Guy Gavriel Kay - Tigana

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Tigana: краткое содержание, описание и аннотация

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With this rich masterfully written extravaganza of myth and magic, the internationally acclaimed author of the Fionovar trilogy has created an epic that will change forever the boundaries of fantasy fiction.Set in a beleaguered land caught in a web of tyranny, Tigana is the deeply moving story of a people struggling to be free. A people so cursed by the dark sorceries of the tyrant King Brandin that even the very name of their once beautiful land cannot be spoken or remembered.But not everyone has forgotten. A handful of men and women, driven by love, hope and pride set in motion the dangerous quest for freedom and bring back to the world the lost brightness of an obliterated name: Tigana

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He heard a sound, and realized a moment later that he was whimpering. He fought to keep control of himself. He was alone though, and in freezing darkness in the hands of his enemies, and there were rats. He couldn’t entirely keep the sounds from coming. He felt as if his heart was broken, as if it lay in jagged pieces at odd angles in his breast. Among the fragments he tried to assemble a curse for Herado and his betrayal, but nothing seemed equal to what his nephew had done. Nothing seemed large enough to encompass it.

He heard another rat and lashed out blindly with his rolled weapon. He hit something and heard a squeal. Again and again he pounded at the place of that sound. He thought he had killed it. One of them. He was trembling, but the frenzy of activity seemed to help him fight back his weakness. He didn’t weep any more. He leaned back against the damp slime of the stone wall, wincing because of his open cuts. He closed his eyes, though he couldn’t see in any case, and he thought of sunlight.

It was then that he must have dozed, because he woke suddenly with a shout of pain: one of the rats had bitten viciously at his thigh. He flailed about with the blanket for a few moments, but he was shivering now and beginning to feel genuinely ill. His mouth was swollen and pulpy from Alberico’s blow in the cabin. He found it painful to swallow. He felt his forehead and decided he was feverish.

Which is why, when he saw the wan light of a candle, he was sure he was hallucinating. He was able to look around though by its glow. The cell was tiny. There was a dead rat near his right leg and there were two more living ones—big as cats—near the door. He saw, on the wall beside him, a scratched-out image of the sun with notches for days cut into the rim. It had the saddest face Tomasso could ever remember seeing. He looked at it for a long time.

Then he looked back towards the glowing light and realized with certainty that this was a hallucination, or a dream.

His father was holding the candle, dressed in the blue-silver robe of his burial, looking down with an expression different from any Tomasso could ever remember seeing on his face.

The fever must be extreme, he decided; his mind was conjuring forth in this abyss an image of something his shattered heart so desperately desired. A look of kindness—and even, if one wanted to reach for the word, even of love—in the eyes of the man who’d whipped him as a child and then designated him as useful for two decades of plotting against a Tyrant.

Which had ended tonight. Which would truly end, most horribly, for Tomasso in the morning, amid pain he didn’t even have the capacity to imagine. He liked this dream though, this fever-induced fantasy. There was light in it. It kept the rats away. It even seemed to ease the bone-numbing cold of the wet stones beneath him and against his back.

He lifted an unsteady hand towards the flame. Through a dry throat and torn, puffy lips he croaked something. What he wanted to say was, ‘I’m sorry,’ to the dream-image of his father, but he couldn’t make the words come right.

This was a dream though, his dream, and the image of Sandre seemed to understand.

‘You have nothing to be sorry for,’ Tomasso heard his dream-father say. So gently. ‘It was my fault and only mine. Through all those years and at the end. I knew Gianno’s limitations from the start. I had too many hopes for you as a child. It . . . affected me too much. After.’

The candle seemed to waver a little. A part of Tomasso, a corner of his heart, seemed to be knitting itself slowly back together, even though this was only a dream, only his own longing. A last feeble fantasy of being loved before they flayed him.

‘Will you let me tell you how sorry I am for the folly that has condemned you to this? Will you hear me if I tell you I have been proud of you, in my fashion?’

Tomasso let himself weep. The words were balm for the deepest ache he knew. Crying made the light blur and swim though, and so he raised his shaking hands, and kept trying to wipe the tears away. He wanted to speak but his shattered mouth could not form words. He nodded his head though, over and over. Then he had a thought and he raised his left hand—the heart hand, of oaths and fidelity—towards this dream of his father’s ghost.

And slowly Sandre’s hand came down, as if from a long, long way off, from years and years away, seasons lost and forgotten in the turning of time and pride, and father and son touched fingertips together.

It was a more solid contact than Tomasso had thought it would be. He closed his eyes for a moment, yielding to the intensity of his feelings. When he opened them his father’s image seemed to be holding something out towards him. A vial of some liquid. Tomasso did not understand.

‘This is the last thing I can do for you,’ the ghost said in a strange, unexpectedly wistful voice. ‘If I were stronger I could do more, but at least they will not hurt you in the morning now. They will not hurt you any more, my son. Drink it, Tomasso, drink it and this will all be gone. All go away, I promise you. Then wait for me, Tomasso, wait if you can in Morian’s Halls. I would like to walk with you there.’

Tomasso still did not understand, but the tone was so mild, so reassuring. He took the dream-vial. Again it was more substantial than he’d expected it to be.

His father nodded encouragement. With trembling hands Tomasso fumbled and removed the stopper. Then with a last gesture—a final mocking parody of himself—he raised it in a wide, sweeping, elaborate salute to his own powers of fantasy and he drained it to the dregs, which were bitter.

His father’s smile was so sad. Smiles are not supposed to be sad, Tomasso wanted to say. He had said that to a boy once, in a temple of Morian at night, in a room where he was not supposed to be. His head felt heavy. He felt as if he were about to fall asleep, even though he already was asleep, and dreaming in his fever. He really didn’t understand. He especially didn’t understand why his father, who was dead, should ask him to wait in Morian’s Halls.

He looked up again, wanting to ask about that. His vision seemed to be going completely strange on him though.

He knew this was so, because the image of his father, looking down upon him, seemed to be crying. There were tears in his father’s eyes.

Which was impossible. Even in a dream.

‘Farewell,’ he heard.

Farewell, he tried to say, in return.

He wasn’t sure if he’d actually managed to form the word, or if he’d only thought it, but just then a darkness more encompassing than he had ever known came down over him like a blanket or a mantle, and the difference between the spoken and the unspoken ceased to matter any more.

Part Two

Dianora

Chapter VII

Dianora could remember the day she came to the Island.

The air that autumn morning had been much like it was today at the beginning of spring—white clouds scudding in a high blue sky as the wind had swept the Tribute Ship through the whitecaps into the harbour of Chiara. Beyond harbour and town the slopes mounting to the hills had been wild with fall colours. The leaves were turning: red and gold and some that clung yet to green, she remembered.

The sails of the Tribute Ship so long ago had been red and gold as well: colours of celebration in Ygrath. She knew that now, she hadn’t known it then. She had stood on the forward deck of the ship to gaze for the first time at the splendour of Chiara’s harbour, at the long pier where the Grand Dukes used to stand to throw a ring into the sea, and from where Letizia had leaped in the first of the Ring Dives to reclaim the ring from the waters and marry her Duke: turning the Dives into the luck and symbol of Chiara’s pride until beautiful Onestra had changed the ending of the story hundreds and hundreds of years ago, and the Ring Dives had ceased. Even so, every child in the Palm knew that legend of the Island. Young girls in each province would play at diving into water for a ring and rising in triumph, with their hair shining wet, to wed a Duke of power and glory.

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