Simone Beauvoir - The Mandarins

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The Mandarins: краткое содержание, описание и аннотация

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A Harper Perennial Modern Classics reissue of this unflinching examination of post-war French intellectual life, and an amazing chronicle of love, philosophy and politics from one of the most important thinkers of the twentieth century.An epic romance, a philosophical argument and an honest and searing portrayal of what it means to be a woman, this is Simone de Beauvoir’s most famous and profound novel. De Beauvoir sketches the volatile intellectual and political climate of post-war France with amazing deftness and insight, peopling her story with fictionalisations of the most important figures of the era, such as Camus, Sartre and Nelson Algren. Her novel examines the painful split between public and private life that characterised the female experience in the mid-20th century, and addresses the most difficult questions of gender and choice.It is an astonishing work of intellectual athleticism, yet also a moving romance, a love story of passion and depth. Long out of print, this masterpiece is now reissued as part of the Harper Perennial Modern Classics series so that a whole new generation can discover de Beauvoir’s magic.

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All that has gone, no glamour left, and to read The Mandarins without those flattering veils has to be a sobering experience. What remains? For one, the politics of that time. Young people are always asking, But how was it possible that people could support the Soviet Union at all? Here it all is, the debates, the agonizings, the betrayals, the hair-splittings, the compromises and the self-deceptions. What it was all based on, what was never questioned, was the belief that no matter how terrible the Soviet Union was, it had to be better than capitalism, bound to be the future of the whole world once the infant communism was over its teething troubles. Another never-questioned pillar was that whatever decisions one made, whatever stance one took, were of importance to the whole world: the future of the world was at stake, dependent on the ‘correct’ or otherwise decisions of those people who – as the phrase then went – knew the score. Initiates – that was what they were, or how they saw themselves.

These politics already have something of the flavour of ancient religious squabbles, but the novel will continue to be read, I think, for an ironical reason: its brilliant portraits of women.

There is Josette, the sweet, passive beauty who was a collaborator with the Germans because of a rapacious and brutal mother, quite one of the nastiest women in fiction. There is Paula who will not admit that her great love is in fact ditching her, and lives in a state of delusion, claiming him for herself. Above all, there is Nadine, daughter as it were of this group of mandarins, sullen, angry, always resentful because of past but unspecified wrongs, unscrupulous, manipulative, unlovable and unloving, and finally getting her man by the oldest trick in the book. She is a psychological black hole, absorbing into itself all life, joy, pleasure, love. Never has there been a more unlikeable character, nor a more memorable one, for she dominates the book, even when she is off-stage. And finally, there is Anne Dubreuilh herself, the psychiatrist, whose kindness, patience and commonsense on behalf of others do not seem to do much for her own happiness.

The Mandarins is a novel that chronicles its time, but with all the advantages and disadvantages of immediacy, for large parts of it are like the hot, quick impatience of reporting.

CHAPTER ONE

Henri found himself looking at the sky again – a clear, black crystal dome overhead. It was difficult for the mind to conceive of hundreds of planes shattering that black crystalling silence! And suddenly, words began tumbling through his head with a joyous sound – the offensive was halted … the German collapse had begun … at last he would be able to leave. He turned the corner of the quay. The streets would smell again of oil and orange blossoms, in the evening there would be light, people would sit and chat in outdoor cafés, and he would drink real coffee to the sound of guitars. His eyes, his hands, his skin were hungry. It had been a long fast!

Slowly, he climbed the icy stairs. ‘At last!’ Paula exclaimed, hugging him tightly, as if they had just found each other again after a long, danger-filled separation. Over her shoulder, he looked at the tinselled Christmas tree, reflected to infinity in the large mirrors. The table was covered with plates, glasses, and bottles; bunches of holly and mistletoe lay scattered at the foot of a step-stool. He freed himself and threw his overcoat on the couch.

‘Have you heard the wireless?’ he asked. ‘The news is wonderful.’

‘Is it?’ Paula said. ‘Tell me, quickly!’ She never listened to the wireless; she wanted to hear the news only from Henri’s mouth.

‘Haven’t you noticed how clear the sky is tonight? They say there are a thousand planes smashing the rear of von Rundstedt’s armies.’

‘Thank God! They won’t come back, then.’

‘There never was any question of their coming back,’ he said. But the same thought had crossed his mind, too.

Paula smiled mysteriously. ‘I took precautions, just in case.’

‘What precautions?’

‘There’s a tiny room no bigger than a cupboard in the back of the cellar. I asked the concierge to clear it out for me. You could have used it as a hiding place.’

‘You shouldn’t have spoken to the concierge about a thing like that; that’s how panics are started.’

She clutched the ends of her shawl tightly in her left hand, as if she were protecting her heart. ‘They would have shot you,’ she said. ‘Every night I hear them; they knock, I open the door, I see them standing there.’ Motionless, her eyes half closed, she seemed actually to be hearing voices.

‘Don’t worry,’ Henri said cheerfully, ‘it will not happen now.’

She opened her eyes and let her hands fall to her sides. ‘Is the war really over?’

‘Well, it won’t last much longer,’ Henri replied, placing the stool under one of the heavy beams that crossed the ceiling. ‘Want me to help you?’ he asked.

‘The Dubreuilhs are coming over early to give me a hand.’

‘Why wait for them?’ he said, picking up a hammer.

Paula put her hand on his arm. ‘Aren’t you going to do any work?’ she asked.

‘Not tonight.’

‘But you say that every night. You haven’t written a thing for more than a year now.’

‘Don’t worry,’ he said. ‘I feel like writing now, and that’s what counts.’

‘That newspaper of yours takes up too much of your time; just look at how late you get home. Besides, I’m sure you haven’t eaten a thing since noon. Aren’t you hungry?’

‘No, not now.’

‘Aren’t you even tired?’

‘Not at all.’

Those searching eyes of hers, so constantly devouring him with solicitude, made him feel like an unwieldy and fragile treasure. And it was that feeling which wearied him. He stepped up on the stool and with light, careful blows – the house had long since passed its youth – began driving a nail into the beam.

‘I can even tell you what I’m going to write,’ he said. ‘A light novel.’

‘What do you mean?’ Paula asked, her voice suddenly uneasy.

‘Exactly what I said. I feel like writing a light novel.’

Given even the slightest encouragement, he would have made up the story then and there, would have enjoyed thinking it out loud. But Paula was looking at him so intensely that he kept quiet.

‘Hand me that big bunch of mistletoe,’ he said instead.

Cautiously, he hung the green ball, studded with small white berry eyes, while Paula held out another nail to him. Yes, he thought, the war was really over. At least it was for him. This evening was going to be a real celebration. Peace would begin, everything would begin again – holidays, leisure trips, pleasure – maybe even happiness, but certainly freedom. He finished hanging the mistletoe, the holly, and the puffs of white cotton along the beam.

‘How does it look?’ he asked, stepping off the stool.

‘Perfect.’ She went over to the tree and straightened one of the candles. ‘If it’s no longer dangerous,’ she said quietly, ‘you’ll be going to Portugal now?’

‘Naturally.’

‘And you won’t do any work during the trip?’

‘I don’t suppose so.’

She stood nervously tapping one of the golden balls hanging from a branch of the tree, waiting for the words she had long been expecting.

‘I’m terribly sorry I can’t take you with me,’ he said finally.

‘You needn’t feel sorry,’ she said. ‘I know it’s not your fault. And anyhow, I feel less and less these days like traipsing about. What for?’ She smiled. ‘I’ll wait for you. Waiting, when you know what you’re waiting for, isn’t too bad.’

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