Jeanne Kalogridis - Painting Mona Lisa aka I, Mona Lisa

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"Painting Mona Lisa" offers an explanation behind the mysteries surrounding da Vinci's famous portrait – why did Leonardo keep the "Mona Lisa" with him until his death? It is April 26, 1478. Lorenzo De Medici, the head of the powerful Florentine Medici family is attacked. He survives, but his younger brother, Giuliano, dies beneath multiple dagger blows. Ten years later, a young Lisa Gherardini listens to her mother retell the story of Giuliano's death, sharing her mother's passion for the arts, and even attending some of the Medici gatherings. But, her father – a follower of the fanatical Dominican monk Fra Girolamo Savonarola – scorns the wicked paganism of the Medicis. Lisa becomes the lover of Lorenzo's son, Giuliano the younger, just as the French king arrives to banish the Medicis from Florence, beginning the reign of the fire-and-brimstone preacher. As they flee, she is forced to marry Francesco, a pious but cruel man. Florence's citizens rise up and hang Savonarola. But even after the friar's execution, the Medici remain banned. Leonardo da Vinci is commissioned to paint Lisa's portrait. Having tasted Borgia politics, Leonardo is now acting as the Medici family's agent in Florence. He aims to discover the leaders of the Savonarola underground – working to reinstate their strict theocracy, but also intends to find the man involved in the 1478 murder of Giuliano de Medici the elder. Confessing his love for Lorenzo's brother to Lisa, he tells her that she has reignited the flame in his heart, for his lover's murderer was her the man she though was her father, not one of the conspirators, but a furious husband seeking revenge on his wife's lover. Lisa he helps Leonardo report her father's and husband's to the authorities and together they flee Francesco's revenge and travel to Rome and her half-brothers. Along the way, Lisa and Leonardo make love! Lisa yearns for another child, and Leonardo desperately longs to have his dead lover's child.

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I rose awkwardly and pulled on my gown. Zalumma was snoring lightly on her cot. I moved as lightly as my bulk allowed and slipped quietly out the door. I was thirsty and thought to go downstairs where it was cooler, to get some fresh water to drink. My eyes had adjusted to the lack of light, and so I took no candle.

As I began to descend the stairs, I saw light advancing from the opposite direction-Francesco, I assumed. Like a good wife, I turned, intending to go back up discreetly; but a feminine giggle made me stop, press my back firm against the wall to keep my body clear of the arc of looming light, and look down.

On the landing below stood Isabella-young, pretty Isabella-in a white linen camicia, with a key in one upraised hand and a candle in the other. She leaned backward into the grasp of a man who had wound his arms beneath her breasts and pulled her against his chest, then pressed his face against her neck. As he kissed her, she fought to repress her laughter-and when she failed, he shushed her, and she pulled away from him to open the door to my husband’s chambers. A lamp burned there in anticipation of his return.

Francesco, I thought, and Isabella. He had returned an hour or two early; perhaps one of his strumpets had fallen ill, because his schedule was otherwise predictable. I was not at all surprised or offended by the thought of his dalliance, though I was somewhat disappointed in Isabella.

But the man who raised his face was not my husband.

I caught only a glimpse of him, of his flashing smile, before he took the key from Isabella’s hand. He was dark-haired, perhaps my age, around sixteen. I had never seen him before. Had Isabella admitted a thief?

I stood, motionless save for the kicking of the child. For reasons I still do not understand, I was not afraid of him.

Isabella turned and gave him a passionate kiss; as she left him to go back down the stairs, taking the candle with her, he slapped her bottom soundlessly. Then he went alone into Francesco’s rooms, guided by the lamp shining there.

I listened to his unfamiliar footfall. With all the awkward grace I could summon, I moved stealthily down the stairs, past the intruder, who had paused in my husband’s study.

I went to the kitchen hearth and took the large iron poker, then moved quietly back up the stairs, to Francesco’s study.

Draped in shadow, I watched as the stranger stood in front of Francesco’s desk, where he had placed a burning lamp taken from my husband’s bedroom. The drawer was open, and the key placed beside it; the stranger had unfolded a piece of paper and was frowning at it, his mouth silently forming words as he read. He was a pretty young man, with a large, strong nose and sharp eyes limned by coal-colored lashes; brown-black curls framed his oval face. He wore an artisan’s clothes: a gray tunic that fell almost to his knees, covering patched black leggings. If he had borne my husband’s jewels, or our gold or silver, or anything of value, I would have called out for the servants. But he was interested only in what he was reading.

He didn’t see me until I stepped forward out of the darkness and demanded, “What are you doing?”

He stopped, his chin lifting in surprise, and when he turned to look at me, the paper fell from his fingers. Miraculously, I reached out and caught it, fluttering, in the air before it reached the ground.

He moved as if to take it from me, but I raised the poker threateningly. He saw my weapon, and his full lips curved in a crescent smile. There was lechery in it, and good humor. Like me, he was fearless. And, like me, he was aware that he simply needed to move a few paces back in order to reach the poker set beside the cold hearth. He glanced swiftly at it, then dismissed the notion.

“Monna Lisa.” His tone was that of someone mildly startled to find a friend he knew well, but not in the place he had expected. He looked like a poor apprentice, and his speech was that of a tradesman.

“Who are you?” I demanded.

“The Devil himself.” His smile never wavered; his gaze grew bemused and challenging, as if I were the one who had trespassed, not he. He was a brazen, cheerful criminal.

“How do you know my name?”

“You husband will be coming home soon. I should leave, don’t you think? Or else we both will be in a good deal of trouble. It’s awfully soon for you to be caught in your nightgown with a young man.” He eyed the poker, decided I wouldn’t use it, and reached for the folded paper in my hand. “Your timing is unfortunate. If I could only have another moment with that letter, please-nothing more-then I shall happily return it to you and be on my way. And you can pretend you never saw me…”

His fingers grazed the paper. He was an instant away from taking it; I made a decision.

“Help!” I cried. “Thief! Thief!”

His smile broadened to show white teeth, with a slight gap between the two front ones. He did not-as I expected him to-make another attempt to seize the letter; instead, his eyes were bright and approving of my tactic.

I shouted again.

“I will say good-bye, then,” he said, and dashed down the stairs, his step surprisingly light. I followed him as swiftly as my bulk allowed and watched him fling open the doors to the front entrance. He left them open behind him, and I stared after his dark form as he raced across the curving flagstone drive into the night.

I was utterly perplexed and curious. And when Claudio and Agrippina called out to me, I refolded the paper and slipped it underneath my arm so that it was entirely hidden in the folds of my nightgown.

When they arrived, breathless, frightened, I said, “I must have been dreaming. I thought someone was here… but it was no one.”

They shook their heads as I sent them back to their rooms; Claudio muttered something about pregnant women.

Once they were gone, I went back upstairs to Francesco’s study and held the paper to the lamplight. It was indeed a letter, folded into thirds, the black wax seal broken. The writing was slanted strongly to the right, and thick, as if someone had exerted a great deal of pressure on the quill. The paper itself was worn, as though it had traveled a long way.

Your worries about retribution from Alexander are unfounded; the excommunication is mere rumor. When it becomes more than that, we shall use it to our advantage.

In the meantime, continue to encourage him to preach against Rome and the Arrabbiati. And send me the names of all Bigi-

The Bigi. The gray ones, generally older and established, who supported the Medici. I had heard the term before, on my husband’s lips, and my father’s.

– but do nothing more; a strike now would be premature. I am investigating Piero’s plans for invasion. He has settled for now in Rome, and I have found agents there willing to deal with him as you did with Pico. If we accomplish that, the Bigi will pose little threat.

As always, your help will be remembered and rewarded.

I refolded the letter and set it back in the desk, in the place Francesco kept his correspondence, then locked the desk. I paused a moment to study the key. Isabella had given it to the intruder; was it the one belonging to my husband or a copy?

I kept it in my hand. If Francesco missed its presence, Isabella would have to do the explaining, not I.

Then I returned to my bedchamber. Half asleep, Zalumma murmured vague words about hearing a noise downstairs.

“It was nothing. Go to sleep,” I said, and she gratefully complied.

I avoided my own bed, and went out onto the balcony to think. The air was oppressively warm, weighty as water; I breathed it in and felt it settling heavy inside me, against my lungs, my heart.

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