Dean Koontz - Saint Odd

Life had taught me to believe in omens.

I knew one when I saw it.

The bats were an omen, and whatever they might portend, it would not be an event marked by benevolence, harmony, and joy.

I CAME HOME TO DIE AND TO LIVE IN DEATH. MY life had begun in the desert town of Pico Mundo, California, and I had remained there until I was twenty, when I lost what mattered most to me. During the twenty-one months since then, I had traveled in search of my purpose, and I had learned by going where I had to go. That I had come full circle shouldn’t have surprised me, for we are born into time only to be born out of it, after living through the cycles of the seasons, under stars that turn because the world turns, born into ignorance and acquiring knowledge that ultimately reveals to us our enduring ignorance: The circle is the essential pattern of our existence.

The Green Moon Mall stood along Green Moon Road, smack between old-town Pico Mundo and its more modern neighborhoods. The structure was immense because it was intended to serve not just our town but others in the area that were too small to support a mall of their own. With sand-colored walls and curved planes and rounded corners, the architect meant to suggest adobe construction. In recognition of the Mojave heat, there were few windows, and the most glass to be seen was at the several entrances, where pneumatic doors once whisked aside to welcome shoppers.

The mall had been closed for a long time, contaminated by its history of mass murder. Many feared that to reopen it would invite some unhinged person to attempt to rack up a larger kill than the nineteen who were murdered on that day. Of the forty-one wounded, several were disabled for life. Starbucks, Crate & Barrel, Donna Karan, and other retailers had bailed on their leases, having no desire to be associated with a place of such horror. The mall owners, with common sense that was rare in modern America, had taken no tenants to court, instead announcing that the building eventually would be torn down and the land repurposed for upscale apartments.

After parking the Big Dog bike on a nearby residential street, I visited the mall more than an hour before dawn, carrying a pillowcase in which were a bolt cutter, a crowbar, and a sixteen-ounce hammer with a rubberized grip that I’d brought with me from the coast. I found my way by flashlight down a long, wide ramp that led to an immense segmented garage door through which countless eighteen-wheelers had once driven with loads of merchandise for the department stores and the many smaller shops.

The moon was down, the glimmering constellations so distant, and even in May the Mojave night was as mild as baby-bottle milk. On flanking concrete walls that loomed higher as the ramp descended, pale reflections of the flashlight drifted alongside me as if they were spirit companions.

I knew a great deal about the ghosts that haunted this world. I saw those who had died but who, for whatever reasons, would not or could not cross over to whatever came next. My life had been shaped by those lingering dead, by their regrets, their hopes, their needs, their melancholy. In my twenty-two years of life, I had come to regard even angry spirits with equanimity, reserving my dread for certain still-living human beings and the horrors of which they were capable.

To the left of the enormous roll-up door was one of ordinary dimensions, secured with both a mortise lock and a large padlock. I propped my flashlight against the door frame, with its beam angled upward.

Using the long-handled bolt cutter, I severed the shackle from the case of the padlock. I unhooked the padlock from the slotted strap and threw it aside.

The rimless lock cylinder could not be gripped with lever-wrench pliers and pulled out of the escutcheon. From my shirt pocket, I took a wedge-shaped steel tap with a broad head, and I pounded the tap into the keyway of the mortise lock. The poll of the hammer rang off its target, the pin tumblers in the keyway shrieked as the guts of the lock were distorted, and the stricken door clattered in its frame.

I had no concern that the racket I raised would draw unwanted attention. The deserted mall was surrounded by a vastness of empty parking lot, which was these days encircled by chain-link fencing crowned with concertina wire to discourage romantically inclined teenagers in cars, homeless people with their worldly possessions packed in shopping carts, and whatever creeps might be drawn to the place by its history of violence. The police chose not to patrol the property anymore because, after all, everything on it was scheduled for demolition in a few months.

My version of the “Anvil Chorus” was brief. When I’d driven the tap fully into the keyway, the deadbolt rattled loosely in the latch assembly, and a narrow gap opened between door and jamb, although the bolt remained seated in the faceplate. I applied the crowbar and worked up a sweat before I broke into what had been the subterranean loading docks and the employee parking lot beneath Green Moon Mall, leaving my tools behind.

I am a fry cook, at my best when working the griddle, master of the spatula, maker of pancakes so light they seem about to float off your plate. I am a fry cook and wish to be nothing more, but the many threats I face have required me to develop skills not needed in the kitchen of a diner—like breaking and entering.

Stained concrete underfoot, overhead, on all sides, the ceiling supported by columns so thick that I couldn’t have gotten my arms around one: As a deep-sea diver in his pressurized suit and armored helmet might nevertheless sense the tremendous tonnage of the ocean pressing upon him, so I felt the great mass of the two-story mall and the anchoring pair of three-story department stores above me. For a moment, I felt buried, as if I had died on that day of violence and now must be a spirit haunting this elaborate catacomb.

Here and there lay small piles of trash: the splintered boards of a broken packing crate, empty and moldering cardboard boxes, and items not easily identified in the flare of the beam and the dance of shadows.

The rubber soles of my sneakers failed to disturb the absolute silence, as though I had no substance. Then a short-lived rustling sound rose from my left. It must have been a rat disturbed in a nest of trash, but nevertheless I said, “Hello?” The only response was the echo of that word, which in the colonnaded darkness returned to me from all sides.

When last I’d been here, the place had hummed with activity as numerous trucks off-loaded merchandise and harried stockroom clerks prepared it for delivery to the holding rooms and the sales floor, using forklifts and electric carts and hand trucks.

The elevated loading dock ran the full length of the enormous structure. I climbed a set of steel rungs embedded in the face of it, crossed the dock, and pushed through a pair of extra-wide double doors into a spacious corridor with concrete walls painted white. Two freight elevators waited on the left; but even if they were still operative—which I doubted—I didn’t want to be boxed in one of them. I opened a door labeled STAIRS, and I climbed.

From a ground-floor stockroom, I proceeded into what had been a department store. Silence pooled in the cavernous building, and I felt as if something akin to sharks swam through the waterless dark, circling me beyond the reach of the flashlight.

Sometimes entities appear to me that no one else can see, inky and undulant, as quick and sleek as wolves, though without features, terrible and predatory shadows that can enter a room by the narrowest crack between a door and jamb or through a keyhole. I call them bodachs, although only because an English boy, visiting Pico Mundo, once saw them in my company and gave them that name. Seconds later, a runaway truck crushed him to death between its front bumper and a concrete-block wall.