Кристина Клайн - A Piece of the World

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A Piece of the World: краткое содержание, описание и аннотация

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To Christina Olson, the entire world was her family’s remote farm in the small coastal town of Cushing, Maine. Born in the home her family had lived in for generations, and increasingly incapacitated by illness, Christina seemed destined for a small life. Instead, for more than twenty years, she was host and inspiration for the artist Andrew Wyeth, and became the subject of one of the best known American paintings of the twentieth century.
As she did in her beloved smash bestseller Orphan Train, Christina Baker Kline interweaves fact and fiction in a powerful novel that illuminates a little-known part of America’s history. Bringing into focus the flesh-and-blood woman behind the portrait, she vividly imagines the life of a woman with a complicated relationship to her family and her past, and a special bond with one of our greatest modern artists.
Told in evocative and lucid prose, A Piece of the World is a story about the burdens and blessings of family history, and how artist and muse can come together to forge a new and timeless legacy.

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During one such evening, Al hears about a treatment in Rockland that supposedly cures arthritis, administered by a Doctor S. J. Pole. The next day he drives Papa into Rockland to find out more. The two of them come back talking animatedly about apples and surgery-free treatments, and at supper we pore over the contract Papa has been given to sign. The gist of it is that he will be required to eat many apples. There’s a small orchard behind our house that he planted fifteen years ago; the trees are laden with shiny red and green apples. But these, apparently, are not the right kind. He has to eat a specific variety, one he can only get in Thomaston for five cents apiece.

I flip through the pages of the contract. “It is fully understood by me that while S. J. Pole believes that he can help and perhaps cure me, he in no way guarantees anything,” it reads. “It is mutually agreed that no money paid by me for his services shall be refunded. I am of lawful age.”

“Fifty-seven. That’s lawful age, isn’t it?” Papa laughs.

Mother purses her lips. “Has this worked for other people?”

“Dr. Pole showed us page after page of testimonials from people he cured,” Al says.

“Katie,” Papa says intently, putting her hand on Mother’s, “this could be the remedy.”

She nods slowly but doesn’t say anything more.

“How much money is it, exactly?” I ask.

“It’s reasonable,” Papa says.

“How much?”

Al looks at me steadily. “Papa hasn’t had hope for a long time.”

“So what does it cost?”

“Just because nothing worked for you, Christie . . .”

“I can’t understand why we have to buy apples when we have a perfectly good orchard full of them.”

“This doctor is an expert. Papa could be cured. You don’t want that?”

I once read a story about a man named Ivan Ilych who believes he has lived justly and is outraged to discover that he must suffer a horrible fate, an early death of unknown cause. My father is like this. He is furious that he has become a cripple. He has always believed that industry and cleanliness equal moral rectitude, and that moral rectitude should be rewarded. So I’m not surprised that he is so eager to believe this preposterous story about a cure.

Papa signs the contract and pays for thirty sessions over thirty weeks, the minimum required. Every Tuesday Al helps him into the passenger seat of the Model T and drives to Rockland. At each appointment—which, as far as I can tell, consists merely of paying more money for mysterious tablets and cataloging his intake of those expensive apples—a divot is punched in his contract.

Papa has always run the farm with a firm hand, selling blueberries and vegetables, milk and butter, chickens and eggs, cutting ice and managing the fishing weir for extra money. He’s always stressed the importance of saving. But now he seems willing to spend whatever this doctor tells him to in the hopes of getting well.

One Tuesday morning, about four months into the treatment, only an hour after Al and Papa have left for the weekly trip to Rockland, I hear a car door slam and look out the kitchen window. They’re back. Al has a grim look on his face as he helps Papa get out of the car. After taking him upstairs to his room, Al comes into the kitchen and sits down heavily. “Oh Lord,” he says.

“What happened?”

“It was all a ruse.” He rubs his hand through his hair. “When we got to Pole’s office, the whole building was shuttered. A few days ago, they told us, he was chased out of town by angry patients. A lot of people lost their shirts.”

Over the next few months, the severity of our situation becomes starkly clear. Papa’s two thousand dollars in savings are gone. We can’t pay our bills. More infirm than ever, Papa is listless and depressed and spends all his time upstairs. I try to be sympathetic, but it’s hard. Apples. The fruit that tempted Eve lured my poor gullible father, both seduced by a sweet-talking snake.

IT’S A CHILLY Thursday morning in October when Papa asks Al to carry his wheelchair down to the Shell Room. An hour later, a sleek four-door maroon Chrysler glides up to the house and a woman in a trim gray suit steps out of the back. The driver stays in the car.

Hearing a knock on the front door, I make a move to answer it, but Papa says gruffly, “I’ll handle it.”

From the back hallway I can hear some of their conversation: . . . generous offer . . . wealthy man . . . desirable shorefront . . . doesn’t come twice . . .

After the woman leaves—“I’ll let myself out,” she says and does; I watch out the window as she ducks into the backseat of the Chrysler and taps the driver on the shoulder—Papa sits in the Shell Room for a few minutes by himself. Then he wheels awkwardly into the kitchen. “Where’s Alvaro?”

“Milking, I think. What was that all about?”

“Fetch him. And your mother.”

When I’m back from the barn, Papa has wheeled himself into the dining room. Mother, who spends most of her time upstairs, sits at the head of the table, a shawl around her shoulders. Al troops in behind me and stands against the wall, grimy in his overalls.

“That lady brought with her an offer from an industrialist by the name of Synex,” Papa says abruptly. “Fifty thousand dollars for the house and land. Cash.”

I gape at him. “What?!”

Al leans forward. “Did you say fifty?”

“I did. Fifty thousand.”

“That’s a hell of a lot of money,” Al says.

Papa nods. “It’s a hell of a lot of money.” He pauses for a few moments, letting the news sink in. I look around—all three of us are openmouthed. Then he says, “I hate to say this, but I think it would be wise for us to accept this offer.”

“John, you can’t be serious,” Mother says.

“I am serious.”

“What an absurd idea.” She sits up straight, pulling the shawl tight around her shoulders.

Papa raises his hand. “Hold on, Katie. My savings have been spent. This could be a way out.” He shakes his head. “I hate to say it, but our options at this point are few. If we don’t take this now . . .”

“Where would you—we—go?” Al asks. I can tell as he stumbles over the words that he’s trying to assess Papa’s state of mind, wondering if he and I factor into it at all.

“I’d like a smaller house,” Papa says. “And with the money I could help you set up your own homes.”

We are all quiet for a moment, contemplating this. Except for the time with Walton—which seems to me now like a fever dream, hallucinatory and indistinct, unrelated to my life before or after—I have lived in this house like a mollusk in its shell, never imagining that I might be separated from it. I’ve taken for granted my existence here—the worn stairs, the whale-oil lamp in the hall, the view of the grass and the cove beyond from the front stoop.

Mother rises abruptly from her chair. “This house has been in my family since 1743. Generations of Hathorns have lived and died here. You don’t walk away from a house simply because someone offers to buy it.”

“Fifty thousand.” Papa raps his misshapen knuckles on the table. “We will not see an offer like this again, I can tell you.”

She tugs at her dress, her jaw clenched, the veins on her neck like rivulets of water. I have never seen the two of them in conflict like this. “This is my house, not yours,” she says fiercely. “We will stay on.”

Papa’s face is grim, but he doesn’t speak. Mother is a Hathorn; he is not. The conversation is over.

Papa will spend the next fifteen years confined to a wheelchair in a small room on the ground floor of the house he was so eager to sell, rarely venturing outside. Al and I, with the help of our brothers, will scrape and save, learn to live with even less. We’ll manage, just barely, to save the farm from bankruptcy. But sometimes I will wonder—all of us will wonder—whether it would have been better to let it go.

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