Dean Koontz - You Are Destined To Be Together Forever [an Odd Thomas short story]

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Odd Thomas’s singular journey is approaching its unforgettable conclusion in SAINT ODD. But before Odd’s destiny is revealed, this exclusive eBook short story looks back to where it all began for Odd Thomas and Stormy Llewellyn, two souls who are destined to be together forever.Odd Thomas, a 16 year old fry-cook with a gift for seeing the recently deceased, and his girlfriend Stormy Llewellyn (and in the backseat, the spirit of Elvis Presley) are on their way to the annual carnival when a man with a machete embedded in his neck hurls himself into their borrowed car, with all the nimble grace of the lingering dead.Someone, somewhere close by is in imminent danger. Odd and Stormy must postpone their visit to the fair and its fortune-telling machine in order to avert a brutal crime…

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Copyright Contents Cover Title Page Copyright Chapter One Chapter Two Chapter Three Chapter Four Chapter Five Chapter Six About Dean Koontz By Dean Koontz About the Publisher

Harper

An imprint of HarperCollins Publishers Ltd

77–85 Fulham Palace Road

Hammersmith, London W6 8JB

www.harpercollins.co.uk

First published by HarperCollins Publishers 2014

First published in the USA in 2014 by Bantam Books,

an imprint of The Random House Publishing Group,

A division of Random House, Inc., New York.

Copyright © Dean Koontz 2014

Cover design layout © HarperCollins Publishers 2014

Cover design © Scott Biel

Cover images: (man) Claudio Marinesco; (woman) © Stephen Carroll/Trevillion Images

Dean Koontz asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

This is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Ebook Edition © DECEMBER 2014 ISBN: 9780008115487

Version: 2014-12-02

Contents

Cover

Title Page

Copyright

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

About Dean Koontz

By Dean Koontz

About the Publisher

One Contents Cover Title Page Copyright Chapter One Chapter Two Chapter Three Chapter Four Chapter Five Chapter Six About Dean Koontz By Dean Koontz About the Publisher

My four-hundred-pound friend and mentor, P. Oswald Boone, the famous mystery writer, says that although he has in his refrigerator cheeses older than I am, sixteen is not too young to write worthwhile prose, as long as I write about what I know, which in my case means a girl named Stormy Llewellyn, the ghost of Elvis Presley, brutal murder, and revenge from beyond the grave.

In late May, the annual spring fair had come to Pico Mundo, California, where I had lived all my life, on the edge of the Mojave Desert. On Friday, I borrowed Terri Stambaugh’s car so that I could take Stormy to the carnival that had set up its many attractions on the fairground midway. Terri was my boss, the owner of the Pico Mundo Grille, where I worked as a fry cook twenty-four hours each week during the school year, forty hours each week during the summer.

I couldn’t borrow a car from my father, because he had walked out on us years earlier. I couldn’t borrow a car from my mother, because such a request would stress her. When stressed, Mother made veiled references to suicide, and sometimes she retrieved the pistol from the nightstand drawer in her bedroom, caressing its contours with more affection than she’d ever shown me. When I was a child, which was a shorter period of time for me than it was for most people, my mother sometimes implied that she might take me with her if she decided to consummate her romance with Death. My mother is beautiful, and to anyone who never lived with her, she seems to be a genteel and pleasant lady, if slightly aloof. I moved out when I turned sixteen, into a tiny apartment above a garage, which I pay for by mowing the lawn and doing general maintenance chores for my landlady.

At 4:30, Stormy met me behind the Grille, where Terri’s Mustang was parked. “Hey, odd one. You look better than a stack of your best pancakes.”

“I take that as a compliment.”

“As it was intended.”

We kissed. It wasn’t a wild, passionate kiss, but tender and sweet. In the matter of passion, she wanted to go slow, and I wanted whatever she wanted.

She had been orphaned at seven, when her parents died in a plane crash. After that, for a time, she had been an abused child, a victim of her adoptive parents. In spite of all that she had suffered, the world had not broken her.

With jet-black hair, a Mediterranean complexion, and mysterious dark eyes, she was straight out of a dream about an Egyptian queen regarded as a demigoddess by her subjects, which is how I would have regarded her if she wouldn’t have punched me for daring to put her on a pedestal. Stormy Llewellyn didn’t want a pedestal. She wanted only someone who would look her straight in the eyes and always tell her the truth.

As I opened the passenger door of the Mustang for Stormy, I said, “Mr. Presley is in the backseat.”

“Elvis?”

“I thought you should know. Though he can’t speak, he can hear whatever we say.”

Stormy got into the car and looked behind her seat, but of course she couldn’t see the King of Rock ’n’ Roll because he had been dead for years, in fact, for decades, and it was only his spirit that was going with us to the carnival.

Most people leave the world when their bodies die. Some spirits linger, reluctant to cross over to the Other Side. They come to me because they know that I can see them and that I will help them if I can. Sometimes they want their murders avenged. Mr. Presley wasn’t murdered—except by numerous movie critics when he was alive. But he, like some others, seemed to be afraid of what might await him in the Great Beyond.

He had been hanging out with me for some months, though he made no effort to explain himself. The dead don’t talk. I don’t know why. But they have ways of conveying their concerns and desires. Mr. Presley seemed content just to keep me company.

As I got behind the wheel of the Mustang, Stormy said, “What’s he wearing this time?”

“That ridiculous Arab getup from Harum Scarum. Sorry, sir, but it is ridiculous.”

All other lingering spirits that I had known were limited in their wardrobe to the clothes they had been wearing when they died. Mr. Presley, however, was capable of manifesting in anything he had worn during his storied career. He tended to avoid the flashy Vegas costumes that made him look like a less-well-coiffed Liberace.

Glancing over my shoulder, I saw that he had in an instant changed from the Harum Scarum garb to the flamenco-dancer costume that he had worn in Fun in Acapulco : tight black tuxedo pants, a two-thirds-length black jacket, and a ruffled white shirt with an elaborate black foulard at the throat.

“Better,” I said.

He made a gun of his thumb and forefinger, pointed it at me, and winked.

You might wonder why Stormy Llewellyn would believe I can see spirits. She’s a practical girl with a commonsense plan for her future. She works part-time behind the counter at Burke & Bailey’s in the mall, scooping ice cream and mixing milkshakes. She intends to be an ice-cream entrepreneur with her own shop by the time she’s twenty-four and to build a chain of six stores by the time she’s thirty. She is already saving half her wages toward the financing of that plan. Stormy is not the kind of sixteen-year-old girl who believes everything—or anything—I say just because I’m her guy.

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