Len Deighton - The Spy Quartet - An Expensive Place to Die, Spy Story, Yesterday’s Spy, Twinkle Twinkle Little Spy

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Four classic spy novels, four unnamed spies - just like Britain’s uber-cool sixties spy, ‘Harry Palmer’ - together in one e-bundle for the first time.When Len Deighton wrote THE IPCRESS FILE, he not only reinvented spy fiction, he created a style icon and literary legend: ‘Harry Palmer’. The nameless, working-class spy of the books found fame in three films starring Michael Caine, and the smart-talking, anti-establishment spy was suddenly cool.Hollywood would create a host of similarly super-slick spies, such as Napoleon Solo and Illya Kuryakin in The Man from Uncle. But ‘ Harry Palmer’ remains the best, and this quartet showcases the international exploits of someone who looks, sounds and acts like Harry.AN EXPENSIVE PLACE TO DIE – Into the twilight world of Parisian decadence and hidden motives come the agents of four world powers.SPY STORY – An attempted murder, the defection of a senior KGB official, and an explosive nuclear submarine chase beneath the Arctic Ocean are the sparks that ignite a brutal East-West power play.YESTERDAY’S SPY – They thought that Steve Champion, flamboyant hero and leader of an anti-Nazi intelligence group was gone. Then rumours surface of Champion’s sinister Arab connections and weapons-smuggling, forcing his old friend to investigate.TWINKLE, TWINKLE, LITTLE SPY – A Soviet space scientist defector, an English spy and an ex-CIA agent leave a blood-soaked killing trail across three continents, while overhead spy satellites watch all, twinkling like stars.

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‘You’re English,’ she said suddenly. It must have been something in my accent or syntax. I nodded.

‘It will be strictly business,’ she said. ‘Cash payments.’

‘You don’t have to be so tough on yourself,’ I said. She said nothing.

‘And thanks,’ I said.

‘Get stuffed,’ said Monique.

17

First there came a small police van, its klaxon going. Co-operating with it was a blue-uniformed man on a motor-cycle. He kept his whistle in his mouth and blew repeatedly. Sometimes he was ahead of the van, sometimes behind it. He waved his right hand at the traffic as if by just the draught from it he could force the parked cars up on the pavement. The noise was deafening. The traffic ducked out of the way, some cars went willingly, some grudgingly, but after a couple of beeps on the whistle they crawled up on the stones, the pavement and over traffic islands like tortoises. Behind the van came the flying column: three long blue buses jammed with Garde Mobile men who stared at the cringing traffic with a bored look on their faces. At the rear of the column came a radio car. Loiseau watched them disappear down the Faubourg St Honoré. Soon the traffic began to move again. He turned away from the window and back to Maria. ‘Dangerous,’ pronounced Loiseau. ‘He’s playing a dangerous game. The girl is killed in his house, and Datt is pulling every political string he can find to prevent an investigation taking place. He’ll regret it.’ He got to his feet and walked across the room.

‘Sit down, darling,’ said Maria. ‘You are just wasting calories in getting annoyed.’

‘I’m not Datt’s boy,’ said Loiseau.

‘And no one will imagine that you are,’ said Maria. She wondered why Loiseau saw everything as a threat to his prestige.

‘The girl is entitled to an investigation,’ explained Loiseau. ‘That’s why I became a policeman. I believe in equality before the law. And now they are trying to tie my hands. It makes me furious.’

‘Don’t shout,’ said Maria. ‘What sort of effect do you imagine that has upon the people that work for you, hearing you shouting?’

‘You are right,’ said Loiseau. Maria loved him. It was when he capitulated so readily like that that she loved him so intensely. She wanted to care for him and advise him and make him the most successful policeman in the whole world. Maria said, ‘You are the finest policeman in the whole world.’

He smiled. ‘You mean with your help I could be.’ Maria shook her head. ‘Don’t argue,’ said Loiseau. ‘I know the workings of your mind by now.’

Maria smiled too. He did know. That was the awful thing about their marriage. They knew each other too well. To know all is to forgive nothing.

‘She was one of my girls,’ said Loiseau. Maria was surprised. Of course Loiseau had girls, he was no monk, but it surprised her to hear him talk like that to her. ‘One of them?’ She deliberately made her voice mocking.

‘Don’t be so bloody arch, Maria. I can’t stand you raising one eyebrow and adopting that patronizing tone. One of my girls.’ He said it slowly to make it easy for her to understand. He was so pompous that Maria almost giggled. ‘One of my girls, working for me as an informant.’

‘Don’t all the tarts do that?’

‘She wasn’t a tart, she was a highly intelligent girl giving us first-class information.’

‘Admit it, darling,’ Maria cooed, ‘you were a tiny bit infatuated with her.’ She raised an eyebrow quizzically.

‘You stupid cow,’ said Loiseau. ‘What’s the good of treating you like an intelligent human.’ Maria was shocked by the rusty-edged hatred that cut her. She had made a kind, almost loving remark. Of course the girl had fascinated Loiseau and had in turn been fascinated by him. The fact that it was true was proved by Loiseau’s anger. But did his anger have to be so bitter? Did he have to wound her to know if blood flowed through her veins?

Maria got to her feet. ‘I’ll go,’ she said. She remembered Loiseau once saying that Mozart was the only person who understood him. She had long since decided that that at least was true.

‘You said you wanted to ask me something.’

‘It doesn’t matter.’

‘Of course it matters. Sit down and tell me.’

She shook her head. ‘Another time.’

‘Do you have to treat me like a monster, just because I won’t play your womanly games?’

‘No,’ she said.

There was no need for Maria to feel sorry for Loiseau. He didn’t feel sorry for himself and seldom for anyone else. He had pulled the mechanism of their marriage apart and now looked at it as if it were a broken toy, wondering why it didn’t work. Poor Loiseau. My poor, poor, darling Loiseau. I at least can build again, but you don’t know what you did that killed us.

‘You’re crying, Maria. Forgive me. I’m so sorry.’

‘I’m not crying and you’re not sorry.’ She smiled at him. ‘Perhaps that’s always been our problem.’

Loiseau shook his head but it wasn’t a convincing denial.

Maria walked back towards the Faubourg St Honoré. Jean-Paul was at the wheel of her car.

‘He made you cry,’ said Jean-Paul. ‘The rotten swine.’

‘I made myself cry,’ said Maria.

Jean-Paul put his arm around her and held her tight. It was all over between her and Jean-Paul, but feeling his arm around her was like a shot of cognac. She stopped feeling sorry for herself and studied her make-up.

‘You look magnificent,’ said Jean-Paul. ‘I would like to take you away and make love to you.’

There was a time when that would have affected her, but she had long since decided that Jean-Paul seldom wanted to make love to anyone, although he did it often enough, heaven knows. But it was a good thing to hear when you have just argued with an ex-husband. She smiled at Jean-Paul and he took her hand in his large tanned one and turned it around like a bronze sculpture on a turntable. Then he released it and grabbed at the controls of the car. He wasn’t as good a driver as Maria was, but she preferred to be his passenger rather than drive herself. She lolled back and pretended that Jean-Paul was the capable tanned he-man that he looked. She watched the pedestrians, and intercepted the envious glances. They were a perfect picture of modern Paris: the flashy automobile, Jean-Paul’s relaxed good looks and expensive clothes, her own well-cared-for appearance – for she was as sexy now as she had ever been. She leaned her head close upon Jean-Paul’s shoulder. She could smell his after-shave perfume and the rich animal smell of the leather seats. Jean-Paul changed gear as they roared across the Place de la Concorde. She felt his arm muscles ripple against her cheek.

‘Did you ask him?’ asked Jean-Paul.

‘No,’ she said. ‘I couldn’t. He wasn’t in the right mood.’

‘He’s never in the right mood, Maria. And he’s never going to be. Loiseau knows what you want to ask him and he precipitates situations so that you never will ask him.’

‘Loiseau isn’t like that,’ said Maria. She had never thought of that. Loiseau was clever and subtle; perhaps it was true.

‘Look,’ said Jean-Paul, ‘during the last year that house on the Avenue Foch has held exhibitions, orgies, with perversions, blue movies and everything, but has never had any trouble from the police. Even when a girl dies there, there is still little or no trouble. Why? Because it has the protection of the French Government. Why does it have protection? Because the activities at the house are filmed and photographed for official dossiers.’

‘I’m not sure you’re right. Datt implies that, but I’m not sure.’

‘Well I am sure,’ said Jean-Paul. ‘I’ll bet you that those films and photos are in the possession of the Ministry of the Interior, Loiseau probably sees every one of them. They probably have a private showing once a week. Loiseau probably saw that film of you and me within twenty-four hours of its being taken.’

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