Stella Newman - Pear Shaped

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Pear Shaped: краткое содержание, описание и аннотация

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A novel about love, heartbreak and dessert.Girl meets boy.Girl loses boy.Girl loses mind.Sophie Klein walks into a bar one Friday night and her life changes. She meets James Stephens: charismatic, elusive, and with a hosiery model ex who casts a long, thin shadow over their burgeoning relationship. He’s clever, funny and shares her greatest pleasure in life – to eat and drink slightly too much and then have a little lie down. Sophie’s instinct tells her James is too good to be true – and he is.An exploration of love, heartbreak, self-image, self-deception and lots of food. Pear-Shaped is in turns smart, laugh-out-loud funny and above all, recognizable to women everywhere.Contains an exclusive extract from Stella’s new novel Leftovers.

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I’m bloody glad I didn’t know he was rich when I first met him. I wish I didn’t know now.

Maybe he doesn’t own the whole company; maybe his dad and brother own half …

‘Play some music, would you?’ I say, stroking his thick dark hair and thinking how good his genes are, and hoping if we have kids they’ll inherit his straight, shiny locks rather than my curls.

James fiddles with his CD player and on comes the soundtrack to the inner circle of hell: Dido, Flo Rida, some vocoder crap, the sort of banging dance music they play in gyms.

‘Have you not got the Crazy Frog tune?’ I say.

He presses the forward button and on comes Sam Cook.

‘Well recovered,’ I say.

There is a queue of cars in front of us, and James suddenly pulls to the left and speeds down the bus lane.

‘Bus lane,’ I say.

‘It’s fine.’

‘It says “At any time”.’

‘It’s fine.’

‘You’ll get a ticket.’

‘Doesn’t matter.’

‘Just because you’ve got a crown on your steering wheel doesn’t mean you can act like royalty.’

‘It’s a trident, love.’

‘What about the people on buses? There are bus lanes for a reason.’

‘They’ll still get there,’ he says.

‘If I was on that bus, I’d think you were a dick,’ I say.

‘But you’re not. You’re in my car.’

He has booked tickets to see Antichrist, because he thought I’d like an art house film. The cinema is very warm, and half an hour into the film, he falls asleep. Occasionally I nudge him but he looks extremely content, and quite frankly I wish I could sleep through it too.

As the end credits roll I wake him up. ‘You missed the bit where she drills through his leg, and the bit where she wanks him off and blood spurts out of his cock,’ I say.

He shudders. ‘Thank God.’

‘What now,’ I say, ‘Chinatown for some duck pancakes?’

‘I thought you might like to have dinner at mine.’

‘You’re going to cook for me?’

‘I was thinking more like a takeaway,’ he says.

‘Why don’t we cook?’

‘You’ll see why.’

‘Are you sure your wife’s not at home tonight?’

‘She’s on holiday with the kids and my three mistresses,’ he says.

He pulls up outside a house in Fitzroy Road. That’s Primrose Hill, not Camden. It has the loveliest front door of all the houses on the street – a deep, inky blue, with a semi-circular glass window at the top, like the sun rising.

This is all too good to be true. He’s too sexy, too rich, too tall, too much fun, too interesting, too smart, that door is too perfect. You don’t get to have all this in one person. Maybe you get three of the above but the guy turns out to be a cokehead or a depressive. James is the golden ticket. Something must be wrong.

Inside, everything is homely and unpretentious. On a low wooden sideboard sits a beautiful old-fashioned globe, the countries in faded pinks and yellows and greens and blues.

‘Who are these guys?’ I say, looking at the framed photos next to the globe.

‘That’s me and Rob in Mexico.’

‘You look happy,’ I say.

‘We’d just been skydiving,’ he says. ‘I think I was still high.’

‘And in this one? That must be your grandfather … father’s side?’ I say, looking at a faded photo of a stern looking man with James’s nose and dark eyebrows, his hand on the shoulder of a young boy who’s trying not to giggle. ‘Your hair was so blonde!’

‘My grandad was, what, early seventies? Still smoking thirty a day and drinking a large whisky before lunch. He made me go and find ten different types of leaves in Epping Forest while he sat on that bench with a hip flask, smoking and reading the Essex Chronicle.’

‘And this one! Look at your hair! How old are you here?’

‘Ten. June 3rd, 1975, Woodford Under 11s Junior Chess Champion.’

‘Such a nerd!’ I say. ‘Do you still play?’

‘Not really. But I’ll give you a game if you don’t mind losing,’ he says.

‘I love losing. So, why can’t we cook?’ I say, as we head downstairs to his kitchen.

‘You’ll see.’ And I do. His kitchen is like a student dig. He has a double electric hob, a microwave and a tiny, none-too-clean oven. I open one cupboard and see three Pot Noodles and two tins of tuna. In the next cupboard is some Tesco own brand pasta. ‘I need a wife,’ he says. ‘A wife who can cook!’

‘What’s in here?’ I say, spying a waist-high fridge in the corner.

‘Don’t look!’ he says, but it’s too late. I open the door and see that his fridge has no shelves at all. The few things in it are all stacked on top of each other at the bottom.

‘What’s that all about?’

‘I broke the shelves a while back, I keep meaning to replace them, but I never get round to it …’ he says.

‘How do you even break a fridge shelf?’

‘Ask Jack Daniels,’ he says.

‘I have never seen anything like that,’ I say. ‘How come the rest of your house is so lovely and your kitchen’s so shit?’

He laughs. ‘I’ve been travelling so much in the last year, it’s not been a priority. I’ll get round to it soon.’

‘Takeaway it is,’ I say.

‘There’s a great Japanese on Parkway, I’ll pop out and get some,’ he says, ‘No, it’s Sunday … pizza?’

‘Pizza’s good,’ I say. ‘Or I see you’re harbouring a lovely selection of Pot Noodles in your cupboard.’

‘Don’t say you like Pot Noodle or I’ll think I’ve dreamt you,’ he says.

‘I don’t mind it, if I’m drunk,’ I say. ‘Let’s get pizza. A bit more sociable, isn’t it?’

We lie on his sofa and eat a spicy meat pizza from his local takeaway. I’d never normally eat meatballs from a delivery place – I work at Fletchers, I know how bad a bad meatball can be. But James fancies meatballs, and I fancy James, and they taste delicious.

‘My friend in New York’s just had a baby and called him “Domino”,’ I say.

‘That’s a terrible name,’ he says.

‘Isn’t it?’

‘If I had a boy I’d call him Genghis,’ he says.

‘Gengis Stephens, nice ring. What about girls’ names?’

‘What do you think’s nice?

‘Don’t know. Lauren’s pretty. Olivia, maybe too posh. Martha?’

‘Martha’s a fat girl’s name,’ he says.

‘No, it’s not!’

‘How about Yasmine Jayde, and Anoushka Rose.’

‘You’re not calling our daughters after Bratz dolls and air fresheners.’

‘I’m the husband, you will obey,’ he says, beating his chest.

‘Don’t hold your breath,’ I say. ‘– By the way, do you normally date women a lot younger than you?’ I know Celine is now forty-two, but presumably if he wants children, he’ll want a wife under forty.

‘You’re a few years older than what I’d normally go for,’ he says.

‘Outrageous! You’re pushing fifty!’ I say.

‘Shhhh,’ he puts his finger to my lips.

Truth is we both know his age doesn’t matter. You can knock a year off his real age for every million in his bank account: Forty-five, thirty-five, thirty-three … now he’s my age. Knock another year off for each inch over five foot seven. Twenty-six. A full head of hair buys at least five. Excellent personal hygiene, another couple. Good in bed, another five. He’s officially fourteen.

Yep, I am dating a teenage boy.

He has two very different faces. When he frowns, concentrates or looks anxious – 40% of the time – he looks Sicilian and cruel and sexy; when he smiles he looks like a warm, happy, child. His face glazes with delight. Later, when we are together, I take photos of him, and when people ask to see them, they think they’re looking at two different people. He is a chameleon. There is something about him that makes me want to hold on to him forever.

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