J. Vance - Hillbilly Elegy - A Memoir of a Family and Culture in Crisis

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A SUNDAY TIMES BESTSELLERWaterstones Nonfiction Book of the Month (June)‘THE POLITICAL BOOK OF THE YEAR’ Sunday Times‘You will not read a more important book about America this year’ Economist‘A memoir of life in the Trump-voting white working class is the political book of the year’ Sunday Times‘Hillbilly Elegy’ is a passionate and personal analysis of a culture in crisis – that of white working-class Americans. The decline of this group, a demographic of the United States that has been slowly disintegrating over forty years, has been reported on with growing frequency and alarm, but has never before been written about as searingly from the inside. J. D. Vance tells the true story of what a social, regional, and class decline feels like when you were born with it hung around your neck.The Vance family story begins hopefully in post-war America. J. D.’s grandparents were “dirt poor and in love,” and moved north from Kentucky’s Appalachia region to Ohio in the hopes of escaping the dreadful poverty around them. They raised a middle-class family, and eventually their grandchild (the author) would graduate from Yale Law School, a conventional marker of their success in achieving generational upward mobility.But as the family saga of ‘Hillbilly Elegy’ plays out, we learn that this is only the short, superficial version. Vance’s grandparents, aunt, uncle, sister, and, most of all, his mother, struggled profoundly with the demands of their new middle-class life, and were never able to fully escape the legacy of abuse, alcoholism, poverty, and trauma so characteristic of their part of America. Vance piercingly shows how he himself still carries around the demons of their chaotic family history.A deeply moving memoir with its share of humour and vividly colourful figures, ‘Hillbilly Elegy’ is the story of how upward mobility really feels. And it is an urgent and troubling meditation on the loss of the American dream for a large segment of the country.

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We tend to overstate and to understate, to glorify the good and ignore the bad in ourselves. This is why the folks of Appalachia reacted strongly to an honest look at some of its most impoverished people. It’s why I worshipped the Blanton men, and it’s why I spent the first eighteen years of my life pretending that everything in the world was a problem except me.

The truth is hard, and the hardest truths for hill people are the ones they must tell about themselves. Jackson is undoubtedly full of the nicest people in the world; it is also full of drug addicts and at least one man who can find the time to make eight children but can’t find the time to support them. It is unquestionably beautiful, but its beauty is obscured by the environmental waste and loose trash that scatters the countryside. Its people are hardworking, except of course for the many food stamp recipients who show little interest in honest work. Jackson, like the Blanton men, is full of contradictions.

Things have gotten so bad that last summer, after my cousin Mike buried his mother, his thoughts turned immediately to selling her house. “I can’t live here, and I can’t leave it untended,” he said. “The drug addicts will ransack it.” Jackson has always been poor, but it was never a place where a man feared leaving his mother’s home alone. The place I call home has taken a worrisome turn.

If there is any temptation to judge these problems as the narrow concern of backwoods hollers, a glimpse at my own life reveals that Jackson’s plight has gone mainstream. Thanks to the massive migration from the poorer regions of Appalachia to places like Ohio, Michigan, Indiana, Pennsylvania, and Illinois, hillbilly values spread widely along with hillbilly people. Indeed, Kentucky transplants and their children are so prominent in Middletown, Ohio (where I grew up), that as kids we derisively called it “Middletucky.”

My grandparents uprooted themselves from the real Kentucky and relocated to Middletucky in search of a better life, and in some ways they found it. In other ways, they never really escaped. The drug addiction that plagues Jackson has afflicted their older daughter for her entire adult life. Mountain Dew mouth may be especially bad in Jackson, but my grandparents fought it in Middletown, too: I was nine months old the first time Mamaw saw my mother put Pepsi in my bottle. Virtuous fathers are in short supply in Jackson, but they are equally scarce in the lives of my grandparents’ grandchildren. People have struggled to get out of Jackson for decades; now they struggle to escape Middletown.

If the problems start in Jackson, it is not entirely clear where they end. What I realized many years ago, watching that funeral procession with Mamaw, is that I am a hill person. So is much of America’s white working class. And we hill people aren’t doing very well.

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