Honoré Balzac - Letters of Two Brides

I told him I was not aged enough to have reached the middle, or to need an ornament to freshen me up!

The nose is slender, and the well-cut nostrils are separated by a sweet little pink partition – an imperious, mocking nose, with a tip too sensitive ever to grow fat or red. Sweetheart, if this won't find a husband for a dowerless maiden, I'm a donkey. The ears are daintily curled, a pearl hanging from either lobe would show yellow. The neck is long, and has an undulating motion full of dignity. In the shade the white ripens to a golden tinge. Perhaps the mouth is a little large. But how expressive! what a color on the lips! how prettily the teeth laugh!

Then, dear, there is a harmony running through all. What a gait! what a voice! We have not forgotten how our grandmother's skirts fell into place without a touch. In a word, I am lovely and charming. When the mood comes, I can laugh one of our good old laughs, and no one will think the less of me; the dimples, impressed by Comedy's light fingers on my fair cheeks, will command respect. Or I can let my eyes fall and my heart freeze under my snowy brows. I can pose as a Madonna with melancholy, swan-like neck, and the painters' virgins will be nowhere; my place in heaven would be far above them. A man would be forced to chant when he spoke to me.

So, you see, my panoply is complete, and I can run the whole gamut of coquetry from deepest bass to shrillest treble. It is a huge advantage not to be all of one piece. Now, my mother is neither playful nor virginal. Her only attitude is an imposing one; when she ceases to be majestic, she is ferocious. It is difficult for her to heal the wounds she makes, whereas I can wound and heal together. We are absolutely unlike, and therefore there could not possibly be rivalry between us, unless indeed we quarreled over the greater or less perfection of our extremities, which are similar. I take after my father, who is shrewd and subtle. I have the manner of my grandmother and her charming voice, which becomes falsetto when forced, but is a sweet-toned chest voice at the ordinary pitch of a quiet talk.

I feel as if I had left the convent to-day for the first time. For society I do not yet exist; I am unknown to it. What a ravishing moment! I still belong only to myself, like a flower just blown, unseen yet of mortal eye.

In spite of this, my sweet, as I paced the drawing-room during my self-inspection, and saw the poor cast-off school-clothes, a queer feeling came over me. Regret for the past, anxiety about the future, fear of society, a long farewell to the pale daisies which we used to pick and strip of their petals in light-hearted innocence, there was something of all that; but strange, fantastic visions also rose, which I crushed back into the inner depths, whence they had sprung, and whither I dared not follow them.

My Renee, I have a regular trousseau! It is all beautifully laid away and perfumed in the cedar-wood drawers with lacquered front of my charming dressing-table. There are ribbons, shoes, gloves, all in lavish abundance. My father has kindly presented me with the pretty gewgaws a girl loves – a dressing-case, toilet service, scent-box, fan, sunshade, prayer-book, gold chain, cashmere shawl. He has also promised to give me riding lessons. And I can dance! To-morrow, yes, to-morrow evening, I come out!

My dress is white muslin, and on my head I wear a garland of white roses in Greek style. I shall put on my Madonna face; I mean to play the simpleton, and have all the women on my side. My mother is miles away from any idea of what I write to you. She believes me quite destitute of mind, and would be dumfounded if she read my letter. My brother honors me with a profound contempt, and is uniformly and politely indifferent.

He is a handsome young fellow, but melancholy, and given to moods. I have divined his secret, though neither the Duke nor Duchess has an inkling of it. In spite of his youth and his title, he is jealous of his father. He has no position in the State, no post at Court, he never has to say, "I am going to the Chamber." I alone in the house have sixteen hours for meditation. My father is absorbed in public business and his own amusements; my mother, too, is never at leisure; no member of the household practises self-examination, they are constantly in company, and have hardly time to live.

I should immensely like to know what is the potent charm wielded by society to keep people prisoner from nine every evening till two or three in the morning, and force them to be so lavish alike of strength and money. When I longed for it, I had no idea of the separations it brought about, or its overmastering spell. But, then, I forget, it is Paris which does it all.

It is possible, it seems, for members of one family to live side by side and know absolutely nothing of each other. A half-fledged nun arrives, and in a couple of weeks has grasped domestic details, of which the master diplomatist at the head of the house is quite ignorant. Or perhaps he does see, and shuts his eyes deliberately, as part of the father's role . There is a mystery here which I must plumb.

Yesterday, at two o'clock, I went to drive in the Champs-Elysees and the Bois de Boulogne. It was one of those autumn days which we used to find so beautiful on the banks of the Loire. So I have seen Paris at last! The Place Louis XV. is certainly very fine, but the beauty is that of man's handiwork.

I was dressed to perfection, pensive, with set face (though inwardly much tempted to laugh), under a lovely hat, my arms crossed. Would you believe it? Not a single smile was thrown at me, not one poor youth was struck motionless as I passed, not a soul turned to look again; and yet the carriage proceeded with a deliberation worthy of my pose.

No, I am wrong, there was one – a duke, and a charming man – who suddenly reined in as we went by. The individual who thus saved appearances for me was my father, and he proclaimed himself highly gratified by what he saw. I met my mother also, who sent me a butterfly kiss from the tips of her fingers. The worthy Griffith, who fears no man, cast her glances hither and thither without discrimination. In my judgment, a young woman should always know exactly what her eye is resting on.

I was mad with rage. One man actually inspected my carriage without noticing me. This flattering homage probably came from a carriage-maker. I have been quite out in the reckoning of my forces. Plainly, beauty, that rare gift which comes from heaven, is commoner in Paris than I thought. I saw hats doffed with deference to simpering fools; a purple face called forth murmurs of, "It is she!" My mother received an immense amount of admiration. There is an answer to this problem, and I mean to find it.

The men, my dear, seemed to me generally very ugly. The very few exceptions are bad copies of us. Heaven knows what evil genius has inspired their costume; it is amazingly inelegant compared with those of former generations. It has no distinction, no beauty of color or romance; it appeals neither to the senses, nor the mind, nor the eye, and it must be very uncomfortable. It is meagre and stunted. The hat, above all, struck me; it is a sort of truncated column, and does not adapt itself in the least to the shape of the head; but I am told it is easier to bring about a revolution than to invent a graceful hat. Courage in Paris recoils before the thought of appearing in a round felt; and for lack of one day's daring, men stick all their lives to this ridiculous headpiece. And yet Frenchmen are said to be fickle!

The men are hideous anyway, whatever they put on their heads. I have seen nothing but worn, hard faces, with no calm nor peace in the expression; the harsh lines and furrows speak of foiled ambition and smarting vanity. A fine forehead is rarely seen.