LEN DEIGHTON
Twinkle, Twinkle, Little Spy
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
Published by HarperCollins Publishers Ltd 1 London Bridge Street London SE1 9GF
www.harpercollins.co.uk
First published in Great Britain by
Jonathan Cape Ltd in 1976
Copyright © Len Deighton 1976
Introduction copyright © Pluriform Publishing Company BV 2012
Cover designer’s note © Arnold Schwartzman 2012
Len Deighton asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
Ebook Edition © June 2012 ISBN: 9780007458394
Version: 2017-05-23
All rights reserved under International Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
‘I have loved the stars too fondly to be fearful of the night’
Epitaph on grave of unknown astronomer
Table of Contents
Title Page LEN DEIGHTON Twinkle, Twinkle, Little Spy
Copyright Copyright This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental. Published by HarperCollins Publishers Ltd 1 London Bridge Street London SE1 9GF www.harpercollins.co.uk First published in Great Britain by Jonathan Cape Ltd in 1976 Copyright © Len Deighton 1976 Introduction copyright © Pluriform Publishing Company BV 2012 Cover designer’s note © Arnold Schwartzman 2012 Len Deighton asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library Ebook Edition © June 2012 ISBN: 9780007458394 Version: 2017-05-23 All rights reserved under International Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
Epigraph ‘I have loved the stars too fondly to be fearful of the night’ Epitaph on grave of unknown astronomer
Introduction
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Cover designer’s note
About the Author
By Len Deighton
About the Publisher
I was flying to southern Spain with Kevin McClory who wanted to talk to Sean Connery about a James Bond film that he was planning. (Many rewrites later it became Never Say Never Again , its title based upon a remark made by Sean’s wife after this meeting.) Persuading Sean to return to his James Bond role was going to be a hard sell, and Kevin knew it. Immediately after take-off an attractive young woman passenger came forward to where McClory was seated. She recognized him and asked if he would like a game of backgammon. Yes, he said. Small stakes, she promised, for I have never seen a game of backgammon played other than for money. It’s a game of skill but it is a gambler’s game. During the flight – while they played backgammon – she told me that she was a professional gambler. Every month there was a major tournament somewhere in the world and she attended every one of these gatherings, winning enough to provide a comfortable lifestyle. She had recognized McClory from his presence at a backgammon tournament in the Bahamas. Although I spent no more than two hours talking with this woman, I took her skills and audacious lifestyle as a background for the character Red Bancroft in this story.
For a few weeks after this chance encounter, I lived in the beachside home of Kevin and worked on a James Bond script. To research it I had gone on a trip around Florida, attended long, long, New York meetings and endured a splashy exploration of the dark Manhattan sewers for a sequence that I later deleted. (Despite persistent stories otherwise, there were no alligators living there as far as I could see.) Recovering in the sunny Bahamas, I found myself in a community of actors, writers and musicians. Backgammon was the common obsession and, until I found a ‘teach yourself backgammon’ sort of book in a local shop, I found it baffling. But once I understood the rules and skills of the game I found it to be a rewarding spectator sport. I never did play against McClory or any of his friends; they were far too skilled and far too rich. But I did learn enough to keep Red Bancroft in play in this story.
It was another entrepreneurial friend – Wylton Dickson, an Australian – who invited me to go rally driving deep into the Sahara Desert. Wylton had married an art school friend of mine and from that day of their wedding onwards he was a valuable element of my life and a treasured adviser. He was a man of many parts, many trades and countless fresh and original ideas. Restless, in a way that Australians sometimes are, he was always brimming with energy. He had offices, and the most beautiful old houses, in many parts of London. I never saw him drunk or even tipsy, but every time I entered Wylton’s office he was opening a bottle of chilled champagne to pour a glass of it for me. French Champagne? Don’t be silly; only the best of the best was good enough for Wylton’s friends. A considerable proportion of all the champagne I ever drank must have been the bottles of the Australian champagne that I consumed in Wylton’s company. During my time as a film producer I rented my wonderful Piccadilly film office from him. The old high-ceilinged room overlooked Hyde Park Corner and the view was so captivating that it was difficult to tear myself away at day’s end. I worked with him to advertise Australian wine.
In 1974 he created a World Cup Rally and invited me to participate. I drove one of the specially tuned Peugeot cars, and joined the ‘marshals’ that timed and checked the progress of the contestants. The route went hundreds of miles into the Sahara. It was an adventure, and the desert sequences in Twinkle, Twinkle, Little Spy faithfully reflect my time in Algeria – at that time a forbidden and little-visited nation. Pounding along on the desert tracks with these professional drivers made me realize what a complicated and scientific business rally driving is for such men and women. I learned the Arabic word for oranges, heard some new profanities and improved my driving, too.
Although I do not favour giving my fictional characters the names of real people, I inserted the name of Charlie Kelly into this story because Charlie was one of the most highly regarded Irish detectives in New York’s Police Department and a good friend who opened many doors for me. It was Charlie who secured for me my honorary membership of the NYPD. And Charlie provided a characterization that he never recognized.
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