Min - Empress Orchid

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The Richard and Judy Best Read of the Year (nominee)
To rescue her family from poverty and avoid marrying her slope-shouldered cousin, seventeen-year-old Orchid competes to be one of the Emperor's wives. When she is chosen as a lower-ranking concubine she enters the erotically charged and ritualised Forbidden City. But beneath its immaculate facade lie whispers of murders and ghosts, and the thousands of concubines will stoop to any lengths to bear the Emperor's son. Orchid trains herself in the art of pleasuring a man, bribes her way into the royal bed, and seduces the monarch, drawing the attention of dangerous foes. Little does she know that China will collapse around her, and that she will be its last Empress.

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I lifted my robe and was about to take a step when I heard a tremendous noise beyond the walls.

My legs nearly gave out and the servants rushed to hold me up. I was told that the sound was from a Chinese gong. This was the moment when Emperor Hsien Feng and Empress Nuharoo entered the Grand Nuptial Chamber.

I had heard about Imperial wedding rituals from Big Sister Fann. I was familiar with the nuptial bed and its sun-colored gauze curtain, covered with fertility designs. I remembered Fann’s description of the bright yellow satin quilt, which was embroidered with a hundred children playing.

Many years later Nuharoo told me that the scent in the Imperial chamber was the sweetest she had ever known. The smell came from the nuptial bed itself, which was made of fragrant sandalwood. She described how she was received. She had three golden phoenixes on her head, and she was accompanied by Chief Eunuch Shim, who carried her insignia.

After she stepped down from her palanquin, she walked through the Hall of Maternal Blessing. She then entered the nuptial chamber, which was in the Palace of Earthly Tranquility. It was in this sweet-smelling room that Nuharoo changed her costume from cool yellow to warm. With a piece of sun-colored silk over her head and eyes, she pledged herself to Emperor Hsien Feng and drank from the wedding cup.

“The walls of the chamber were so red that I thought something had gone wrong with my eyes,” Nuharoo recalled years later, smiling. “The room felt empty because it was extremely large. On its north side were the thrones, and on the south a great red brick bed was warmed by a fire underneath.”

I had correctly imagined it all. The setting and ritual matched Nuharoo’s account. But while I was living it, I merely tried to survive the moment. I was not prepared for my own disappointment.

I told myself that I had no reason to weep. I told myself that it was greedy of me to feel that I needed more than what was granted. Yet sadness refused to leave me. I tried to picture Ping and his disgusting opium-stained teeth. But my mind went on its own path. It brought me the melody of my favorite opera, The Love of Little Jade -the story of a housemaiden and her soldier lover. When I thought of how the soldier brought his bride a piece of soap as a wedding gift and how happy it made her feel, my tears ran.

Why did my eyes fail to find pleasure in this room filled with treasure? My servants dressed me in a gorgeous apricot-colored satin robe dotted with sweet plum blossoms-a dress I had worn many times in my dreams. I walked toward the dressing mirror and saw an astonishing beauty. On my head was a dragonfly hairpin inlaid with rubies, sapphires, pearls, tourmalines, tiger-eyes and kingfisher feathers. I turned around and looked at the room’s furnishings, its mosaic panels of gems and abundant harvests. On my left were cabinets of red sandalwood ornamented with jade and precious stones, on my right a rosewood washstand inlaid with mother-of-pearl. Behind me were bed screens made of the most valuable ancient paintings.

My heart shouts: What else would you, could you, dare you want, Orchid?

I was cold, but I was told to leave my door open during the day. I sat down on my bed, covered with a beige spread. Eight folded comforters made of the finest silk and cotton were stacked against the wall. The floor-length bed curtains were embroidered with white wisteria. The red border had pink and green peonies on it.

I saw Chief Eunuch Shim walk by my window with a group of young eunuchs following him. “Why are the lanterns not lit?” He was displeased. Then he saw me through the window. With a humble smile on his face Chief Eunuch Shim got down on his knees and said, “Lady Yehonala, your slave Shim at your service.”

“Rise, please.” I stepped out into the yard.

“Have the slaves introduced themselves, Lady Yehonala?” Shim asked, still on his knees.

“Not yet,” I replied.

“They should be punished, then. It is their duty.” He rose and snapped his fingers.

Two large-framed eunuchs appeared, each holding a leather whip longer than a man.

I was confused. I didn’t know what Chief Eunuch Shim intended to do.

“The guilty ones, line up!” he ordered.

Trembling, my servants lined up.

Two buckets of water were brought. The large eunuchs dipped their whips in them.

“Chief Shim,” I called. “Please understand that it is not my servants’ fault that they haven’t introduced themselves. I was not ready until now.”

“Are you forgiving your slaves?” Chief Eunuch Shim asked, a wicked smile crossing his face. “You should expect nothing less than perfection from your slaves, Lady Yehonala. The slaves must be punished. The Forbidden City tradition can be summed up in six words: Respect comes out of a whip.”

“I am sorry, Chief Shim. I can’t see myself whipping anyone who did no wrong.” I regretted the slip of my tongue, but it was too late.

“I am sure the servants are guilty.” Shim was annoyed. He turned around and kicked a young eunuch.

I felt violated and retreated to my room.

Chief Eunuch Shim took his time to reveal the purpose of his visit. We were in my sitting room with more than twenty servants and eunuchs present. With an air of concerned patience he explained to me how the Forbidden City was run. He introduced the various departments and craft shops, most of which seemed to fall under his authority. He was in charge of the departments that supervised the vaults of gold and silver bullion, furs, porcelain, silk and tea; he was also responsible for those who provided the court with the sacrificial animals, grain and fruit for religious ceremonies. He controlled the eunuchs who looked after the kennels where Pekingese were bred. He oversaw the departments that maintained the palaces, temples, gardens and herb farms.

I stood with my back straight and my chin slightly raised. Even if Chief Shim was merely displaying his own power, I was glad to be informed. Besides the locations of the courts and the schools that educated the princes, he told me about the Imperial armory, which served as the palace police. “My duties extend to the Imperial buttery, the Imperial weaving and dye shops, also the bureaus that take care of the Emperor’s boats, wardrobes, games, the printing offices, the libraries, the silkworm and honey farms.”

Of all the departments, the royal theatricals interested me the most. Also the Imperial craft workshops, which produced the work of China’s most talented artists and craftsmen.

“I have many responsibilities,” Chief Eunuch Shim concluded. “But above all, I exist to safeguard the authenticity of Emperor Hsien Feng’s succession.”

I realized that he expected me to acknowledge his power. “Guide me, Chief Shim, please,” I began, “for I am a naïve girl from the countryside of Wuhu, and I shall be grateful for your advice and protection.”

Satisfied with my manners, he revealed that he was here to fulfill two orders from my mother-in-law. First was to reward me with a cat.

“The days will be long for you, living in the Forbidden City,” Chief Eunuch Shim said, waving for a eunuch to bring up a box. “And the cat will be your companion.”

I opened the box and saw a beautiful white creature. “What is its name?” I asked.

“Snow,” Shim replied. “It’s a she, of course.”

I gently picked up the cat. It had a pair of lovely tiger’s eyes. It looked frightened. “Snow, welcome!”

Second, Chief Eunuch Shim notified me of my yearly allowance. “It will be five bars of gold, one thousand taels of silver, thirty bolts of satin, silk and cotton cloth, fifteen sheets of buffalo, sheep, snake and rabbit skin, and one hundred silver buttons. It sounds like a lot, but you will run short by the end of the year, because you are responsible for paying the salaries of your six eunuchs, six ladies in waiting, four maids and three chefs. The maids attend to your personal needs, while the eunuchs clean, garden and deliver messages. The eunuchs are also responsible for tending your sleep. For the first year they will take turns, with five sleeping outside your bedchamber and one inside. You will not get to pick the eunuch who will sleep in your room until the Grand Empress thinks you are ready.”

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