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Коллектив авторов: Best Short Stories [С англо-русским словарем]

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Коллектив авторов Best Short Stories [С англо-русским словарем]
  • Название:
    Best Short Stories [С англо-русским словарем]
  • Автор:
  • Издательство:
    Эксмо
  • Жанр:
  • Год:
    2017
  • Город:
    Москва
  • Язык:
    Английский
  • ISBN:
    978-5-699-87537-5
  • Рейтинг книги:
    3 / 5
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Best Short Stories [С англо-русским словарем]: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Best Short Stories [С англо-русским словарем]»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Чтение оригинальных произведений — простой и действенный способ погрузиться в языковую среду и совершенствоваться в иностранном языке. Серия «Бестселлер на все времена» — это возможность улучшить свой английский, читая лучшие произведения англоязычных авторов, любимые миллионами читателей. Для лучшего понимания текста в книгу включены краткий словарь и комментарии, поясняющие языковые и лингвострановедческие вопросы, исторические и культурные реалии описываемой эпохи. В этой книге собраны рассказы британских и американских авторов — веселые и грустные, о жизни, о любви, об удаче и о том, из каких пустяков порой возникают важные решения и непоправимые поступки. Вместе они складываются в причудливый калейдоскоп — неожиданный и удивительный, как сама жизнь. Но каждый рассказ, написанный выдающимся автором, поможет читателям улучшить свой английский. Книга предназначена для тех, кто изучает английский язык на продолжающем или продвинутом уровне и стремится к его совершенствованию.

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‘It was in the early days of the war. What at first used to amaze the commanding officer was the unchanged face of the waters, with its familiar expression, neither more friendly nor more hostile. On fine days the sun strikes sparks upon the blue; here and there a peaceful smudge of smoke hangs in the distance, and it is impossible to believe that the familiar clear horizon traces the limit of one great circular ambush.

‘Yes, it is impossible to believe, till some day you see a ship not your own ship (that isn’t so impressive), but some ship in company, blow up all of a sudden and plop under almost before you know what has happened to her. Then you begin to believe. Henceforth you go out for the work to see — what you can see, and you keep on at it with the conviction that someday you will die from something you have not seen. One envies the soldiers at the end of the day, wiping the sweat and blood from their faces, counting the dead fallen to their hands, looking at the devastated fields, the torn earth that seems to suffer and bleed with them. One does, really. The final brutality of it — the taste of primitive passion — the ferocious frankness of the blow struck with one’s hand — the direct call and the straight response. Well, the sea gave you nothing of that, and seemed to pretend that there was nothing the matter with the world.’

She interrupted, stirring a little.

‘Oh, yes. Sincerity — frankness — passion — three words of your gospel. Don’t I know them!’

‘Think! Isn’t it ours — believed in common?’ he asked, anxiously, yet without expecting an answer, and went on at once: ‘Such were the feelings of the commanding officer. When the night came trailing over the sea, hiding what looked like the hypocrisy of an old friend, it was a relief. The night blinds you frankly — and there are circumstances when the sunlight may grow as odious to one as falsehood itself. Night is all right.

‘At night the commanding officer could let his thoughts get away — I won’t tell you where. Somewhere where there was no choice but between truth and death. But thick weather, though it blinded one, brought no such relief. Mist is deceitful, the dead luminosity of the fog is irritating. It seems that you ought to see.

‘One gloomy, nasty day the ship was steaming along her beat in sight of a rocky, dangerous coast that stood out intensely black like an India-ink [11] India ink — особая черная тушь, используемая для рисования и письма. drawing on gray paper. Presently the second in command spoke to his chief. He thought he saw something on the water, to seaward. Small wreckage, perhaps.

‘“But there shouldn’t be any wreckage here, sir,” he remarked.

‘“No,” said the commanding officer. “The last reported submarined ships were sunk a long way to the westward. But one never knows. There may have been others since then not reported nor seen. Gone with all hands.”

‘That was how it began. The ship’s course was altered to pass the object close; for it was necessary to have a good look at what one could see. Close, but without touching; for it was not advisable to come in contact with objects of any form whatever floating casually about. Close, but without stopping or even diminishing speed; for in those times it was not prudent to linger on any particular spot, even for a moment. I may tell you at once that the object was not dangerous in itself. No use in describing it. It may have been nothing more remarkable than, say, a barrel of a certain shape and colour. But it was significant.

‘The smooth bow-wave hove it up as if for a closer inspection, and then the ship, brought again to her course, turned her back on it with indifference, while twenty pairs of eyes on her deck stared in all directions trying to see — what they could see.

‘The commanding officer and his second in command discussed the object with understanding. It appeared to them to be not so much a proof of the sagacity as of the activity of certain neutrals. This activity had in many cases taken the form of replenishing the stores of certain submarines at sea. This was generally believed, if not absolutely known. But the very nature of things in those early days pointed that way. The object, looked at closely and turned away from with apparent indifference, put it beyond doubt that something of the sort had been done somewhere in the neighbourhood.

‘The object in itself was more than suspect. But the fact of its being left in evidence roused other suspicions. Was it the result of some deep and devilish purpose? As to that all speculation soon appeared to be a vain thing. Finally the two officers came to the conclusion that it was left there most likely by accident, complicated possibly by some unforeseen necessity; such, perhaps, as the sudden need to get away quickly from the spot, or something of that kind.

‘Their discussion had been carried on in curt, weighty phrases, separated by long, thoughtful silences. And all the time their eyes roamed about the horizon in an everlasting, almost mechanical effort of vigilance. The younger man summed up grimly:

‘“Well, it’s evidence. That’s what this is. Evidence of what we were pretty certain of before. And plain, too.”

‘“And much good it will do to us,” retorted the commanding officer. “The parties are miles away; the submarine, devil only knows where, ready to kill; and the noble neutral slipping away to the eastward, ready to lie!”

‘The second in command laughed a little at the tone. But he guessed that the neutral wouldn’t even have to lie very much. Fellows like that, unless caught in the very act, felt themselves pretty safe. They could afford to chuckle. That fellow was probably chuckling to himself. It’s very possible he had been before at the game and didn’t care a rap for the bit of evidence left behind. It was a game in which practice made one bold and successful, too.

‘And again he laughed faintly. But his commanding officer was in revolt against the murderous stealthiness of methods and the atrocious callousness of complicities that seemed to taint the very source of men’s deep emotions and noblest activities; to corrupt their imagination which builds up the final conceptions of life and death. He suffered — ’

The voice from the sofa interrupted the narrator.

‘How well I can understand that in him!’

He bent forward slightly.

‘Yes. I, too. Everything should be open in love and war. Open as the day, since both are the call of an ideal which it is so easy, so terribly easy, to degrade in the name of Victory.’

He paused; then went on: ‘I don’t know that the commanding officer delved so deep as that into his feelings. But he did suffer from them — a sort of disenchanted sadness. It is possible, even, that he suspected himself of folly. Man is various. But he had no time for much introspection, because from the southwest a wall of fog had advanced upon his ship. Great convolutions of vapours flew over, swirling about masts and funnel, which looked as if they were beginning to melt. Then they vanished.

‘The ship was stopped, all sounds ceased, and the very fog became motionless, growing denser and as if solid in its amazing dumb immobility. The men at their stations lost sight of each other. Footsteps sounded stealthy; rare voices, impersonal and remote, died out without resonance. A blind white stillness took possession of the world.

‘It looked, too, as if it would last for days. I don’t mean to say that the fog did not vary a little in its density. Now and then it would thin out mysteriously, revealing to the men a more or less ghostly presentment of their ship. Several times the shadow of the coast itself swam darkly before their eyes through the fluctuating opaque brightness of the great white cloud clinging to the water.

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