Phil Lovesey - Ploughing Potter’s Field

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Chilling psychological suspense novel from a brilliant new voice in crime fiction: ‘Terrific plot and a name to watch’ – Frances Fyfield, Mail on SundayThe tabloids called him the ‘Beast of East 16’. The authorities called him a dangerous sociopath. But one man called Frank Rattigan the only possible road to redemption.When Adrian Rawlings undertakes a series of interviews with an incarcerated killer, he cannot possibly realize that his encounters with the man who spent three days torturing, murdering then calmly dismembering a young air hostess ‘for fun’ in East London, will eat so deeply into his psychological neuroses and inadequacies.And as Rawlings struggles to find the vital threads to rationalize the horrifying crime, he finds himself drawn into a dark world of secret histories and hidden agendas which stretch far beyond the Beast himself.But perhaps the answers Rawlings strives for lie buried within his own childhood – a place where vulnerable minds are always prey to the evil machinations of others…

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PHIL LOVESEY

PLOUGHING POTTER’S FIELD

EPIGRAPH

Since those times, it is only rarely that someone has talked to the angels of Heaven, but some have talked with spirits who are not in Heaven. It is with difficulty that these can be elevated. Yet the Lord does elevate them as much as possible, by a turning of love; which is affected by means of truths from the word.

Emanuel Swedenborg

(Heaven and Hell)

CLERK OF COURT: All rise. The court is now in session. The Crown versus Francis James Rattigan. Judge Richard Moorland presiding.

JUDGE MOORLAND: Francis James Rattigan, you have been found guilty by this court of the murder of Helen Julianne Lewis, and it is now my duty to pronounce sentence upon you.

Do you have anything to say before I do so?

RATTIGAN: We’re all flies.

JUDGE MOORLAND (sighing slightly): Much has been said in this court over the last thirteen days which I’m sure has both distressed and appalled all present. I myself freely admit to being utterly horrified by the nature of your crime upon an innocent, unsuspecting woman. Indeed, I would go further, and add that without wishing to reiterate any of the lurid details of what took place on those three days last September, your crimes are without doubt amongst the most brutal acts of unprovoked violence it has ever been my misfortune to sit in judgement upon.

RATTIGAN (smiling): Bzzzz … Bzzzzz …

JUDGE MOORLAND (to defence counsel): Mr Sharpe, will you inform your client that another outburst will have him placed in contempt?

SHARPE: Yes, Your Honour.

RATTIGAN (singing): Old Spanish eyes … Teardrops are falling from your Spanish eyes …

JUDGE MOORLAND: I propose to ignore your sorry little diversion, Mr Rattigan. Indeed much has been made by your counsel with regards to your enfeebled mind. I find myself extremely loath to admit that evidence submitted by both independent and the Crown’s own criminal psychiatrists forces me to uphold your plea of guilty via diminished responsibility. Though I’m sure, as I feel are many of us here today, that the legal definitions of ‘mad’ and ‘bad’ require some urgent reanalysis.

However, it’s my job to dispense the law, not examine its workings. I am fully convinced that the graphic nature of your crimes horrifically indicates your permanent danger to society, and although at times like these I wish I had recourse to more traditional measures, I am forced in this instance to sentence you to indefinite detention in one of Her Majesty’s secure mental institutions.

Take him down.

(Cheers from the public gallery, hurled insults, sobbing. Rattigan is surrounded by court officials. A scuffle breaks out.)

RATTIGAN (shouting above the din): Bitch done me down! Died too quick! Watched me die a thousand times!

Court Four, Old Bailey, London.

5th March, 1989.

CONTENTS

Cover

Title Page

Epigraph

Preface

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

25

26

27

28

29

30

31

32

33

34

35

36

37

38

Keep Reading

Afterword

About the Author

Also by the Author

Copyright

About the Publisher

PREFACE

‘How d’it start? Christ’s sake, stupid or something? Me old man gave me mum one. Nine months later, I dropped out of her cunt. Never done biology?’

The anatomy lesson you’ve just read was given to me by Francis James Rattigan during one of a series of interviews I conducted with him as a research student in September/October 1997.

Frank Rattigan – the Beast of East 16, intended original subject of my doctorate thesis in forensic psychiatry. Crude, offensive, challenging Frank. Dubbed ‘Beast’ by the tabloids – their game, not his, a circulation-inspired pseudonym, good for a couple of weeks until the next psycho arrived to darken the blood-red front pages.

Can’t remember the name? The crime? Neither could I to begin with. Perhaps cynics might argue that there are too many Frank Rattigans around these days, too many ‘beasts’ loose on the streets. Today’s psycho – tomorrow’s chip-paper.

Then I was sent a thick brown file by Dr Neil Allen at Oakwood High Security Mental Hospital, prior to my meetings, stuffed with newspaper clippings, Rattigan’s previous criminal record, crime-scene photographs, police interviews and a vast battery of psychiatric reports. After a grim few days spent digesting its often unpalatable contents, ten-year-old memories of an East End slaughterhouse resurfaced, a girl turned to porridge by a man who could offer no motive, save that he did what he did ‘for fun’.

On the last page of the dossier was a photograph, the Beast himself, face set in a challenging sneer, eyes seeming to dare me to unlock the depravity which lurked inside. But the longer I looked, the more I became aware of something hiding behind the bravado – a sadness born out of the insanity which led him to his present incarceration. And as I immersed myself deeper into his enigma, I determined that there were answers to his crime, had to be, must be. I hardly dared to think that I, a humble student of the criminal mind, might find them; but the bait was down, I’d taken it, and ironically was hooked many years ago by a past which I’d refused to ever really acknowledge.

But what benefits does hindsight ever really bring? Looking back, I see myself as incredibly naive, suddenly excited by the chance of putting textbook theories into practice. I was finally being allowed into the real world, absolutely confident I had the necessary mettle to make it. I, Adrian Rawlings, imminent Doctor of Forensic Psychiatry, would ‘solve’ Rattigan. I would find the missing motive which had baffled the experts for so long.

Perhaps my desire to succeed was born from the ashes of failure, the ruins of redundancy. Maybe forensic psychiatry became a way of reinventing myself, a chance to analyse others without ever having to look too deeply at myself. But Rattigan changed all that, as surely as holding a mirror to my face.

Parts of this journal take the form of transcripted recordings made with Rattigan over two months during my initial thesis research. I’ve concentrated on passages which I feel are relevant – to Frank and myself. In reality, over seven hours of taped conversations exist. You may wish to hear them in their entirety. But I doubt it. His voice … corrodes.

It’s almost impossible to really ‘like’ a person like Frank. His personality forbids it, couldn’t cope with the affection. But perhaps somewhere in the recesses of our lost humanity, there lurks an untapped reservoir of empathy, made stagnant by the greed of the last hundred years. And sometimes, as I found to my cost, the only way to truthfully understand the motives of another, however distasteful, is to look into that dark pool and recognize a little of their madness in ourselves.

We simply have to be honest.

Adrian Rawlings .

December 1997.

1

Disinfectant. Pine Fresh. Dettol maybe

Floor polish, rubber soles squeaking on its brilliant, unyielding surface, heralding my anxious arrival.

And music, piped from God knows where.

I half laughed nervously. ‘Sounds like a cheap supermarket.’

Dr Allen frowned. ‘To you, perhaps. But to us it’s a vital part of the regime. Acts like a clock. Covers of the Hollywood greats from nine till ten. Sounds of the sixties till lunch. Pastoral classical from one till three. Then a bit of New Age synthesizer to simmer things down before supper and medication.’

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