Len Deighton - Yesterday’s Spy

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Sinister rumours link clandestine Arab arms dealing with the man who led the old anti-Nazi Guernica network. Time to reopen the master file on yesterday’s spy…Sinister rumours link clandestine Arab arms dealing with the man who led the old anti-Nazi Guernica network. Time to re-open the master file on yesterday’s spy…This new reissue includes a foreword from the cover designer, Oscar-winning filmmaker Arnold Schwartzman, and a brand new introduction by Len Deighton, which offers a fascinating insight into the writing of the story.

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LEN DEIGHTON

Yesterday’s Spy

Yesterdays Spy - изображение 1

Copyright

This novel is entirely a work of fiction.

The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

Published by HarperCollins Publishers Ltd 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by

Jonathan Cape Ltd in 1975

Copyright © Len Deighton 1975

Introduction copyright © Pluriform Publishing Company BV 2012

Cover designer’s note © Arnold Schwartzman 2012

Len Deighton asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

Ebook Edition © June 2012 ISBN: 9780007458417

Version: 2017-05-23

All rights reserved under International Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

Table of Contents

Title Page LEN DEIGHTON Yesterday’s Spy

Copyright Copyright This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental. Published by HarperCollins Publishers Ltd 1 London Bridge Street London SE1 9GF www.harpercollins.co.uk First published in Great Britain by Jonathan Cape Ltd in 1975 Copyright © Len Deighton 1975 Introduction copyright © Pluriform Publishing Company BV 2012 Cover designer’s note © Arnold Schwartzman 2012 Len Deighton asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library Ebook Edition © June 2012 ISBN: 9780007458417 Version: 2017-05-23 All rights reserved under International Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

Introduction

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Cover designer’s note

About the Author

By Len Deighton

About the Publisher

Introduction

They say that New York City is the place to enjoy when you are young and Paris is the city for those of mature years. Maybe it depends how much money you spend.

It is not true that I prefer to stay in broken-down dumps rather than grand hotels. I love grand hotels but I also find certain sorts of dumps, and the people who frequent them, intriguing. Back in the distant past I had a room in the Adlon in Communist East Berlin, or at least in that hotel’s ruined remains. It was so dilapidated that it seemed as if a violent sneeze would be enough to make it fall apart. But looking down from this back room I could see the East German border guards and their barrack rooms, their armoury, kennels and guard dogs. The noise from the dogs being brought out gave notice of some new drama at the nearby Wall. It was rather like standing in the wings for a Grand-Guignol show.

A quite different and more enjoyable time came when my family squeezed into the attic of a Gasthof not far from Munich. The discomfort was more than made up for by the friendliness of the Swabian couple who worked so hard and kept so cheerful and let us into the kitchen to learn some secrets of south German cooking. We stayed in that lakeside village for months. My two sons went to school nearby and my understanding of the German south and its people proved valuable for my book Winter , which I wrote there using one of the earliest laptop computers. We were all sorry to depart.

When Charlie Kasher, the executive producer of the film of The Ipcress File , visited me in the Hotel Chelsea – on West 23 rdStreet NYC – he was appalled at what he described as its ‘squalour’. He dragged me away to somewhere he felt more salubrious: a small smart luxury hotel on Fifth Avenue. It was more convenient and more comfortable but only half the fun. In the fifties, in several tiny Japanese villages I found clean accommodation so cheap that my Japanese friends refused to believe the low prices I had paid and thought I didn’t understand the money. When I first booked into the famous Hotel Sacher in Vienna it had not fully recovered from its occupation by some of the more uncaring, and trigger-happy, elements of the Red Army infantry, and I looked in vain for the Schlagobers and Sachertorte.

As I see it, it is the task of a writer to seek the truth and truth is not to be found in the silky indulgence of grand hotels, which tend to be the same in all parts of the world. Truth is found where people work and suffer. As a base for my research for Yesterday’s Spy I rented a room in a flea-bitten little hotel in Villefranche-sur-Mer. It was an establishment that I have depicted realistically in this story. The Princess was much as I have described.

Why Villefranche? The bay of Villefranche has water deeper than any other such port anywhere in the Mediterranean. From 350 feet near the shore the ocean bed slopes away steeply to 1,700 feet of dark water. It was this unique deep-water anchorage that brought the US Sixth Fleet here regularly: carriers, cruisers and even big battleships such as the USS Missouri . In those frantic years of the Cold War, France was in love with its American protectors. Americans were subject to the draft and these little streets and alleys were packed with high-spirited young sailors on brief shore leave looking for action of one kind or another.

When the dollar was high, France fondly embraced all American visitors, but love affairs can cool and lovers prove unkind. France switched its affections to Teutonic neighbours brandishing Deutschmarks, and the Sixth Fleet found other spots to drop anchor. By the time I was researching this book Villefranche was going through a period of quiet. Visitors of any kind were not much in evidence and the whole place had a hushed spooky feeling, as if the lonely little town was waiting for the sailors to return.

The Savoy is one of the most attractive regions that I have ever known. I have returned to it time and time again. Eventually – and long after this book was written – it became home to my wife’s parents, and in a comfortable rented house nearby we made it our home too. My children went to the local village school, learned to speak French like the natives, enjoyed long-lasting friendships and, like us, count it among the happiest times of their lives. The inhabitants of the Savoy are unique for their welcoming ways, neighbourliness and love of food and cooking. During our time there I wrote much of a book later published as the ABC of French Food . Cooking provides the lingua franca of this region, and while the affable sociability is – like so many of the family names – Italian, the cooking is French. The winter hereabout is not always mild. The Alps and the River Rhone both bring winds and cold weather but that in turn means heartwarming food and roaring log fires. In summary it is an excellent place in which to settle back and write a book.

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