Guy Gavriel Kay - Ysabel

Здесь есть возможность читать онлайн «Guy Gavriel Kay - Ysabel» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: unrecognised, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Ysabel: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Ysabel»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

In this exhilarating, moving novel set in modern and ancient Provence, Guy Gavriel Kay casts brilliant light on the ways in which history – whether of a culture or a family – refuses to be buried.Ned Marriner, fifteen years old, has accompanied his photographer father to Provence for a six-week “shoot” of images for a glossy coffee-table book. Gradually, Ned discovers a very old story playing itself out in this modern world of iPods, cellphones, and seven-seater vans whipping along roads walked by Celtic tribes and the Roman Legions.On one holy, haunted night of the ancient year, when the borders between the living and the dead are down and fires are lit upon the hills, Ned, his family, and his friends, are shockingly drawn into this tale, as dangerous, mythic figures from conflicts of long ago erupt into the present, claiming and changing lives.

Ysabel — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Ysabel», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

The cloister, Melanie’s map informed him, was really old, from the 1100s. So was the side aisle where he was standing now. But the chapel up at the end of it was eighteenth century, the newest thing here. You could almost laugh. They could put a Starbucks somewhere in this place and it would fit as much as anything else did. Chapel of Saint-Java.

He walked towards that late chapel by the steps to the altar. Not much to see. Some fat white candles had burned down, none were burning now. People weren’t allowed inside this morning: Edward Marriner was at work out front.

Ned crossed in front of the altar and worked his way back down the other side. This aisle was from 1695, the map told him. He stopped to get his bearings: this would be the north side, the cloister was south, his father was shooting the west facade. For no good reason it made him feel better to work that out.

This was a shorter nave, hit a wall partway down. Ned found himself back in the main section, looking up at a stained-glass window. He found another bench near the last side chapel by the bell tower. Saint-Catherine’s, the brochure advised; it had been the university’s chapel.

Ned imagined students hurrying here to confession five hundred years ago, then back across the road to lectures. What did they wear to school in those days? He popped in his buds again, dialing Pearl Jam on the wheel.

He was in the south of France. Well, forgive him for not doing cartwheels. His father would be shooting like a madman (his own word) from now to the middle of June. The photographs were for a big-deal book next Christmas. Edward Marriner: Images of Provence , accompanying a text by Oliver Lee. Oliver Lee was from London but had lived down here for the last thirty years, writing (Melanie had told him all this) six novels, including some prize-winners. Star English writer, star Canadian photographer, star French scenery. Big-deal book.

Ned’s mother was in the Sudan.

The reports were of serious fighting again, north of Darfur. She was almost certainly there, he thought, leaning back on the bench, closing his eyes, trying to let the music envelop him. Angry music. Grunge.

Pearl Jam finished, Alanis Morissette came up next on his shuffle. The deal was, his mother would phone them here every second evening. That, Ned thought bitterly, was going to for sure keep her safe.

Doctors Without Borders was supposed to be respected and acknowledged everywhere, but they weren’t always, not any more. The world had changed. Places like Iraq had proven that, and the Sudan was real far from being the smartest place on earth to be right now.

He pulled off the buds again. Alanis complained a lot, he decided, for a girl from the Ottawa Valley who absolutely had it made.

“Gregorian chants?” someone asked.

Ned jerked sideways along the bench, turning his head quickly. “What the—”

“Sorry! Did I scare you?”

“Hell, yes!” he snapped. “What do you think?”

He stood up. It was a girl, he saw.

She looked apologetic for a second, then grinned. She clasped her hands in front of her. “What have you to fear in this holy place, my child? What sins lie heavy on your heart?”

“I’ll think of something,” he said.

She laughed.

She looked to be about his own age, dressed in a black T-shirt and blue jeans, Doc Martens, a small green backpack. Tall, thin, freckles, American accent. Light brown hair to her shoulders.

“Murder? T. S. Eliot wrote a play about that,” she said.

Ned made a face. Urk. One of those. “I know, Murder in the Cathedral . We’re supposed to study it next year.”

She grinned again. “I’m geeky that way. What can I say? Isn’t this place amazing?”

“You think? I think it’s a mess.”

“But that’s what’s cool! Walk twenty steps and you go five hundred years. Have you seen the baptistry? This place drips with history.”

Ned held out an open palm and looked up, as if to check for dripping water. “You are a geek, aren’t you?”

“Can’t tease if I admitted it. Cheap shot.”

She was kind of pretty, in a skinny-dancer way.

Ned shrugged. “What’s the baptistry?”

“The round part, by the front doors.”

“Wait a sec.” Something occurred to him. “How’d you get in? The place is closed for two hours.”

“I saw. Someone’s taking photos outside. Probably a brochure.”

“No.” He hesitated. “That’s my dad. For a book.”

“Really? Who is he?”

“You wouldn’t know. Edward Marriner.”

Her jaw actually dropped. Ned felt the familiar mix of pleasure and embarrassment. “You messing with me?” she gasped. “Mountains and Gods ? I know that book. We own that book!”

“Well, cool. What will it get me?”

She gave him a suddenly shy look. Ned wasn’t sure why he’d spoken that way. It wasn’t really him. Ken and Barry talked that way to girls, but he didn’t, usually. He cleared his throat.

“Get you a lecture on the baptistry,” she said. “If you can stand it. I’m Kate. Not Katie, not Kathy.”

He nodded his head. “Ned. Not Seymour, not Abdul.”

She hesitated, then laughed again. “All right, fine, I deserved that. But I hate nicknames.”

“Kate is a nickname.”

“Yeah, but I picked it. Makes a difference.”

“I guess. You never answered…how’d you get in?”

“Side door.” She gestured across the way. “No one’s watching the square on that side. Through the cloister. Seen that yet?”

Ned blinked. But he couldn’t say, after, that any premonition had come to him. He was just confused, that’s all.

“The door to the cloister is locked. I was there fifteen minutes ago.”

“Nope. Open. The far one out to the street and the one leading in here. I just came through them. Come look. The cloister is really pretty.”

It began then, because they didn’t get to the cloister. Not yet.

Going across, they heard a sound: metal on metal. A banging, a harsh scrape, another bang.

“What the hell?” Ned murmured, stopping where he was. He wasn’t sure why, but he kept his voice down.

Kate did the same. “That’s the baptistry,” she whispered. “Over there.” She pointed. “Probably one of the priests, maybe a caretaker.”

Another scraping sound.

Ned Marriner said, “I don’t think so.”

It would have been, in every possible way, wiser to ignore that noise, to go see the pretty cloister, walk out that way afterwards, into the morning streets of Aix. Get a croissant and a Coke somewhere with this girl named Kate.

His mother, however, was in the Sudan, having flown far away from them, again, to the heart of an insanely dangerous place. Ned came from courage—and from something else, though he didn’t know that part yet.

He walked quietly towards the baptistry and peered down the three steps leading into that round, pale space. He’d gone right past it when he came in, he realized. He saw eight tall pillars, making a smaller circle inside it, with a dome high above, letting in more light than anywhere else.

“It’s the oldest thing here,” whispered the girl beside him. “By a lot, like 500 a.d.”

He was about to ask her how she knew so many idiotic facts when he saw that a grate had been lifted from over a hole in the stone floor.

Then he saw the head and shoulders of a man appear from whatever opening that grate had covered. And Ned realized that this wasn’t, that this couldn’t be, a priest or a caretaker or anyone who belonged in here.

The man had his back to them. Ned lifted a hand, wordlessly, and pointed. Kate let out a gasp. The man in the pit didn’t move, and then he did.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Ysabel»

Представляем Вашему вниманию похожие книги на «Ysabel» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Guy Kay - Ysabel
Guy Kay
Guy Kay - Tigana
Guy Kay
Guy Gavriel Kay - A Song for Arbonne
Guy Gavriel Kay
Guy Gavriel Kay - Lord of Emperors
Guy Gavriel Kay
Guy Gavriel Kay - Tigana
Guy Gavriel Kay
Guy Gavriel Kay - Under Heaven
Guy Gavriel Kay
Guy Gavriel Kay - Sailing to Sarantium
Guy Gavriel Kay
Guy Gavriel Kay - River of Stars
Guy Gavriel Kay
Отзывы о книге «Ysabel»

Обсуждение, отзывы о книге «Ysabel» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x