Dean Koontz - Saint Odd

Closer than fifty feet.

The SUV was obviously souped. This wasn’t an ordinary mama-takes-baby-to-the-playground Caddy. The engine sounded as if it had come out of General Motors by way of Boeing. If he intended to run me down and paste me to the Caddy’s grille—and evidently he did—I wouldn’t be able to outrace whatever customized engine made him king of the road.

Having tricked up his vehicle with alternate, multi-tonal horns programmed with pieces of familiar tunes, he now taunted me with the high-volume song-title notes of Sonny and Cher’s “The Beat Goes On.”

The Big Dog boasted a six-speed transmission. The extra gear and the right-side drive pulley allowed better balance and greater control than would the average touring bike. The fat 250-millimeter rear tire gave me a sense of stability and the thirty-four-degree neck rake inspired the confidence to stunt a little even though I was approaching triple-digit speeds.

Now he serenaded me with the first seven notes of the Kingsmen’s “Louie Louie.” And then again.

My one advantage might be maneuverability. I slid lower in the seat, so that the arc of the windshield sent the wind over my helmet, and I made more aggressive use of the three-lane highway, executing wide serpentine movements from shoulder to shoulder. I was low to the ground, and the Escalade had a much higher center of gravity than the Big Dog; if the driver tried to stay on my tail, he might roll the SUV.

Supposing he was smart, he should realize that by not mimicking me, by continuing arrow-straight, he could rapidly gain ground as I serpentined. And with easy calculation, he could intersect me as I swooped from side to side of the road.

The third blast of “Louie Louie” assured me that either he wasn’t smart or he was so wasted that he might follow me into a pit of fire before he realized what he had done. Yet another programmed horn blared several notes, but I didn’t recognize the tune, though into my mind came the image of that all-but-forgotten rocker Boy George.

When brakes caterwauled, I glanced back to see the Escalade listing, its tires smoking, as the driver pulled the wheel hard to the right to avoid going off the north side of the pavement. Carving one S after another down the straightaway, I cornered out of the current curve, grateful for the Big Dog’s justly praised Balance Drive, and swooped into the next. With another squeal, the Caddy’s tires laid a skin of hot rubber on the blacktop as the driver pulled hard to the left. The vehicle nearly skidded off the south shoulder of the roadway, listing again but, as previously, righting itself well before it tipped over.

Resorting to his basic horn, the driver made no attempt at a tune this time, but let out blast after blast as if he thought he could sweep me off the bike with sound waves.

Recounting this, I might convey the impression that I remained calm and collected throughout the pursuit, but in fact I feared that, at any moment, I would regret not having worn an adult diaper.

In spite of whatever drugs or beverages had pushed the SUV driver’s CRAZY button and filled him with murderous rage, he retained just enough reason to realize that if he continued to follow my lead, he would roll the SUV. Arrowing down the center of the three lanes, he regained the ground that he’d lost, intending to intersect my bike between connecting curves of my flatland slalom.

The Big Dog Bulldog Bagger wasn’t meant to be a dirt bike. The diet that made it happy consisted of concrete and blacktop, and it wanted to be admired for its sleek aerodynamic lines and custom paint job and abundant chrome, not for its ruggedness and ability to slam through wild landscapes with aplomb.

Nevertheless, I went off-road. They say that necessity is the mother of invention, but it is also the grandmother of desperation. The highway was raised about two feet above the land through which it passed, and I left the shoulder at such speed that the bike was airborne for a moment before returning to the earth with a jolt that briefly lifted my butt off the seat and made my feet dance on the floorboards.

Hereabouts, the desert wasn’t a softscape of sand dunes and dead lakes of powdery silt, which was a good thing, because crossing ground like that, the Big Dog would have wallowed to a halt within a hundred yards. The land was mostly hard-packed by thousands of years of fierce sun and scouring winds, the igneous rocks rich with feldspar, treeless but in some places hospitable to purple sage and mesquite and scraggly plants less easily identified.

Jacked up on oversize tires, more suited to going overland than was my bike, the four-wheel-drive Escalade came off the highway in my wake. I intended to find a break in the land or an overhanging escarpment deep enough to conceal me, or a sudden spine of rock, anything I could use to get out of sight of my lunatic pursuer. After that, I would switch off my headlights, slow down significantly, travel by moonlight, and try as quickly as possible to put one turn in the land after another between me and him. Eventually I might find a place in which to shelter, shut off the bike, listen, and wait.

Suddenly a greater light flooded across the land, and when I looked back, I saw that the Escalade sported a roof rack of powerful spotlights that the driver had just now employed. The desert before me resembled a scene out of an early Steven Spielberg movie: a remote landing strip where excited and glamorous scientists from a secret government agency prepared to welcome a contingent of benign extraterrestrials and their mother ship. Instead of scientists and aliens, however, there was some inbred banjo player from Deliverance chasing me with bad intentions.

In those harsh and far-reaching streams of light, each humble twist of vegetation cast a long, inky shadow. The pale land was revealed as less irregular than I’d hoped, an apparent plain where I was no more likely to find a hiding place than I would a McDonald’s franchise complete with a playground for the tots.

Although my nature was to be optimistic, even cheerful, in the face of threat and gloom, there were times, like this, when I felt as though the entire world was death row and that my most recent meal had been my last one.

I continued north into the wilderness rather than angle back toward the highway, assuring myself that it wasn’t my destiny to die in this place, that I would find refuge ahead. My destiny was to die thirty miles or so from here, in the town of Pico Mundo, not tonight but tomorrow or the day after, or the day after that. Furthermore, I wouldn’t die by Cadillac Escalade; my end would be nothing as easy as that, nothing so quick and clean. Having argued myself into a fragile optimism, I sat up straight in my seat and smiled into the teeth of the warm night air.

As the SUV gained on me, the psycho driver resorted to one of his custom horns again. This time I recognized the title notes of “Karma Chameleon” by Culture Club, which had been fronted by Boy George. The song seemed so apt that I laughed; and my laughter would have buoyed me if it hadn’t sounded just a little insane.

The nitrogen-gas-charged shocks, the rubber-isolated floorboards, and the rubber handgrips all contributed to a smoother off-road ride than I had anticipated, but I expected that I was headed for one kind of mechanical failure or another, or for a collision with an unseen thrust of rock that would dismount me, or a community of rattlesnakes that, flung into the air in the midst of copulation, would rain down upon me, hissing.

I was suffering a brief remission in my characteristic optimism.

Ahead, a long but slight slope led to a narrow band of blackness before the Escalade’s lights revealed a swath of somewhat higher land that shimmered like a mirage. I couldn’t be sure what I was seeing; the sight was no less baffling than an abstract painting composed of geometric forms in pale beige and black, but in case it might be what I needed, I accelerated.