Ray Bradbury - S is for Space

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One of Ray Bradbury’s classic short story collections, available in ebook for the first time.S IS FOR SPACE is a spine-tingling short story collection from one of the genre’s master storytellers.Science fiction, fantasy, small town life, and small town people are the materials from which Ray Bradbury weaves his unique and magical stories of the natural and supernatural, the past, the present , and the future.This book contains sixteen of Bradbury's most popular science fiction stories.

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“No thanks. I’ll drop by your office in a week or so for another checkup, though, Doctor, if you like? I’ll drop in every few weeks for the next year or so so you can check me, yes?”

“Yes. Yes, Smith. Do that, will you, please? I’d like to talk your illness over with you. You’re lucky to be alive.”

McGuire said, happily, “I’ll drive you to L.A.”

“Don’t bother. I’ll walk to Tujunga and get a cab. I want to walk. It’s been so long, I want to see what it feels like.”

Rockwell lent him an old pair of shoes and an old suit of clothes.

“Thanks, Doctor. I’ll pay you what I owe you as soon as possible.”

“You don’t owe me a penny. It was interesting.”

“Well, good-bye, Doctor. Mr. McGuire. Hartley.”

“Good-bye, Smith.”

“Good-bye.”

Smith walked down the path to the dry wash, which was already baked dry by the late afternoon sun. He walked easily and happily and whistled. I wish I could whistle now, thought Rockwell tiredly.

Smith turned once, waved to them, and then he strode up the hillside and went on over it toward the distant city.

Rockwell watched him go as a small child watches his favorite sand castle eroded and annihilated by the waves of the sea. “I can’t believe it,” he said, over and over again. “I can’t believe it. The whole thing’s ending so soon, so abruptly for me. I’m dull and empty inside.”

“Everything’s looks rosy to me!” chuckled McGuire happily.

Hartley stood in the sun. His green hands hung softly at his side and his white face was really relaxed for the first time in months, Rockwell realized. Hartley said, softly,

“I’ll come out all right. I’ll come out all right. Oh, thank God for that. Thank God for that. I won’t be a monster. I won’t be anything but myself.” He turned to Rockwell. “Just remember, remember, don’t let them bury me by mistake. Don’t let them bury me by mistake, thinking I’m dead. Remember that.”

Smith took the path across the dry wash and up the hill. It was late afternoon already and the sun had started to vanish behind blue hills. A few stars were visible. The odor of water, dust, and distant orange blossoms hung in the warm air.

Wind stirred. Smith took deep breaths of air. He walked.

Out of sight, away from the sanitarium, he paused and stood very still. He looked up at the sky.

Tossing away the cigarette he’d been smoking, he mashed it precisely under one heel. Then he straightened his well-shaped body, tossed his brown hair back, closed his eyes, swallowed, and relaxed his fingers at his sides.

With nothing of effort, just a little murmur of sound, Smith lifted his body gently from the ground into the warm air.

He soared up quickly, quietly—and very soon he was lost among the stars as Smith headed for outer space …

Pillar of Fire

He came out of the earth, hating. Hate was his father; hate was his mother.

It was good to walk again. It was good to leap up out of the earth, off of your back, and stretch your cramped arms violently and try to take a deep breath!

He tried . He cried out.

He couldn’t breathe. He flung his arms over his face and tried to breathe. It was impossible. He walked on the earth, he came out of the earth. But he was dead. He couldn’t breathe. He could take air into his mouth and force it half down his throat, with withered moves of long-dormant muscles, wildly, wildly! And with this little air he could shout and cry! He wanted to have tears, but he couldn’t make them come, either. All he knew was that he was standing upright, he was dead, he shouldn’t be walking! He couldn’t breathe and yet he stood.

The smells of the world were all about him. Frustratedly, he tried to smell the smells of autumn. Autumn was burning the land down into ruin. All across the country the ruins of summer lay; vast forests bloomed with flame, tumbled down timber on empty, unleafed timber. The smoke of the burning was rich, blue, and invisible.

He stood in the graveyard, hating. He walked through the world and yet could not taste nor smell of it. He heard, yes. The wind roared on his newly opened ears. But he was dead. Even though he walked he knew he was dead and should expect not too much of himself or this hateful living world.

He touched the tombstone over his own empty grave. He knew his own name again. It was a good job of carving.

WILLIAM LANTRY

That’s what the gravestone said.

His fingers trembled on the cool stone surface.

BORN 1898—DIED 1933

Born again … ?

What year? He glared at the sky and the midnight autumnal stars moving in slow illuminations across the windy black. He read the tiltings of centuries in those stars. Orion thus and so, Aurega here! and where Taurus? There!

His eyes narrowed. His lips spelled out the year:

“2349.”

An odd number. Like a school sum. They used to say a man couldn’t encompass any number over a hundred. After that it was all so damned abstract there was no use counting. This was the year 2349! A numeral, a sum. And here he was, a man who had lain in his hateful dark coffin, hating to be buried, hating the living people above who lived and lived and lived, hating them for all the centuries, until today, now, born out of hatred, he stood by his own freshly excavated grave, the smell of raw earth in the air, perhaps, but he could not smell it!

“I,” he said, addressing a poplar tree that was shaken by the wind, “am an anachronism.” He smiled faintly.

He looked at the graveyard. It was cold and empty. All of the stones had been ripped up and piled like so many flat bricks, one atop another, in the far corner by the wrought iron fence. This had been going on for two endless weeks. In his deep secret coffin he had heard the heartless, wild stirring as the men jabbed the earth with cold spades and tore out the coffins and carried away the withered ancient bodies to be burned. Twisting with fear in his coffin, he had waited for them to come to him.

Today they had arrived at his coffin. But—late. They had dug down to within an inch of the lid. Five o’clock bell, time for quitting. Home to supper. The workers had gone off. Tomorrow they would finish the job, they said, shrugging into their coats.

Silence had come to the emptied tombyard.

Carefully, quietly, with a soft rattling of sod, the coffin lid had lifted.

William Lantry stood trembling now, in the last cemetery on Earth.

“Remember?” he asked himself, looking at the raw earth. “Remember those stories of the last man on Earth? Those stories of men wandering in ruins, alone? Well, you, William Lantry, are a switch on the old story. Do you know that? You are the last dead man in the whole world!”

There were no more dead people. Nowhere in any land was there a dead person. Impossible? Lantry did not smile at this. No, not impossible at all in this foolish, sterile, unimaginative, antiseptic age of cleansings and scientific methods! People died, oh my God, yes. But— dead people? Corpses? They didn’t exist!

What happened to dead people?

The graveyard was on a hill. William Lantry walked through the dark burning night until he reached the edge of the graveyard and looked down upon the new town of Salem. It was all illumination, all color. Rocket ships cut fire above it, crossing the sky to all the far ports of Earth.

In his grave the new violence of this future world had driven down and seeped into William Lantry. He had been bathed in it for years. He knew all about it, with a hating dead man’s knowledge of such things.

Most important of all, he knew what these fools did with dead men.

He lifted his eyes. In the center of the town a massive stone finger pointed at the stars. It was three hundred feet high and fifty feet across. There was a wide entrance and a drive in front of it.

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