Коллектив авторов - Мода и искусство

Ibid.

Shapiro R. The Aesthetics of Institutionalisation: Breakdancing in France // The Journal of Arts Management, Law and Society. 2004. No. 33. Pp. 316–335.

Becker H. Op. cit.

Kawamura Y. Fashion-ology: An Introduction to Fashion Studies. Oxford, 2005. P. 53. См. также: Mora E. Collective Production of Creativity in the Italian Fashion System // Poetics. 2006. No. 34. Pp. 334–353.

Kawamura Y. Op. cit. P. 51.

Entwistle J. The Aesthetic Economy: The Production of Value in the Field of Fashion Modelling // Journal of Consumer Culture. 2002. No. 2 (3). P. 319.

Heinich N. La sociologie de l’art. Paris, 2001. P. 65.

Wollen P. et al. Addressing the Century: 100 Years of Art and Fashion. London, 1998.

Becker H. Op. cit.

Milbank C. Couture: The Great Designers. N.Y., 1985. P. 163.

Kawamura Y. The Japanese Revolution in Paris Fashion. Oxford, 2004. P. 44.

Sudjic D. Rei Kawakubo and Comme des Garçons. N.Y., 1990.

Martin R. Fashion and Surrealism. N.Y., 1987.

Delbourg-Delphis M. La mode pour la vie. Paris, 1983.

Martin R. Op. cit.

Crane D. Fashion and Its Social Agendas: Class, Gender and Identity in Clothing. Chicago: University of Chicago Press, 2000.

Kawamura Y. The Japanese Revolution in Paris Fashion. P. 130. См. также: Crane D. The Transformation of the Avant-Garde: The New York Art World, 1940-1985. Chicago, 1987. P. 14.

Evans C. Fashion at the Edge. New Haven, CT: Yale University Press, 2003.

Benjamin W. The Work of Art in the Age of Mechanical Reproduction // Illuminations / Ed. Hannah Arendt, trans. H. John. N.Y.: Schocken Books, 1969. Pp. 291–353.

Evans C. Fashion at the Edge. P. 70.

Kamitsis L. Paco Rabanne: les sens de la recherche [A Feeling for Research]. Paris: Editions Michel Lafon, 1996. Pp. 7, 50.

McDowell C. McDowell’s Directory of Twentieth Century Fashion. London: Frederick Muller, 1987. P. 226.

Kawamura Y. Op. cit. The Japanese Revolution in Paris Fashion. P. 141.

Sudjic C. Op. cit. P. Rei Kawakubo and Comme des Garçons, 11.

Holborn M. Issey Miyake. Cologne: Taschen, 1995. P. 22.

Ibid. P. 50.

Ibid. Pp. 78, 104.

Huckbody J. John Galliano / La mode aujourd’hui / Ed. T. Jones and S. Rushton. Paris, 2006. P. 68. Курсив мой.

Lipovetsky G. L’empire de l’éphémère. [The Empire of Fashion] Paris: Gallimard, 1987 (Липовецкий Ж. Империя эфемерного. Мода и ее судьба в современном обществе. М.: Новое литературное обозрение, 2012).

Shapiro R. Art et changement social: l’artification // Vingt ans de sociologie de l’art: bilan et perspectives / Ed. P. Le Quéau. Paris: L’Harmattan, 2007. Pp. 129–136.

Lipovetsky G. L’empire de l’éphémère. P. 92.

Ibid. P. 96.

Crane D. Fashion and Its Social Agendas. Pp. 150–151.

Martin R. Fashion and Surrealism.

Steele V. Museum Quality: The Rise of the Fashion Exhibition // Fashion Theory: The Journal of Dress, Body & Culture. 2008. V. 12.1. Pp. 7–30.

Laurence Benaïпm L. Des griffes sous le marteau // Le Monde. 1992. April 7. P. 22.

Ducourtieux C. Le patron de Gucci préйdit de belles annéйes au luxe // Le Monde. 2006. October 7. P. 14.

Lash S., Urry J. Economies of Signs and Space. London, 1994. P. 15.

Hume M. Brider Galliano, découvrir Elbaz… // Courrier International. 2007. March 1–7. Courrier Mo(n)de, Géographie de la mode. Supplément au No. 852. Pp. 4, 6.

Ibid.

Kawamura Y. The Japanese Revolution in Paris Fashion.

Horyn C. The End of the Affair // New York Times. 2006. September 7. Thursday Styles, G1.

Ducourtieux C. Contrefaçon: LVMH attaque eBay en justice // Le Monde. 2006. September 21. P. 14. Редкий случай иска о подделке имел место в 1994 году в Париже, когда Ив Сен-Лоран подал в суд на Ральфа Лорана за копирование одной из своих разработок. Европейское подразделение Ральфа Лорана проиграло дело и выплатило значительный штраф (Kawamura Y. Op. cit. P. 50).

Crane D. Fashion and Its Social Agendas.

Menkes S. Museum Integrity vs. Designer Control // International Herald Tribune. 2007. February 26. P. 9.

Menkes S. Armani Plans for Posterity // International Herald Tribune. 2007. February 20. P. 9.

Steele V. Op. cit.

Sabbah C. Une pause salutaire? // Le Monde. 2008. January 20–21. P. 2.

Enchères haute couture // La Gazette de l’Hôtel Drouot. 2004. July 16. No. 28. P. 14.

Marilyn and Mister President // Le Monde. 2007. May. P. 61; Reier S. Collecting Fueled by Personal Passions // International Herald Tribune. 2007. May 19–20. Pp. 18–19.

Betts K. Art Lessons // Time. 2002. October 11. www.time.com/time/magazine/article/ 0,9171,1670494,00.html .

Battersby M. Somewhere between Fashion and Art // The Independent. 2010. September 23. www.independent.co.uk/arts-entertainment/art/features/some where-between-fashion-and-art-2087568.html .

Oxfordshire Art Weeks Festival 2011. www.artweeks.org/ .

См.: Buskirk M. The Contingent Object of Contemporary Art. Cambridge, MA, 2005.

Более подробно я рассматривала эпистемологический статус подделки в следующей работе: Certainty in Art and Science: Some Postmodern Considerations (была представлена в рамках международной конференции «Перспективы постмодернистской философии науки», Дубровник, Югославия, март 1991 г.).

Hein H. The Museum in Transition: A Philosophical Perspective. Washington, DC, 2000.