Ray Bradbury - S is for Space

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One of Ray Bradbury’s classic short story collections, available in ebook for the first time.S IS FOR SPACE is a spine-tingling short story collection from one of the genre’s master storytellers.Science fiction, fantasy, small town life, and small town people are the materials from which Ray Bradbury weaves his unique and magical stories of the natural and supernatural, the past, the present , and the future.This book contains sixteen of Bradbury's most popular science fiction stories.

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“Hartley! What are you doing back here?”

“Something happened,” said Hartley. “You’d better get McGuire. He ran out in the rain babbling like a fool.”

Rockwell kept his thoughts to himself. He searched Hartley swiftly with one glance and then ran down the hall and out into the cold wind.

“McGuire! McGuire, come back you idiot!”

The rain fell on Rockwell’s body as he ran. He found McGuire about a hundred yards from the sanitarium, blubbering,

“Smith—Smith’s walking …”

“Nonsense. Hartley came back, that’s all.”

“I saw a green hand. It moved.”

“You dreamed.”

“No. No.” McGuire’s face was flabby pale, with water on it. “I saw a green hand, believe me. Why did Hartley come back? He—”

At the mention of Hartley’s name, full comprehension came smashing to Rockwell. Fear leaped through his mind, a mad blur of warning, a jagged edge of silent screaming for help.

“Hartley!”

Shoving McGuire abruptly aside, Rockwell twisted and leaped back toward the sanitarium, shouting. Into the hall, down the hall—

Smith’s door was broken open.

Gun in hand, Hartley was in the center of the room. He turned at the noise of Rockwell’s running. They both moved simultaneously. Hartley fired his gun and Rockwell pulled the light switch.

Darkness. Flame blew across the room, profiling Smith’s rigid body like a flash photo. Rockwell jumped at the flame. Even as he jumped, shocked deep, realizing why Hartley had returned. In that instant before the lights blinked out Rockwell had a glimpse of Hartley’s fingers.

They were a brittle mottled green.

Fists then. And Hartley collapsing as the lights came on, and McGuire, dripping wet at the door, shook out the words, “Is—is Smith killed?”

Smith wasn’t harmed. The shot had passed over him.

“This fool, this fool,” cried Rockwell, standing over Hartley’s numbed shape. “Greatest case in history and he tries to destroy it!”

Hartley came around, slowly. “I should’ve known. Smith warned you.”

“Nonsense, he—” Rockwell stopped, amazed. Yes. That sudden premonition crashing into his mind. Yes. Then he glared at Hartley. “Upstairs with you. You’re being locked in for the night. McGuire, you, too. So you can watch him.”

McGuire croaked. “Hartley’s hand. Look at it. It’s green. It was Hartley in the hall—not Smith!”

Hartley stared at his fingers. “Pretty, isn’t it?” he said, bitterly. “I was in range of those radiations for a long time at the start of Smith’s illness. I’m going to be a—creature—like Smith. It’s been this way for several days. I kept it hidden. I tried not to say anything. Tonight, I couldn’t stand it any longer, and I came back to destroy Smith for what he’s done to me …”

A dry noise racked, dryly, splitting the air. The three of them froze.

Three tiny flakes of Smith’s chrysalis flicked up and then spiraled down to the floor.

Instantly, Rockwell was to the table, and gaping.

“It’s starting to crack. From the collar-bone V to the naval, a microscopic fissure! He’ll be out of his chrysalis soon!”

McGuire’s jowls trembled. “And then what?”

Hartley’s words were bitter sharp. “We’ll have a superman. Question: what does a superman look like? Answer: nobody knows.”

Another crust of flakes crackled open.

McGuire shivered. “Will you try to talk to him?”

“Certainly.”

“Since when do—butterflies—speak?”

“Oh, Good God, McGuire!”

With the two others securely imprisoned upstairs, Rockwell locked himself into Smith’s room and bedded down on a cot, prepared to wait through the long wet night, watching, listening, thinking.

Watching the tiny flakes flicking off the crumbling skin of chrysalis as the Unknown within struggled quietly outward.

Just a few more hours to wait. The rain slid over the house, pattering. What would Smith look like? A change in the earcups perhaps for greater hearing; extra eyes, maybe; a change in the skull structure, the facial setup, the bones of the body, the placement of organs, the texture of skin, a million and one changes.

Rockwell grew tired and yet was afraid to sleep. Eyelids heavy, heavy. What if he was wrong? What if his theory was entirely disjointed? What if Smith was only so much moving jelly inside? What if Smith was mad, insane—so different that he’d be a world menace? No. No. Rockwell shook his head groggily. Smith was perfect. Perfect. There’d be no room for evil thought in Smith. Perfect.

The sanitarium was death quiet. The only noise was the faint crackle of chrysalis flakes skimming to the hard floor …

Rockwell slept. Sinking into the darkness that blotted out the room as dreams moved in upon him. Dreams in which Smith arose, walked in stiff, parched gesticulations and Hartley, screaming, wielded an ax, shining, again and again into the green armor of the creature and hacked it into liquid horror. Dreams in which McGuire ran babbling through a rain of blood. Dreams in which—

Hot sunlight. Hot sunlight all over the room. It was morning. Rockwell rubbed his eyes, vaguely troubled by the fact that someone had raised the blinds. Someone had—he leaped! Sunlight! There was no way for the blinds to be up. They’d been down for weeks! He cried out.

The door was open. The sanitarium was silent. Hardly daring to turn his head, Rockwell glanced at the table. Smith should have been lying there.

He wasn’t.

There was nothing but sunlight on the table. That—and a few remnants of shattered chrysalis. Remnants.

Brittle shards, a discarded profile cleft in two pieces, a shell segment that had been a thigh, a trace of arm, a splint of chest—these were the fractured remains of Smith!

Smith was gone. Rockwell staggered to the table, crushed. Scrabbling like a child among the rattling papyrus of skin. Then he swung about, as if drunk, and swayed out of the room and pounded up the stairs, shouting:

“Hartley! What did you do with him? Hartley! Did you think you could kill him, dispose of his body, and leave a few bits of shell behind to throw me off trail?”

The door to the room where McGuire and Hartley had slept was locked. Fumbling, Rockwell unlocked it. Both McGuire and Hartley were there.

“You’re here,” said Rockwell, dazed. “You weren’t downstairs, then. Or did you unlock the door, come down, break in, kill Smith and—no, no.”

“What’s wrong?”

“Smith’s gone! McGuire, did Hartley move out of this room?”

“Not all night.”

“Then—there’s only one explanation—Smith emerged from his chrysalis and escaped during the night! I’ll never see him, I’ll never get to see him, damn it! What a fool I was to sleep!”

“That settles it!” declared Hartley. “The man’s dangerous or he would have stayed and let us see him! God only knows what he is.”

“We’ve got to search, then. He can’t be far off. We’ve got to search then! Quick now, Hartley. McGuire!”

McGuire sat heavily down. “I won’t budge. Let him find himself. I’ve had enough.”

Rockwell didn’t wait to hear more. He went downstairs with Hartley close after him. McGuire puffed down a few moments later.

Rockwell moved wildly down the hall, halted at the wide windows that overlooked the desert and the mountains with morning shining over them. He squinted out, and wondered if there was any chance at all of finding Smith. The first superbeing. The first perhaps in a new long line. Rockwell sweated. Smith wouldn’t leave without revealing himself to at least Rockwell. He couldn’t leave. Or could he?

The kitchen door swung open, slowly.

A foot stepped through the door, followed by another. A hand lifted against the wall. Cigarette smoke moved from pursed lips.

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