Scott Blackwood - See How Small

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A riveting novel about the aftermath of a brutal murder of three teenage girls, written in incantatory prose ‘that's as fine as any being written by an American author today’ (Ben Fountain)One late autumn evening in a Texas town, two strangers walk into an ice cream shop shortly before closing time. They bind up the three teenage girls who are working the counter, set fire to the shop, and disappear. ‘See How Small’ tells the stories of the survivors – family, witnesses, and suspects – who must endure in the wake of atrocity. Justice remains elusive in their world, human connection tenuous.Hovering above the aftermath of their deaths are the three girls. They watch over the town and make occasional visitations, trying to connect with and prod to life those they left behind. "See how small a thing it is that keeps us apart," they say. A master of compression and lyrical precision, Scott Blackwood has surpassed himself with this haunting, beautiful, and enormously powerful new novel.

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Copyright Contents Cover Title Page Copyright Dedication Epigraphs Part I Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Part II Chapter 17 Chapter 18 Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 Chapter 25 Chapter 26 Chapter 27 Chapter 28 Part III Chapter 29 Chapter 30 Chapter 31 Chapter 32 Chapter 33 Chapter 34 Part IV Chapter 35 Chapter 36 Chapter 37 Chapter 38 Chapter 39 Chapter 40 Chapter 41 Chapter 42 Part V Chapter 43 Chapter 44 Chapter 45 Chapter 46 Chapter 47 Chapter 48 Chapter 49 Chapter 50 Chapter 51 Chapter 52 Chapter 53 Chapter 54 Chapter 55 Chapter 56 Chapter 57 Chapter 58 Chapter 59 Chapter 60 Acknowledgments About the Author By the Same Author About the Publisher

Fourth Estate

An imprint of HarperCollins Publishers

1 London Bridge Street

London SE1 9GF

www.4thestate.co.uk

First published in Great Britain by Fourth Estate in 2015

Copyright © Scott Blackwood 2015

Scott Blackwood asserts the moral right to be identified as the author of this work

Cover photograph © Martin Wimmer/Getty Images

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins

This novel is a work of fiction. Names, characters, places and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events or locales is entirely coincidental.

Source ISBN: 9780007580934

Ebook Edition © January 2015 ISBN: 9780007580941

Version: 2015-09-16

Dedication Contents Cover Title Page Copyright Dedication Epigraphs Part I Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Part II Chapter 17 Chapter 18 Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 Chapter 25 Chapter 26 Chapter 27 Chapter 28 Part III Chapter 29 Chapter 30 Chapter 31 Chapter 32 Chapter 33 Chapter 34 Part IV Chapter 35 Chapter 36 Chapter 37 Chapter 38 Chapter 39 Chapter 40 Chapter 41 Chapter 42 Part V Chapter 43 Chapter 44 Chapter 45 Chapter 46 Chapter 47 Chapter 48 Chapter 49 Chapter 50 Chapter 51 Chapter 52 Chapter 53 Chapter 54 Chapter 55 Chapter 56 Chapter 57 Chapter 58 Chapter 59 Chapter 60 Acknowledgments About the Author By the Same Author About the Publisher

For Ava, Ellie & Tommi

Epigraphs Contents Cover Title Page Copyright Dedication Epigraphs Part I Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Part II Chapter 17 Chapter 18 Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 Chapter 25 Chapter 26 Chapter 27 Chapter 28 Part III Chapter 29 Chapter 30 Chapter 31 Chapter 32 Chapter 33 Chapter 34 Part IV Chapter 35 Chapter 36 Chapter 37 Chapter 38 Chapter 39 Chapter 40 Chapter 41 Chapter 42 Part V Chapter 43 Chapter 44 Chapter 45 Chapter 46 Chapter 47 Chapter 48 Chapter 49 Chapter 50 Chapter 51 Chapter 52 Chapter 53 Chapter 54 Chapter 55 Chapter 56 Chapter 57 Chapter 58 Chapter 59 Chapter 60 Acknowledgments About the Author By the Same Author About the Publisher

The first time I heard the voice I was terrified. It was noon, in summer, in my father’s garden…. I seldom heard the voice when it was not accompanied by a light. Usually it was very bright.

— JOAN OF ARC, FROM THE TRANSCRIPT OF HER TRIAL

Thomas Aquinas invented a third order of duration distinct from time and eternity, which he called aevum …. It coexists with temporal events, at the moment of occurrence, being, as was said, like a stick in a river. Aevum, you might say, is the time order of novels.

— FRANK KERMODE, THE SENSE OF AN ENDING

It shall be called “Bottom’s Dream,” because it hath no bottom.

— NICK BOTTOM, IN WILLIAM SHAKESPEARE’S

A MIDSUMMER NIGHT’S DREAM

Contents

Cover

Title Page

Copyright

Dedication

Epigraphs

Part I

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Part II

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Part III

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Part IV

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Part V

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Chapter 55

Chapter 56

Chapter 57

Chapter 58

Chapter 59

Chapter 60

Acknowledgments

About the Author

By the Same Author

About the Publisher

I Contents Cover Title Page Copyright Dedication Epigraphs Part I Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Part II Chapter 17 Chapter 18 Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 Chapter 25 Chapter 26 Chapter 27 Chapter 28 Part III Chapter 29 Chapter 30 Chapter 31 Chapter 32 Chapter 33 Chapter 34 Part IV Chapter 35 Chapter 36 Chapter 37 Chapter 38 Chapter 39 Chapter 40 Chapter 41 Chapter 42 Part V Chapter 43 Chapter 44 Chapter 45 Chapter 46 Chapter 47 Chapter 48 Chapter 49 Chapter 50 Chapter 51 Chapter 52 Chapter 53 Chapter 54 Chapter 55 Chapter 56 Chapter 57 Chapter 58 Chapter 59 Chapter 60 Acknowledgments About the Author By the Same Author About the Publisher

1 Contents Cover Title Page Copyright Dedication Epigraphs Part I Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Part II Chapter 17 Chapter 18 Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 Chapter 25 Chapter 26 Chapter 27 Chapter 28 Part III Chapter 29 Chapter 30 Chapter 31 Chapter 32 Chapter 33 Chapter 34 Part IV Chapter 35 Chapter 36 Chapter 37 Chapter 38 Chapter 39 Chapter 40 Chapter 41 Chapter 42 Part V Chapter 43 Chapter 44 Chapter 45 Chapter 46 Chapter 47 Chapter 48 Chapter 49 Chapter 50 Chapter 51 Chapter 52 Chapter 53 Chapter 54 Chapter 55 Chapter 56 Chapter 57 Chapter 58 Chapter 59 Chapter 60 Acknowledgments About the Author By the Same Author About the Publisher

WE HAVE ALWAYS lived here, though we pretend we’ve just arrived. That’s the trick, to make forgetful shapes with your mouth so everything feels new and unremembered. But after a while we slip up. A careless word, an uninvited smell, a tip-of-the-tongue taste of something sweet, makes the room suddenly familiar — and we have to begin again. Like startled infants, we look to your face to tell us what comes next. You came into the fire.

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